Framed At The Benefactor S Club

A classic Manhattan mystery by Achmed Abdullah.

Achmed Abdullah's name was once synonymous with adventure. He published dozens of novels and hundreds of short stories in the pulp magazines of the early 20th century, thrilling millions of readers throughout the world. He wrote with authority about exotic peoples and places because he had lived a life filled with adventure, serving in the British army and travelling extensively to exotic locales before settling down to a literary career. Here is the first new book of Adbullah's stories in almost seventy years, sampling a broad range of his work. "A Charmed Life" tells of one life-changing night in India, when a white man glimpses and beautiful woman in danger and acts to rescue her. "Framed at the Benefactor's Club" is a fascinating, intricately plotted mystery set in Manhattan. "The Yellow Wife" is a chilling look at Chinese life in Chinatown. "Bismallah!" is a light adventure in Africa, as crooked traders try to put a successful rival company out of business. "Light" is a surprisingly effective supernatural tale. "A Yarkand Survey" tells the story of a corrupt governor who is sent on a survey mission that might cost him his life -- if he isn't careful! And "Fear" is the tale of two thieving white men in Africa and the weird fates that awaited them. Ranging from mystery to adventure to outright horror, from the streets of New York to the rooftops of Calcutta, from London's Chinatown to the jungles of Africa, here are tales of men caught up by plots and mysteries beyond their wildest imaginings! Features a new introduction by pulp scholar Darrell Schweitzer.

Based on long-term ethnographic research in the art worlds of Istanbul and Berlin, The National Frame rethinks the politics of art by focusing on the role of art in state governance. It argues that artistic practices, arts patronage and sponsorship, collecting and curating art, and the modalities of censorship continue to be refracted through the conceptual lens of the nation-state, despite the globalization of the arts. By examining discussions of the civilizing function of art in Turkey and Germany and particularly moments in which art is seen to cede this function, The National Frame reveals the histories of violence on which the production, circulation, and, very understanding of art are predicated. Karaca examines this darker side of art in two cities in which art and its institutions have been intertwined with symbolic and material dispossession. The particularities of German and Turkish contexts, both marked by attempts to claim modern nationhood through the arts; illuminate how art is staked to memory and erasure, resistance and restoration; and why art has been at once vital and unwieldy for national projects. As art continues to be called upon to engage the past and imagine different futures, The National Frame explores how to reclaim art’s emancipatory potential.

The Empire State Building is the landmark book on one of the world’s most notable landmarks. Since its publication in 1995, John Tauranac’s book, focused on the inception and construction of the building, has stood as the most comprehensive account of the structure. Moreover, it is far more than a work in architectural history; Tauranac tells a larger story of the politics of urban development in and through the interwar years. In a new epilogue to the Cornell edition, Tauranac highlights the continuing resonance and influence of the Empire State Building in the rapidly changing post-9/11 cityscape.

Supreme Court justices have long relied on law clerks to help process the work of the Court. Yet few outside the Court are privy to the behind-the-scenes bonds that form between justices and their clerks. In Of Courtiers and Kings, Todd C. Peppers and Clare Cushman offer an intimate new look at the personal and professional relationships of law clerks with their justices. Going beyond the book’s widely acclaimed predecessor, I n Chambers, the vignettes collected here range from reflections on how serving as clerks at the Supreme Court impacted the careers of such justices as Stephen Breyer, Elena Kagan, William Rehnquist, John G. Roberts Jr., and John Paul Stevens to personal recollections written by parents and children who have both served as Supreme Court clerks. While individual essays often focus on a single justice and his or her corps of clerks—including how that justice selected and utilized the clerks—taken as a whole the volume provides a macro-level view of the evolution of the role of the Supreme Court law clerk. Drawing on a rich repository of such anecdotes, insights, and experience, the volume relates in a clear and accessible style how the clerking function has changed over time and what it is like for law clerks to be witnesses to history. Offering a rare glimpse into a normally unseen world, Of Courtiers and Kings reveals the Court’s increasing reliance on law clerks and raises important questions about the selection, utilization, and influence of law clerks. Praise for In Chambers: "An excellent book.... It's interesting for many different reasons, not the least of which as a reminder of how much of a bastion of elitism the Court has always been."—Atlantic Monthly "The best parts of the book are the behind-the-scenes descriptions of life at the court.... [A]n impressive and comprehensive book."—Associated Press