Fragile Creature

When you're seven-feet plus of walking, talking stone, you're bound to draw the media spotlight, especially when you live in Tinseltown. Concrete's celebrity status is sometimes a pain in the buttress . . . but it does bring the occasional paycheck gig. When the producer of a low-budget science-fiction film approaches Concrete to use his prodigious strength to help save money on the film's FX budget, the siren call of Hollywood draws Concrete like a moth to a flame . . . a seven-thousand-dollar-a-week flame, that is. • Concrete is a multiple Eisner and Harvey Award-winner. • The return of Paul Chadwick's award-winning Concrete has ushered in a resurgence of interest in the acclaimed series that Harlan Ellison called "...probably the best comic being published today by anyone, anywhere."

Trapped in an indestructible body, Concrete looks like a specioal effect come to life, so it's only logical when an ingenious film crew, filming the sci-fi epic Rulers of the Universe, hires Concrete to create the unbelievable wonders their screenplay demands.

Seventeen-year-old Evangeline Frost had a great life, until the car accident that killed her father and turned her mother into a bitter alcoholic. Unable to bear the guilt, Evangeline attempts to take her own life, saved only by the memory of her beloved father. Left with no other options, Evangeline is enrolled in a program for troubled teens at Kindred Hides Wildlife Preserve. There she meets Caster, a keeper as annoying as he is caring; Jett and Lettie, who treat her more like a daughter than troubled teen; and Ruke, a prized giraffe in mourning for his lost mate. Immersed in the preserve with her new friends, Evangeline finally begins to heal. But the haunting memories of the accident and her mother's unforgiving words threaten to destroy her progress. Only her new friends and their unconditional support, along with her own special connection with Ruke, can save her. Evangeline must learn that there is redemption for her father's death, and that the bonds between human, animal, and life are not as fragile as she once thought.