Fox And Freiberg S Sentencing

Fox and Freiberg have written a comprehensive book on federal and state law relating to the sentencing of offenders in the state of Victoria, Australia. In providing such a guide, the authors have meticulously brought together a wealth of statutory and case law material including the extensive recent amendments to the statutes regulating the sentencing powers of the criminal courts. Sentencing in Victoria: State and Federal Law is a significant advance in the jurisprudence of sentencing in Australia and will be an essential reference for those in the field.

How do judges sentence? This question is frequently asked but infrequently explored. What factors are taken into account? How do judges see their role? How do they apply the aims and purposes of sentencing? How are factors such as public opinion taken into account? How Judges Sentence explores these questions through interviews with Queensland judges. The judges explain how they come to their decisions when sentencing, how they view judicial discretion, and how they exercise it. The book carefully examines their comments within the legislative and theoretical contexts of sentencing. The analysis yields valuable insights into judicial methodologies, perceptions, and attitudes towards the sentencing process. How Judges Sentence provides a major contribution to debates on sentencing.

Guidance on many complex & varied considerations which apply to sentencing matters. Freiberg focuses on Victorian & federal sentencing law with extensive coverage of appellate decisions in every Australian jurisdiction, particularly in relation to matters of general principle.

This book provides a socio-legal examination of the media’s influence on the development and implementation of criminal justice policy. This impact is often assumed. And, especially in the wake of high-profile crimes, the press is routinely observed calling for sentences to be harsher, and for governments to be tougher on crime. But how do we know that there is a connection? To answer this question, the book draws on a case study of the media reporting of the rape and murder of Jill Meagher in Melbourne, Australia; as well as other well-known cases, including those of James Bulger, Sarah Payne, Stephen Lawrence and Michael Brown, among others. Deploying a socio-legal framework to examine how the media’s often powerful and emotive narratives play a crucial role in the development and implementation of law, the book provides a deep and critical reflection on its influence. The book concludes with a number of suggestions for media reform: both to moderate the media’s influence, and to incorporate a broader range of viewpoints. This multi-disciplinary book will appeal to scholars and students in sociolegal studies, criminology and criminal law as well as those working in relevant areas in sociology and media studies.

Sentencing is the most important area of law, yet ironically, it is also arguably the least coherent. This book suggests a way of introducing principle into sentencing by bridging the gap between the philosophical justification for punishment and sentencing law and practice.

Imprisoned people have always been vulnerable and in need of human rights protections. The slow but steady growth in the protection of imprisoned people’s rights over recent decades in Australia has mostly come from incremental change to prison legislation and common law principles. A radical influence is about to disrupt this slow change. Australian prisons and other closed environments will soon be subject to international inspections by the United Nations Subcommittee on the Prevention of Torture (SPT). This is because the Australian Government ratified the Optional Protocol to the Convention Against Torture and other Cruel, Inhuman or Degrading Treatment or Punishment (OPCAT) in December 2017. Australia’s international human rights law obligations as they apply to prisons are complex and stem from multiple Treaties. This book distils these obligations into five prerequisites for compliance, consistent with the preventive focus of the OPCAT. They are: reduce reliance on imprisonment align domestic legislation with Australia’s international human rights law obligations shift the focus of imprisonment to the goal of rehabilitation and restoration support prison staff to treat imprisoned people in a human rights–consistent manner ensure decent physical conditions in all prisons. Attention to each of these five areas will help all levels of Australian government and prison managers take the steps required to move towards compliance. Human-rights led prison reform is necessary both to improve the lives of imprisoned people and for Australia to achieve compliance with the international human rights legal obligations to which it has voluntarily committed itself.

After doing the soundtrack for the 2010 Scott Pilgrim video game, New York 8-bit geniuses Anamanaguchi dove headfirst into the recording of their second album. Three years (and many ideas, plans, and diversions) later, the 22-song Endless Fantasy finally saw the light of day in early 2013 on their own dream.hax label. All the time and effort put into recording the music paid off in the end, and the album is something of an 8-bit masterpiece. The band uses hacked Nintendo systems, Game Boys, and live instruments to make (mostly) instrumental music that is blindingly bright and insanely fun. They liken their music to teenaged nights listening to Weezer and playing video games, and they aren't far off. It also sounds a lot like what one would imagine for an Andrew W.K. video game soundtrack, full of energy and possessing an almost heavy metal power when the massed cartridges and guitars form into a tightly wound, ultra-powerful ball of sound. The songs are almost all as catchy as lice in a preschool, with the game consoles playing super hooky melodies and the instruments crashing along behind. Apart from a couple quiet transitional pieces of near-classical calm, there's not a single moment that isn't joyous fun as the band pushes down on the happiness throttle and never lets up -- sometimes sounding like the house band at the giddiest emo-pop (minus the emo) party ever, other times like they were doing the theme music for a super nerdy podcast (which isn't far off since they do that for The Nerdist). The occasional vocal interludes (three in all) show that they aren't a one-dimensional trick band; "Japan Air" bounces frantically like Puffy AmiYumi at +8, "Prom Night" sounds almost like it could be a club hit as the beat pounds along and Bianca Raquel's pleading vocals come across like a cartoon Katy Perry. As impressive as their hacking skills may be, the group's true strength is that if you stripped away the bits and chips, the songs underneath are strong enough to stand on their own. The beauty is that you don't have to strip away anything, because everything happens on Endless Fantasy all the time! It's a one-stop shop for all the goofy sounds, frenetic energy, and fast-paced fun one music fan can handle. Anamanaguchi may not have invented chiptune or 8-bit music, but they've pretty much perfected it. ~ Tim Sendra