Fragments Of An Analytic Pub Crawl

Fragments of an Analytic Pub Crawl traces the journey of my life, its memories, the events and the places where I have been and what I have read. The book title is not to be confused with the traditional drinking pub crawl, it is a way of describing the psychogeographical nature of this book. Patrick ffrench, the writer, described psychogeography as “an analytic pub crawl”, a lived experience – one drifts from one place to the next; observing, noting, reacting. We may drift through a city, or a life and absorb. This is the “dérive”. Charles Baudelaire named this person, the flâneur. Just as the past left traces in today’s built environment, so have we, and so have I. This book traces those memories, it’s part memoir, part history, and part essay, The subjects reflect a variety of interests: growing up in Northern Ireland, the Troubles, my life in IT education, Irish humour, life-skills, reading, writing, music, emigration, family, urban liveability, the pandemic and much much more.

The novels of Iris Murdoch are lively journeys across landscapes teeming with ideas. Such texts as An Accidental Man, The Philosopher's Pupil, The Black Prince, and The Sea, The Sea blend art and philosophy in tales that have intrigued and puzzled readers like few other contemporary novels. In Patterned Aimlessness Barbara Stevens Heusel brings an order and a clarity to the mystery of Murdoch's narrative form. She shows how this writer of many genres came to integrate philosophy, morality, psychology, language, and aesthetics in order to call into question the conventions of the English novel. Following Wittgenstein's lead Murdoch makes palpable the complexities of human experience, the "accidental, idiosyncratic happenings of life." Her fiction and her individual voice, Heusel says, reflect the chaos of existence with all of its contradictions, its paradoxes, its jarring rhythms. Heusel turns to literary theory to point out Murdoch's compatibility with Mikhail Bakhtin's views on the narrative voice in the novel. For both, morality is an utmost concern, and language is inherently a social, historical, and ideological creation: words resonate with centuries of meanings and uses. Answering some common criticisms of Murdoch's novels, Heusel also points out that Murdoch's presentation of female characters critiques societal expectations of women. The study culminates with thoughtful analyses of Murdoch's characters in A Word Child, The Black Prince, The Sea, The Sea, Nuns and Soldiers, and The Message to the Planet in light of the patterns she has introduced.

A NATIONAL BESTSELLER * A NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE * A WASHINGTON POST BEST BOOK OF THE YEAR "An invigorating work, deadly precise in its skewering of people, places and things . . . Stylish, despairing and very funny, Fake Accounts . . . adroitly maps the dwindling gap between the individual and the world." —Katie Kitamura, The New York Times Book Review A woman in a tailspin discovers that her boyfriend is an anonymous online conspiracy theorist in this “absolutely brilliant take on the bizarre and despicable ways the internet has warped our perception of reality” (Elle, One of the Most Anticipated Books of the Year). On the eve of Donald Trump's inauguration, a young woman snoops through her boyfriend's phone and makes a startling discovery: he's an anonymous internet conspiracy theorist, and a popular one at that. Already fluent in internet fakery, irony, and outrage, she's not exactly shocked by the revelation. Actually, she's relieved--he was always a little distant--and she plots to end their floundering relationship while on a trip to the Women's March in DC. But this is only the first in a series of bizarre twists that expose a world whose truths are shaped by online lies. Suddenly left with no reason to stay in New York and increasingly alienated from her friends and colleagues, our unnamed narrator flees to Berlin, embarking on her own cycles of manipulation in the deceptive spaces of her daily life, from dating apps to expat meetups, open-plan offices to bureaucratic waiting rooms. She begins to think she can't trust anyone--shouldn't the feeling be mutual? Narrated with seductive confidence and subversive wit, Fake Accounts challenges the way current conversations about the self and community, delusions and gaslighting, and fiction and reality play out in the internet age.

Crime analysis has become an increasingly important part of policing and crime prevention, and thousands of specialist crime analysts are now employed by police forces worldwide. This is the first book to set out the principles and practice of crime analysis, and is designed to be used both by crime analysts themselves, by those responsible for the training of crime analysts and teaching its principles, and those teaching this subject as part of broader policing and criminal justice courses. The particular focus of this book is on the adoption of a problem solving approach, showing how crime analysis can be used and developed to support a problem oriented policing approach – based on the idea that the police should concentrate on identifying patterns of crime and anticipating crimes rather than just reacting to crimes once they have been committed. In his foreword to this book, Nick Ross, presenter of BBC Crime Watch, argues passionately that crime analysts are 'the new face of policing', and have a crucial part to play in the increasingly sophisticated police response to crime and its approach to crime prevention – 'You are the brains, the expert, the specialist, the boffin.'

“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.