Foucault Now

Michel Foucault is recognized as one of the twentieth century's most influential thinkers, however the authors in this volume contend that more use can be made of Foucault than has yet been done and that some of the uses to which Foucault has so far been put run the risk of and occasionally simply amount to misuse. This interdisciplinary volume brings together a group of esteemed scholars, recognized for their command of and insights into Foucault's oeuvre. They demonstrate the many respects in which Foucault's project of an ontology of the present remains vital and continues to yield compelling insights and show that an ontology of the present is restricted to no particular terrain, but instead ranges widely and on paths that frequently intersect. The essays in this much-needed new collection address the key components of Foucault's thought, ranging from his approach to power, biopolitics and parrhesia to analysis of key texts such as Folie et Déraison and Histoire de la sexualité. This collection will spark debate amongst students and scholars alike and demonstrates that that every further encounter with Foucault's corpus is more likely than not to demand a revisiting of interpretations already formulated, conclusions already drawn, uses already devised. Contributors include Didier Eribon, Eric Fassin, John Forrester, Ian Hacking, Lynne Huffer, Colin Koopman, James Laidlaw, Laurence McFalls, Mariella Pandolfi, Paul Rabinow and Cary Wolfe.

The fourth and final volume in Michel Foucault’s acclaimed History of Sexuality, completed just before his death in 1984 and finally available to the public One of the most influential thinkers of the twentieth century, Michel Foucault made an indelible impact on Western thought. The first three volumes in his History of Sexuality—which trace cultural and intellectual notions of sexuality, arguing that it has been profoundly shaped by the power structures applied to it—constitute some of Foucault’s most important work. This fourth volume posits that the origins of totalitarian self-surveillance began with the Christian practice of confession. The manuscript had long been secreted away, in accordance with Foucault’s stated wish that there be no posthumous publication of his unpublished work. With the sale of the Foucault archives in 2013, Foucault’s nephew felt that the time had come to publish this final volume in Foucault’s seminal history. Philosophically, it is a chapter in his hermeneutics of the desiring subject. Historically, it focuses on the remodeling of subjectivity carried out by the early Christian Fathers, who set out to transform the classical Logos of truthful human discourse into a theologos—the divine Word of a pure sovereign. What did God will in the matter of righteous sexual practice? Foucault parses out the logic of the various responses proffered by theologians over the centuries, culminating with Saint Augustine’s fascinating discussion of the libido. Sweeping and deeply personal, Confessions of the Flesh is a tour de force from a philosophical master

Critically explains Michel Foucault's thought: the political implications of each phase of his work, how his thought has been used in the political sphere and the importance of his work for politics today.

Foucault and Philosophy presents a collection of essays fromleading international philosophers and Foucault scholars thatexplore Foucault’s work as a philosopher in relation tophilosophers who were important to him and in the context ofimportant themes and problems in contemporary philosophy Represents the only volume to explore in detailFoucault’s relation with key figures and movements in thehistory of philosophy Explores Foucault's influence upon contemporary and futuredirections in philosophy Brings together a group of outstanding scholars in the fieldand allows them to explore their topic at a high level ofsophistication

Foucault and Fiction develops a unique approach to thinking about the power of literature by drawing upon the often neglected concept of experience in Foucault's work. For Foucault, an 'experience book' is a book which transforms our experience by acting on us in a direct and unsettling way. Timothy O'Leary develops and applies this concept to literary texts. Starting from the premise that works of literature are capable of having a profound effect on their audiences, he suggests a way of understanding how these effects are produced. Offering extended analyses of Irish writers such as Swift, Joyce, Beckett, Friel and Heaney, O'Leary draws on Foucault's concept of experience as well as the work of Dewey, Gadamer, and Deleuze and Guattari. Combining these resources, he proposes a new approach to the ethics of literature. Of interest to readers in both philosophy and literary studies, this book offers new insights into Foucault's mature philosophy and an improved understanding of what it is to read and be affected by a work of fiction.

Foucault's thought finds innumerable applications across the social sciences, from studies in the social aspects of the medical practices and criminal sociology to juridical and economic sciences. Owing to their philosophical ramifications, his ideas have also impacted the spheres of literary studies, ethics, political thought, and 'critical ontology.' Few thinkers have left such an influence across such a diverse range of studies. Contributors attempt to pay homage to that diversity by presenting a multidisciplinary series of analyses dedicated to the question of 'power today.' Drawn from a number of papers presented at an international conference entitled 'Michel Foucault and social Control: conducted at Maison de la culture CTte-des-Neiges in Montreal on May 8-10, 2004 to commemorate the twentieth anniversary of Foucault's death, the essays that comprise this volume address the issue at both a theoretical level and as it pertains to specific fields of practice. In addition to paying tribute to Foucault's achievements and situating his thought within the French and larger European context from which it emerged, these essays also re-evaluate the relevance of Foucault's ideas for understanding contemporary conditions. This book is suited for a broad academic audience in the humanities and Social Sciences, especially philosophy, sociology, and cultural studies.

The work of Michel Foucault has been extremely influential in fields as varied as philosophy, history, cultural studies, sociology and sexuality studies. In his later work, Foucault turned to the question of ethics. Working back through history, through the Christian interrogation of desire to the origins of the self in the texts of classical Greece, Foucault attempted to conceive of ethics as an art of the self, as an aesthetics of existence and as a practice of liberty. Foucault and the Art of Ethics argues that Foucault's exploration of the history of sexuality and his reinterpretation of the critical philosophical tradition combine to frame a new approach both to the way we understand the tasks of philosophy and to the way we live our lives. The book is essential reading for all those working at the intersection of contemporary debates in philosophy, ethics, politics and cultural studies.

With Michel Foucault, Reaktion Books introduces an exciting new series that brings the work of major intellectual figures to general readers, illuminating their groundbreaking ideas through concise biographies and cogent readings. There is no better thinker than Foucault with which to begin the "Critical Lives" series. Though reticent about his personal life for most of his career, Foucault, in the last years of his life, changed his stance on the relationship between the personal and the intellectual and began to speak of an "aesthetics of existence" in which "the life" and "the work" become one. David Macey, a renowned expert on Foucault, demonstrates that these contradictions make it possible to relate Foucault's work to his life in an original and exciting way. Exploring the complex intellectual and political world in which Foucault lived and worked, and how that world is reflected in his seminal works, Macey paints a portrait of Foucault in which the thinker emerges as a brilliant strategist, one who-while fiercely promoting himself as a maverick-aligned himself with particular intellectual camps at precisely the right moments. Michel Foucault traces the philosopher's career from his comfortable provincial background to the pinnacle of the French academic system, paying careful attention to the networks of friendships and the relations of power that sustained Foucault's prominence in the academy. In an interview in 1966, Foucault said, "One ought to read everything, study everything. In other words, one must have at one's disposal the general archive of a period at a given moment." It is precisely this archive that Macey restores here, accessibly relating Foucault's works to the particular context in which they were given form.