Four Texts On Socrates

Translations of four major works of ancient Greek literature which treat the life and thought of Socrates, focusing particularly on his trial and defense and on the charges against him.

Socrates (469-399 BC) is one of history's most enigmatic figures. Our knowledge of him comes to us second-hand, primarily from the philosopher Plato, who was Socrates' most gifted student, and from the historian and sometime-philosopher Xenophon, who counted himself as a member of Socrates' inner circle of friends. We also hear of Socrates in one comic play produced during his lifetime (Aristophanes' Clouds) and in passing from the philosopher Aristotle, a student of Plato. Socrates is a figure of enduring interest. He is often considered the father of Western Philosophy, yet the four most famous accounts we have of him present a contradictory, confusing picture. Just who was Socrates? A brilliant philosopher, at times confounding and infuriating, morally serious and yet ironic; the ever-worldly man, sometime mystic, and uncommon martyr depicted by Plato? Or did Plato conflate Socrates' views with his own startling genius, as Aristotle suggests? Was So rates instead the less impressive, more mundane man whose commonsense impressed the laconic Xenophon? Or was Socrates the charlatan, the long-winded phony of Aristophanes' play? The Socratic works of Diogenes Laertius (3rd century AD), Libanius (AD 314 -- c. 393), Maximus of 'Tyre (2nd century AD), and Apuleius (born c. AD 125) add important dimensions to the portrait of Socrates: Diogenes Laertius' Life of Socrates emphasizes Socrates' deep ethical nature and his extraordinary personality; Libanius' Apology of Socrates is based on sources now lost to us; Maximus of Tyre's Whether Socrates Did the Right Thing When He Did Not Defend Himself makes the star ling claim (against testimony of Plato and Xenophon) that Socrates never spoke athis own trial; from Apuleius' On the God of Socrates we hear at length of Socrates' infamous daimonion: the "divine sign" only mentioned elsewhere, the sign that warned Socrates against certain courses of action. In short, from these four texts we are reintroduced to Socrates, and new wrinkles are added to an already intriguing historical figure.

Included in this volume are "Euthyphro," "Apology," "Crito," and the Death Scene from "Phaedo." Translated by F.J. Church. Revisions and Introduction by Robert D. Cumming.

"The European philosophical tradition. . .consists of a series of footnotes to Plato." -- Alfred North Whitehead The dialogues of Plato stand alongside the Bible and Homer's Iliad and Odyssey as foundational texts of Western civilization. The works of Plato collected under the title The Trial and Death of Socrates have been particularly influential. This is because they provide both an excellent point of entry into Plato's vast philosophy and a vivid portrait of Plato's mentor, Socrates - one of the most uncompromising intellectuals in the pantheon of human history. It is predominantly through Plato's account in these works of the words and actions of Socrates during his trial and execution for impiety that the latter's nobility and profound integrity have become known to succeeding generations.

Selections from Plato's 'Symposium', 'Alcibiades I', and 'Alcibiades II', with the complete fragments of the dialogue 'Alcibiades' by Aeschines of Sphettus. These translations and their accompanying notes and essay provide a rich discussion of how Athens' greatest philosopher loved and tried to teach his most ambitious young student, and why Athens turned on both of them.

In unraveling the long-hidden issues of the most famous free speech case of all time, noted author I.F. Stone ranges far and wide over Roman as well as Greek history to present an engaging and rewarding introduction to classical antiquity and its relevance to society today. The New York Times called this national best-seller an "intellectual thriller."