Forgotten Masters

Manu of us believe that Earth to be sentient or feeling, but we are disconnected from her because we can't understand her vibrations and impressions. Gaia, the sentience of Earth, speaks to us through Pepper Lewis, teaching us how to be attuned to the Earth and to learn from her.

As the East India Company extended its sway across India in the late eighteenth century, many remarkable artworks were commissioned by Company officials from Indian painters who had previously worked for the Mughals. Published to coincide with the first UK exhibition of these masterworks at The Wallace Collection, this book celebrates the work of a series of extraordinary Indian artists, each with their own style and tastes and agency, all of whom worked for British patrons between the 1770s and the bloody end of the Mughal rule in 1857. Edited by writer and historian William Dalrymple, these hybrid paintings explore both the beauty of the Indian natural world and the social realities of the time in one hundred masterpieces, often of astonishing brilliance and originality. They shed light on a forgotten moment in Anglo-Indian history during which Indian artists responded to European influences while keeping intact their own artistic visions and styles. These artists represent the last phase of Indian artistic genius before the onset of the twin assaults - photography and the influence of western colonial art schools - ended an unbroken tradition of painting going back two thousand years. As these masterworks show, the greatest of these painters deserve to be remembered as among the most remarkable Indian artists of all time.

Lost in the Labyrinth of Life Throughout the history of chess, elite players have been studied, celebrated and adored. But there also been players, while perhaps not regarded as world-class competitors, who had a precious gift, but who did not know (or could not find) the way to success. They were lost in the labyrinth of difficulties that life always places before every human being. In the end, for various reasons, history forgot this select group of masters. For some, their careers were very bright (as in the cases of von Kolisch, Neumann and Charousek) but also extremely short, limiting their renown and depriving them of deserved laurels. For others, chess turned out to be excessively demanding for which their minds were unprepared. Finally, for a truly unfortunate few, tragedy – always an unwelcome guest – took over their lives and then took life itself from them. An exceptionally researched historical work, these pages contain the stories of 23 players with a very unique way of understanding chess (sometimes ahead of their time) and who prioritized the artistic side of the game over the results: an approach that was not properly appreciated in their time. Now, for the first time, Spanish author and chess historian Javier Cordero puts these Forgotten Talents in the limelight. Archival photos and almost 200 selected games nicely supplement the biographies of these star-crossed players who became Lost in the Labyrinth of Life.

Slavery and the University is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post-Civil War era to the present day. The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery's influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.

Dare to remember! Bea detests snap decisions. Better to take time, examine options, and make informed choices. Order above chaos, always: in life and magic. Her new job in a magical museum suits her to a T. Lead tours through the public displays? Easy peasy. Run mapping sweeps to keep abreast of the ever-changing back rooms? The best kind of adventure. Until she stumbles across an unattended child lost in a long-forgotten forest. Restoring the child to her parent begins an adventure requiring Bea move fast—or risk catastrophe. Enter the spellbinding and richly imaginative world of The Museum of All Things Lost & Forgotten.

Her poem The Antique Shop has been on the web for over five years. This poem was written after going to her hometown on vacation many years ago. She entered one of the local antique shops and was inspired to write a poem that brought back vivid memories of yesterday. In March 2004, Valerie competed in the International Society of Poets Convention and Symposium in Orlando, Florida, where she won a prize for The Antique Shop. There she met poets from around the worldAfrica, Canada, South America, London, India. Since then, her passion has grown deeper for poetry and celebrating other poets. This first book of poetry is preciously titled The Antique Shop, and many more poems are inside, just waiting to be entered and read.

This book examines collecting around the world and how women have participated in and formed collections globally. The edited volume builds on recent research and offers a wider lens through which to examine and challenge women’s collecting histories. Spanning from the seventeenth century to the twenty-first (although not organized chronologically) the research herein extends beyond European geographies and across time periods; it brings to light new research on how artificiallia and naturallia were collected, transported, exchanged, and/or displayed beyond Europe. Women, Collecting and Cultures Beyond Europe considers collections as points of contact that forged transcultural connections and knowledge exchange. Some authors focus mainly on collectors and what was collected, while others consider taxonomies, travel, patterns of consumption, migration, markets, and the after life of things. In its broad and interdisciplinary approach, this book amplifies women’s voices, and aims to position their collecting practices toward new transcultural directions, including women’s relation to distinct cultures, customs, and beliefs as well as exposing the challenges women faced when carving a place for themselves within global networks. This study will be of interest to scholars working in collections and collecting, conservation, museum studies, art history, women’s studies, material and visual cultures, Indigenous studies, textile histories, global studies, history of science, social and cultural histories.

A revealing and beautifully illustrated critical edition of Gardner’s collaged travel albums In 1865, art collector and philanthropist Isabella Stewart Gardner (1840–1924) lost her only child to pneumonia at less than two years old. In an effort to rouse her from depression, Gardner and her husband, Jack, travelled to northern Europe and Russia. It was the first of many trips abroad that would eventually take her from the Middle East to Asia—trips that she documented in exquisitely crafted collaged travel albums. Fellow Wanderer brings together nearly thirty of Gardner’s striking travelogues, spanning some thirty-nine countries and offering invaluable perspective on the global influences on this legendary collector and patron of the arts. This book features beautiful facsimiles of Gardner’s travel albums—largely unpublished until now—along with essays by leading scholars who place these diaries and sketchbooks within the context of the art and culture of Europe, the Middle East, and Asia in the nineteenth century. The essays explore a host of topics, such as Gardner’s engagement with world religions while abroad, how she incorporated designs and ideas from around the globe into her Boston museum, and the ways in which the imperial power structures of the era facilitated her travels. Lushly illustrated, Fellow Wanderer provides a uniquely intimate look at how Gardner’s rich and diverse experiences abroad instilled her collecting and patronage with a truly global vision of art. Distributed for the Isabella Stewart Gardner Museum Exhibition Schedule Isabella Stewart Gardner Museum, Boston February 16–May 21, 2023