Four Years In Paradise

"For Osa, too, these years, from 1924 to 1927, were an especially significant period. After seven years of touring the vaudeville circuit, and seven more of exploring the South Seas and Borneo with occasional lecture tours worked in stateside to raise more capital, the Johnsons' complex at Lake Paradise was the first relatively permanent home the coup had had since that little flat they started out in back in Independence. Osa not only brought all her Kansas skills to bear on turning her Kenya house into a home, she also was largely responsible for managing the roughly two hundred "boys" needed to build the place and keep it running, as well as for organizing the several safaris the Johnsons undertook in the course of those years. When they were on safari (a term which incidentally, the Johnsons introduced to the American lexicon), whenever she was not involved in filming--either providing rifle cover for Martin or performing her own star turn in front of the camera, Osa was hunting and fishing to provide meat for the entire entourage." - May Zeiss Stange "For bravery and steadiness and endurance, Osa is the equal of any man I ever saw. She is a woman through and through. There is nothing 'mannish' about her. Yet as a comrade in the wilderness she is better than any man I ever saw." -- Martin Johnson.

The author goes on to explore a startling shift at midcentury in the perception of the tropical forest--from the jungle, a place that endangers human life, to the rain forest, a place that is itself endangered.

In his bestselling work of “comic sociology,” David Brooks coins a new word, Bobo, to describe today’s upper class—those who have wed the bourgeois world of capitalist enterprise to the hippie values of the bohemian counterculture. Their hybrid lifestyle is the atmosphere we breathe, and in this witty and serious look at the cultural consequences of the information age, Brooks has defined a new generation. Do you believe that spending $15,000 on a media center is vulgar, but that spending $15,000 on a slate shower stall is a sign that you are at one with the Zenlike rhythms of nature? Do you work for one of those visionary software companies where people come to work wearing hiking boots and glacier glasses, as if a wall of ice were about to come sliding through the parking lot? If so, you might be a Bobo.

‘Deserves to be an instant classic. I haven’t loved a book this much in a long time . . . What Strange Paradise . . . reads as a parable for our times . . . Such beautiful writing . . . This is an extraordinary book.’ – New York Times From the widely acclaimed author of American War, Omar El Akkad, a beautifully written, unrelentingly dramatic and profoundly moving novel that brings the global refugee crisis down to the level of a child’s eyes. More bodies have washed up on the shores of a small island. Another over-filled, ill-equipped, dilapidated ship has sunk under the weight of its too-many passengers: Syrians, Ethiopians, Egyptians, Lebanese, Palestinians, all of them desperate to escape untenable lives in their homelands. And only one had made the passage: nine-year-old Amir, a Syrian boy who has the good fortune to fall into the hands not of the officials, but of Vänna: a teenage girl, native to the island, who lives inside her own sense of homelessness in a place and among people she has come to disdain. And though Vänna and Amir are complete strangers and don’t speak a common language, Vänna determines to do whatever it takes to save him. In alternating chapters, we learn the story of Amir’s life and of how he came to be on the ship; and we follow the duo as they make their way towards a vision of safety. But as the novel unfurls, we begin to understand that this is not merely the story of two children finding their way through a hostile world. Omar El Akkad’s What Strange Paradise is the story of our collective moment in this time: of empathy and indifference, of hope and despair – and of the way each of those things can blind us to reality, or guide us to a better one.

A CLASSIC MEMOIR OF TWO PIONEERING ADVENTURERS Before Joy Adamson went to Africa, before Margaret Mead sailed to Samoa, before Dian Fossey was even born, a Kansas teenager named Osa Leighty married Martin Johnson, a pioneering photographer just back from a ‘round-the-world cruise with Jack London. Together the Johnsons flew and sailed to Borneo, to Kenya, and to the Congo, filming Simba and other popular nature movies with Martin behind the camera and Osa holding her rifle at the ready in case the scene’s big game star should turn hostile. This bestselling memoir retraces their careers in rich detail, with precisely observed descriptions and often heart-stopping anecdotes. Illustrated with scores of the dramatic photos that made the Johnsons famous, it’s a book sure to delight every lover of true adventure.