Forms Of Wonderment

The Institutional Dictionary of Astronism is the cumulation of receptions between Cometan and the astronomical world during the Founding era (2013-2021). The publication of this very first full-length Institutional Dictionary of Astronism represents eight years of the development of Astronism from its inception to how it stands today in 2021. The publication of this dictionary also encapsulates Astronism exactly as it exists now and how Cometan conceives it by the end of the Founding era. This dictionary and its contents capture what Astronism is now for posterity to look back on how this astronomical belief system will change as time progresses. Many of the words and definitions of this dictionary will alter as we enter the Establishment era and Astronism continues its progression in becoming world religion. However, what will not ever change is Cometan’s absolute devotion to the stars of the night sky and his discovery of their secrets through his receptions, personal inspirations, and his overall relationship with The Great Cosmos. Covering all the major Astronist beliefs, practices, cultural elements, theories, branches of study, and historical events, A Dictionary of Astronism, also known as the Institutional Dictionary of Astronism, is published by the Astronist Institution through its subsidiary, Astral Publishing, to commemorate the end of the era of The Founding of Astronism. The Founding of Astronism began exactly eight years on 1st July 2013 which sparked Cometan's ideations and indrucies and which afforded him the insight, knowledge, and vision to found a new religious movement, philosophy, spirituality and political ideology. As The Founding of Astronism, also simply known as the Founding era, comes to an end, the Astronist Institution wants to acknowledge the fundamental importance of this year period of the history of Astronism and to the wider history of religion, philosophy and spirituality as a whole. The Dictionary of Astronism immortalises that commemorative spirit by providing thousands of definition entries of Astronist terms that have been authorised by Astronist Institution scholars for dissemination worldwide. This dictionary captures the most up-to-date understanding of what Astronism is and how it as a whole and its component parts should be defined. Enjoy this dictionary that emblematises Astronism and how this new religion has so far developed.

A New Map of Wonders charts a course through the realm of the fascinating and awe-inspiring. With the curiosity and enthusiasm of a great explorer, the award-winning Caspar Henderson celebrates and explains the wonder of light and the origins of the universe, the myriad marvels of the human body and the natural world -- and reveals the wonders to come: the technologies that will transform human experience and change what we will find wonderful. Drawing on philosophy and natural history, art and religion, neuroscience and nanotechnology, A New Map of Wonders is a celebration of life -- a rich and inspiring guide, encouraging us to see the world anew.

For over forty years, John Garvey was the “ballast” of Commonweal magazine. His award-winning essays and consistently notable columns revealed not only his acuity and alacrity, but his uncommon spiritual insight. These in turn provided momentum and substance for whatever followed in an issue of the magazine because Garvey never hesitated to wrestle with some of the most challenging and intractable topics of the day, and did so with a rich pastoral sensitivity, and a refreshing and rare intelligence. Only Wonder Comprehends gleans from John Garvey’s many contributions to Commonweal that reflect his spiritual depth and deep appreciation of history, politics, theology, and culture. Steeped in the Christian tradition, Garvey loved to write and, in return, his readers relished what he wrote. It is hoped that this collection of his writings from Commonweal will inspire readers to cultivate a similar sense of attentiveness and commitment, for as the author himself observed, “Religious traditions are meant to transform us, not to affirm us as we are.”

Many Christian leaders today promote rigid doctrine that says, “Never doubt. Never question.” This insistence has been demonstrably disastrous for the church because the first step in any faith formation is to wonder. Nathan Aaseng revives the gift of wonder in seeking a fuller, more awesome experience of God. It welcomes unsettling questions, that are too often dismissed with pat answers.

In Cry of Wonder, Gerard W. Hughes, author of God of Surprises, encourages readers to explore their own human experience, the unique doorway opening each of us out into the mystery of our present existence. In our time, such attention to mystery is considered counter-cultural and subversive of law and order. The truth of this observation becomes very clear to us if we give attention to our own felt reactions to the events of our lives. The purpose of this book is to focus our attention on this inner conflict, because it can reveal to us a vision of the transformation into which we are all now being invited in all that we are experiencing in every moment of our existence.

It is now generally accepted that the structure and function of the human body deeply influence the nature of human thought. As a consequence, our religious experiences are at least partially determined by our sensory organs, emotional programs, sexual sensibilities, and the neural framework of our brains. In Spirituality in the Flesh, Robert C. Fuller investigates how studying the body can help us to answer the profoundest spiritual questions. Why is it that some religious traditions assign spiritual currency to pain? How do neurochemically driven emotions, such as fear, shape our religious actions? What is the relationship between chemically altered states of consciousness and religious innovation? Using recent biological research to illuminate religious beliefs and practices, Fuller delves into topics as diverse as apocalypticism, nature religion, Native American peyotism, and the sexual experimentalism of nineteenth-century communal societies, in every case seeking middle ground between the arguments currently emanating from scientists and humanists. He takes most scientific interpreters to task for failing to understand the inherently cultural aspects of embodied experience even as he chides most religion scholars for ignoring new knowledge about the biological substrates of human thought and behavior. Comfortable with the language of scientific analysis and sympathetic to the inherently subjective aspects of religious events, Fuller introduces the biological study of religion by joining together this era's unprecedented understanding of bodily states with an expert's knowledge of religious phenomena. Culling together insights from scientific observations, historical allusions, and literary references, Spirituality in the Flesh offers a bold look at the biological underpinnings of religion and opens up new and exciting agendas for understanding the nature and value of human religiosity.

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From typographic illustrator Marian Bantjes, I Wonder will make you think in new ways about art, design, beauty, and popular culture. This unique presentation features the elaborately crafted word pictures of Marian Bantjes, the most inventive and creative typographic illustrator of our time. Whether intricately hand-drawn or using computer illustration software, Bantjes's work crosses the boundaries of time, style, and technology. There is, however, another side to Bantjes's visual work: her thoughtful treatises on art, design, beauty, and popular culture that add a deeper dimension to the decorative nature of her best-known work. These reflections cover the cult of Santa, road-side advertising, photography and memory, the alphabet's letterforms, heraldry, and stars. Bantjes's writing style ranges from the playful to the confrontational, but it is always imbued with perspicacity, insight, and a sense of fun. Intended to inspire creatives of any persuasion, this is more than a collection of ideas: Bantjes has meticulously illustrated every page of the book in her inimitable style to create an accessible work of art that is far greater than the sum of its parts. Quirky, poignant, astute, funny--this beautiful book presents a compelling collection of observations on visual culture and design. In Stefan Sagmeister's telling words, Bantjes's work is his "favorite example of beauty facilitating the communication of meaning." This paperback edition is expanded with a new essay from the author.