Four Alarm Homicide

The sixth in the delightful cozy mystery series from Diane Kelly set in Nashville, TN—where the real estate market is to die for. Some properties are too hot to handle... Carpenter Whitney Whitaker and her cousin Buck are hot for a historical property that has just come on the market—a fire station in Nashville’s Germantown neighborhood that was built nearly a century ago. The cousins have just begun the interior demolition work at the fire station when Joanna Hartzell, who lives in a townhouse around the corner, comes by with a plea for help. Joanna owns the right half of her building, which she proudly maintains in perfect condition, while the left side falls into disrepair: the seven adult children who inherited it years ago refuse to lift a finger on repairs. Never one to turn down a challenge, Whitney and Buck manage to acquire the rundown townhouse—though it turns out Joanna is only one of the many neighbors interested in buying the property once they’ve worked their magic. Then Joanna shows up at the fire station confused and rambling, then collapses, never to recover. Alarm bells go off for Whitney: she suspects something—and someone—evil could be the real cause. Can she and Collin put the clues together and smoke out a killer?

Murder With a View is the third book in the delightful cozy mystery series from Diane Kelly set in Nashville, Tennessee—where the real estate market is to die for... A DREAM PROPERTY Carpenter Whitney Whitaker, her cousin Buck, and guard-cat Sawdust just scored a hot property near downtown Nashville in a tax sale. While the Music City Motor Court might not be much to look at now, the two plan to transform the motel’s twelve units into six one-bedroom condominiums with popular mid-century styling. But surprises await when Whitney discovers a squatter living in Room 9 and her cat Sawdust uncovers a body in the bed next door. A LIVING NIGHTMARE The murder victim is none other than Beckett Morgan, an up-and-coming country-western singing sensation who’s taken Nashville by storm with his number-one hit “Party in the Pasture.” Beckett’s left a long trail of broken promises and broken hearts, and the list of suspects seems endless. So does the line of female fans intent on halting the flip and turning the construction site into a shrine for the deceased star. If Whitney and Buck don’t help Detective Collin Flynn nail the killer, they’ll never be able to clear out the star-obsessed groupies, complete the remodel, and recoup their investment. But just who silenced the singer and why?

Dead in the Doorway is the second in a delightful cozy series from Diane Kelly set in Nashville—where the real estate market is to die for. A HOUSE WITH GOOD BONES. . . Whitney Whitaker has scored the perfect piece of real estate: a ramshackle white Colonial at the top of a hill with views of downtown Nashville. What more could a self-taught home-improvement maven and occasional house-flipper ask for? Ideally, the property of Whitney’s dreams would not have come with a dead body blocking the entrance to the foyer. But Whitney, always quick to take heavy-duty matters into her own hands, also happens to be a skilled amateur sleuth. So that helps. AND SKELETONS IN THE CLOSET. Who is this older woman—and how did her corpse end up at the bottom of the staircase of this locked, unoccupied house? That is what Whitney, along with the support of her wood-working cousin Buck, Detective Collin Flynn, and, of course, feline partner-in-crime Sawdust, intends to find out. Her friendly-neighbor investigation takes a sharp turn, however, when Whitney discovers that the house’s former owner was a gourmet baker whose secret recipe for peach pie was to die for—perhaps literally. Now it’s up to Whitney to learn the truth about what happened before she loses this killer real-estate deal . . . and the killer comes knocking at her door. "Adorable...Whitney and Sawdust are a welcome addition to your home and bookshelf."—Kellye Garrett, Anthony, Agatha, and Lefty Award--winning author of the Hollywood Homicide series

Looking for a new cozy series? In the new edition of Cozy Case Files, Minotaur Books compiles the beginnings of seven charming cozy mysteries publishing in Spring 2024 for free for easy sampling. The twenty-first edition of Cozy Case Files features cozies from the following authors: Kat Ailes, Donna Andrews, Vivien Chien, Carolyn Haines, Diane Kelly, and Katharine Schellman. Packed with baby drama, food-filled intrigue, and animal mayhem, this sampler has it all! Solve a mystery on a movie set in Lights, Camera, Bones. Trap some troubling turkeys in Between a Flock and a Hard Place. Uncover a murderer in 1920s New York in The Last Note of Warning. Join a group of crime-fighting new moms in Dead Tired. Sound the sirens for a suspicious case in Four-Alarm Homicide. And witness an extravagant celebration that may just end in death in Peking Duck and Cover.

Extreme Environmental Events is an authoritative single source for understanding and applying the basic tenets of complexity and systems theory, as well as the tools and measures for analyzing complex systems, to the prediction, monitoring, and evaluation of major natural phenomena affecting life on earth. These phenomena are often highly destructive, and include earthquakes, tsunamis, volcanoes, climate change,, and weather. Early warning, damage, and the immediate response of human populations to these phenomena are also covered from the point of view of complexity and nonlinear systems. In 61 authoritative, state-of-the art articles, world experts in each field apply such tools and concepts as fractals, cellular automata, solitons game theory, network theory, and statistical physics to an understanding of these complex geophysical phenomena.

Finance, Econometrics and System Dynamics presents an overview of the concepts and tools for analyzing complex systems in a wide range of fields. The text integrates complexity with deterministic equations and concepts from real world examples, and appeals to a broad audience.

Far too many poor Black communities struggle with gun violence and homicide. The result has been the unnatural contortion of Black families and the inter-generational perpetuation of social chaos and untimely death. Young people are repeatedly ripped away from life by violence, while many men are locked away in prisons. In neighborhoods like those of Wilmington, Delaware, residents routinely face the pressures of violence, death, and incarceration. Murder Town, USA is thus a timely ethnography with an innovative structure: the authors helped organize fifteen residents formerly involved with the streets and/or the criminal justice system to document the relationship between structural opportunity and experiences with violence in Wilmington's Eastside and Southbridge neighborhoods. Earlier scholars offered rich cultural analysis of violence in low-income Black communities, and yet this literature has mostly conceptualized violence through frameworks of personal responsibility or individual accountability. And even if acknowledging the pressure of structural inequality, most earlier researchers describe violence as the ultimate result of some moral failing, a propensity for crime, and the notion of helplessness. Instead, in Murder Town USA, Payne, Hitchens, and Chamber, along with their collaborative team of street ethnographers, instead offer a radical re-conceptualization of violence in low-income Black communities by describing the penchant for violence and involvement in crime overall to be a logical, "resilient" response to the perverse context of structural inequality.

After a fifteen-year hiatus from the world of guns, journalist, sports shooter, and former soldier A.J. Somerset no longer fit in with other firearm enthusiasts. Theirs was a culture much different than the one he remembered: a culture more radical, less tolerant, and more immovable in its beliefs, “as if [each] gun had come with a free, bonus ideological Family Pack [of political tenets], a ready-made identity.” To find the origins of this surprising shift, Somerset began mapping the cultural history of guns and gun ownership in North America. Arms: The Culture and Credo of Gun is the brilliant result. How were firearms transformed from tools used by pioneers into symbols of modern manhood? Why did the NRA’s focus shift from encouraging responsible gun use to lobbying against gun-safety laws? What is the relationship between gun ownership and racism in America? How have the film, television, and video game industries molded our perception of gun violence? When did the fear of gun seizures arise, and how has it been used to benefit arms manufacturers, lobbyists, and the far-right? Few ideas divide communities as much as those involving firearms, and fewer authors are able to tackle the subject with the same authority, humor, and intelligence. Written from the unique perspective of a gun lover who’s disgusted with what gun culture has become, Arms is destined to be one of the most talked-about books of the year.