Forgotten Impulses

To outsiders, they seem the perfect American family. Margaret, the loving, widowed mother. Mackie, the brilliant, dazzling handsome older son. Phillis, his beautiful, talented, sophisticated wife. Dink, friendly and outgoing, with all the energy of young manhood. Gina, his girlfriend, the prettiest girl in their Illinois small town. They alone know of the shadow of guilt hanging over all of them. They alone know of the flames of forbidden desire consuming each of them. They are ordinary people who enrich and damage one another's lives, and somehow, some way, survive to keep moving on.

Long before scientists at the Roslin Institute in Scotland cloned Dolly the sheep in 1996, American embryologist and aspiring cancer researcher Robert Briggs successfully developed the technique of nuclear transplantation using frogs in 1952. Although the history of cloning is often associated with contemporary ethical controversies, Forgotten Clones revisits the influential work of scientists like Briggs, Thomas King, and Marie DiBerardino, before the possibility of human cloning and its ethical implications first registered as a concern in public consciousness, and when many thought the very idea of cloning was experimentally impossible. By focusing instead on new laboratory techniques and practices and their place in Anglo-American science and society in the mid-twentieth century, Nathan Crowe demonstrates how embryos constructed in the lab were only later reconstructed as ethical problems in the 1960s and 1970s with the emergence of what was then referred to as the Biological Revolution. His book illuminates the importance of the early history of cloning for the biosciences and their institutional, disciplinary, and intellectual contexts, as well as providing new insights into the changing cultural perceptions of the biological sciences after Second World War.

13 slide presentations, Dornach, Oct. 8, 1916 - Oct. 29, 1917 (CW 292) "I am going to show you a series of reproductions, of slides, from a period in art history to which the human mind will probably always return to contemplate and consider; for, if we consider history as a reflection of inner spiritual impulses, it is precisely in this evolutionary moment that we see certain human circumstances, ones that are among the deepest and most decisive for the outer course of human history, expressed through a relationship to art." --Rudolf Steiner Rudolf Steiner understood that the history of art is a field in which the evolution of consciousness is symptomatically and transparently revealed. This informal sequence of thirteen lectures was given during the darkest hours of World War I. It was a moment when the negative consequences of what he called the age of the consciousness soul, which began around 1417, were made most terribly apparent. In these lectures he sought to provide an antidote to pessimism. After describing the movement of consciousness from Greece into Rome, coupled with influences from the Orthodox East, he showed how these influences transformed as the Middle Ages became the Renaissance. The process that begins with Cimabue and Giotto develops, deepens, and becomes more conscious in the great Renaissance masters Leonardo, Michelangelo, and Raphael. Then this movement continues with the Northern masters, Dürer and Holbein, as well as the German tradition. One entire lecture is devoted to Rembrandt, followed by one on Dutch and Flemish paintings. Themes are woven together to show how past epochs of consciousness and art live again in our consciousness-soul period. Replete with interesting information and more than 600 color and black-and-white images, these lectures are rich and dense with ideas, enabling us to understand both the art of the Renaissance and the transformation of consciousness it announced. These lectures demonstrate (to paraphrase Shelley) that artists truly are the unacknowledged legislators of the age. Art History as a Reflection of Inner Spiritual Impulses is a translation from German of Kunstgeschichte als Abbild innerer geistiger Impulse (GA 292, Rudolf Steiner Verlag, 2000).

Vol. 1 includes the decisions of the Supreme Court of the Territory of Washington for 1889.

Walton tracks the fate of Lily and Charlie, two down–and–out musicians on the run from an army of "very well–connected" thugs out not just for blood but for spirit. Fleeing by car, foot, air, bicycle, train, covered wagon and dirigible, the two make their way with Lily's baby from Sunset Boulevard to a mountain retreat in Oregon. Eluding all manner of physical and mental danger, Lily and Charlie take their final stand with a commune of utopian artists. Their odyssey is seedily realistic, wildly surrealistic, often erotic and only occasionally a bit precious. What seemed like a simple pursuit story has become an engaging parable of the responsibilities of creativity, the nature of self–worth, the redemptive power of love—perhaps the Meaning of Life itself. Night Train evokes a paranoid romanticism reminiscent of Craig Nova, Don DeLillo and Thomas Pynchon. – Tom Nolan, Los Angeles Times

Good Press presents to you a meticulously edited G. K. Chesterton collection. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Content: The Father Brown Books: The Innocence of Father Brown The Wisdom of Father Brown The Incredulity of Father Brown The Secret of Father Brown The Scandal of Father Brown The Donnington Affair The Mask of Midas Novels: The Napoleon of Notting Hill The Man who was Thursday The Ball and the Cross Manalive The Flying Inn The Return of Don Quixote Short Stories: The Club of Queer Trades The Man Who Knew Too Much The Trees of Pride Tales of the Long Bow The Poet and the Lunatics Four Faultless Felons The Paradoxes of Mr. Pond The White Pillars Murder The Sword of Wood Poetry: Greybeards At Play The Wild Knight and Other Poems Wine, Water, and Song Poems, 1916 The Ballad of St. Barbara and Other Verses The Ballad of the White Horse Gloria in Profundis Ubi Ecclesia Rotarians Plays: Magic – A Fantastic Comedy The Turkey and the Turk Literary Criticism: A Defence of Penny Dreadfuls Appreciations and Criticisms of the Works of Charles Dickens The Victorian Age in Literature Charles Dickens - Critical Study Hilaire Belloc Robert Louis Stevenson Historical Works: A Short History of England The Barbarism of Berlin Letters to an Old Garibaldian The Crimes of England The New Jerusalem Theological Works: Heretics Orthodoxy The Everlasting Man The Catholic Church and Conversion Eugenics and other Evils Essays: The Defendant Varied Types All Things Considered Tremendous Trifles What's Wrong with the World Miscellany of Men Divorce versus Democracy The Superstition of Divorce The Uses of Diversity Fancies Versus Fads The Outline of Sanity The Thing Come to Think All is Grist As I was Saying Autobiography by G. K. Chesterton G. K. Chesterton – A Critical Study by Julius West

Although psychoanalysis and Zen Buddhism derive from theoretical and philosophical assumptions worlds apart, both experientially-based traditions share at their heart a desire for the understanding, development, and growth of the human experience. Paul Cooper utilizes detailed clinical vignettes to contextualize the implications of Zen Buddhism in the therapeutic setting to demonstrate how its practices and beliefs inform, relate to, and enhance transformative psychoanalytic practice. The basic concepts of Zen, such as the identity of the relative and the absolute and the foundational principles of emptiness and dependent-arising, are given special attention as they relate to the psychoanalytic concepts of the unconscious and its processes, transference and countertransference, formulations of self, and more. In addition, through an analysis of apophasis, a unique style of discourse that serves as a basic structure for mystical languages, he provides insight into the structure of the seemingly irrational Zen koan in order to demonstrate its function as a pedagogical and psychological tool. Though mindful of their differences, Cooper’s intent throughout is to illustrate how the practices of both Zen and psychoanalysis become internalized by the individual who engages in them and can, in turn, inform one another in mutually beneficial ways in an effort to comprehend the ramifications of an individual or collective expanding vision.