Four Corners Of The Sky

"There's humor and action aplenty, but Four Corners is also a warmhearted look at how we love and forgive. Five hundred and forty-four pages never seemed so short"—People, 4 stars, People Pick The Four Corners of the Sky is master storyteller Michael Malone's new novel of love, secrets, and the mysterious bonds of families. Malone brings characters to life as only he can, exploring the questions that defy easy answers: Is love a choice or a calling? Why do the ties of family bind so tightly? And is forgiveness a gift to others...or a gift we give ourselves? In small towns between the North Carolina Piedmont and the coast the best scenery is often in the sky. On flat sweeps of red clay and scrub pine the days move monotonously, safely, but above, in the blink of an eye, dangerous clouds can boil out of all four corners of the sky...The flat slow land starts to shiver and anything can happen. In such a storm, on Annie Peregrine's seventh birthday, her father gave her the airplane and minutes later drove out of her life. Thus begins an enchanting novel that bursts with energy from the first pages, and sweeps you off on a journey of unforgettable characters, hilarious encounters, and haunting secrets. Praise for The Four Corners of the Sky: "Devoted Michael Malone fans have been waiting more than twenty years for another Handling Sin, perhaps the greatest road novel since Tom Jones. The wait is over..."— Bill Ott, editor-in-chief, Booklist "Secrets and intrigues among the honeysuckle: a sun-washed yarn of the New South, affectionately told." —Kirkus starred review "The Four Corners of the Sky is the best thing I have read in years and you can imagine how much I read. Truly, I couldn't put it down. I loved it."—Kathy Ashton, The King's English Bookshop BONUS READING GROUP GUIDE INCLUDED

A collection of folk stories from around the world, each accompanied by background information, that explain the various perspectives of different peoples on how the universe and their world came to be.

From every part of the ancient world, these stories try to explain the mysteries of the where, why, and when. This is the search of man for himself, looking at the horizon, seeing what is always there: leading, following, falling, rising, never reachable. From "Seal Island" to "The Aztec," these stories will delight the reader. What is a rainbow? Why does a jackal laugh? Where did music come from? Who is the earth eater? Is there a Dreamtime? In our world of reality, this is fascinating reading.

An illustrated introduction to the stories of deities, heroes and the origins of the universe that underpin traditional Chinese culture.

Despite recent developments in epigraphy, ethnopoetics, and the literary investigation of colonial and modern materials, few studies have compared glyphic texts and historic Maya literatures. Parallel Worlds examines Maya writing and literary traditions from the Classic period until today, revealing remarkable continuities across time. In this volume, contributions from leading scholars in Maya literary studies examine Maya discourse from Classic period hieroglyphic inscriptions to contemporary spoken narratives, focusing on parallelism to unite the literature historically. Contributors take an ethnopoetic approach, examining literary and verbal arts from a historical perspective, acknowledging that poetic form is as important as narrative content in deciphering what these writings reveal about ancient and contemporary worldviews. Encompassing a variety of literary motifs, including humor, folklore, incantation, mythology, and more specific forms of parallelism such as couplets, chiasms, kennings, and hyperbatons, Parallel Worlds is a rich journey through Maya culture and pre-Columbian literature that will be of interest to students and scholars of anthropology, ethnography, Latin American history, epigraphy, comparative literature, language studies, indigenous studies, and mythology.

The series Religion and Society (RS) contributes to the exploration of religions as social systems– both in Western and non-Western societies; in particular, it examines religions in their differentiation from, and intersection with, other cultural systems, such as art, economy, law and politics. Due attention is given to paradigmatic case or comparative studies that exhibit a clear theoretical orientation with the empirical and historical data of religion and such aspects of religion as ritual, the religious imagination, constructions of tradition, iconography, or media. In addition, the formation of religious communities, their construction of identity, and their relation to society and the wider public are key issues of this series.