Forgeries Fakes And Reproductions

An expose of the corrupt world of forgeries

In 1979, Edward P. Alexander's Museums in Motion was hailed as a much-needed addition to the museum literature. In combining the history of museums since the eighteenth century with a detailed examination of the function of museums and museum workers in modern society, it served as an essential resource for those seeking to enter to the museum profession and for established professionals looking for an expanded understanding of their own discipline. Now, Mary Alexander has produced a newly revised edition of the classic text, bringing it the twenty-first century with coverage of emerging trends, resources, and challenges. New material also includes a discussion of the children's museum as a distinct type of institution and an exploration of the role computers play in both outreach and traditional in-person visits.

From the author of the acclaimed Ancient Coin Collecting series comes yet another essential resource -- one that could save collectors considerable money and frustration. Counterfeits are relatively common among ancient coins, yet knowing where the dangers lie is key to avoiding disaster as a collector or investor. Accordingly, this book takes an objective and candid look at the history of falsifying ancient coins. It traces the careers of well-known forgers and discusses the many fakes that proliferate the modern market. Topics covered include manufacturing techniques, collector response to the problem and tools and methods of detecting fakes. Special sections include a catalogue of the previously unpublished work of reproduction artist Peter Rosa and extensive bibliographies leading to a wealth of technical information. Features: The essential guide to identifying counterfeit ancient coins and avoiding financial disaster; Illustrated with more than 200 photographs to help differentiate authentic coins from fakes; From the author of the acclaimed Ancient Coin Collecting series.

SOndor Radn-ti looks at forgeries, artistic reproductions, replicas, variations, and pastiches in order to study the dilemmas surrounding artistic illusion and 'poetic license.' He reveals how forgeries as the parasites of art make clear and transparent the meaning of artistic orginality.

Discusses how to identify fakes, forgeries and reproductions of such collectibles as glass, china, furniture, toys, and silver.