Framing And Imagining Disease In Cultural History

Throughout human history illness has been socially interpreted before its range of meanings could be understood and disseminated. Writers of diverse types have been as active in constructing these meanings as doctors, yet it is only recently that literary traditions have been recognized as a rich archive for these interpretations. These essays focus on the methodological hurdles encountered in retrieving these interpretations, called 'framing' by the authors. Framing and Imagining Disease in Cultural History aims to explain what has been said about these interpretations and to compare their value.

Many diseases discussed here--endstage renal disease, rheumatic fever, parasitic infectious diseases, coronary thrombosis--came to be defined, redefined, and renamed over the course of several centuries. As these essays show, the concept of disease has also been used to frame culturally resonant behaviors: suicide, homosexuality, anorexia nervosa, chronic fatigue syndrome. Disease is also framed by public policy, as the cases of industrial disability and of forensic psychiatry demonstrate. Medical institutions, as managers of people with disease, come to have vested interests in diagnoses, as the histories of facilities to treat tuberculosis or epilepsy reveal. Ultimately, the existence and conquest of disease serves to frame a society's sense of its own "healthiness" and to give direction to social reforms.

This edited volume includes studies of discourses about bodily and psychiatric illness in modern China, bringing together scholarships that reconfigure the fields of history, literature, film, psychology, anthropology, and gender studies by tracing the pathological path of China through the nineteenth and twentieth centuries into the new millennium.

Against a backdrop of contemporary social and sexual concerns, and potent fears surrounding the moral and physical ‘degeneration’ of late nineteenth and early twentieth-century society, ‘The Cruel Madness of Love’ explores a critical period in the developing relationship between syphilis and insanity.

Using interdisciplinary techniques and original research findings, this volume explores the shift from humoral to nervous interpretations of emotion; the emotional nature of the medical professional-patient relationship; and the extent to which gender might influence the diagnosis, treatment and prognosis of pathological emotional conditions.

Halfway between history and philosophy, this book deals with the historical forms that have permitted the understanding of human suffering from the Renaissance to the present. Representation, sympathy, imitation, coherence and narrativity are but a few of the rhetorical recourses that men and women have employed in order to feel our pain.

This text is both a history of skin disease and a history of dermatology, telling the human historical experience of skin disease and how we have come to know what we know about the skin and its myriad diseases over the course of four millennia, looking at key figures in life and literature and key events such as the Black Death and the eradication of smallpox. *Examines how the history of skin disease fits into the larger picture of the history of each age *Provides dermatological insight into major events and personalities from history *Offers a unique perspective on the history of each age

Pain, Passion and Faith: Revisiting the Place of Charles Wesley in Early Methodism is a significant study of the 18th-century poet and preacher Charles Wesley. Wesley was an influential figure in 18th-century English culture and society; he was co-founder of the Methodist revival movement and one of the most prolific hymn-writers in the English language. His hymns depict the Christian life as characterized by a range of intense emotions, from ecstatic joy to profound suffering. With this book, author Joanna Cruickshank examines the theme of suffering in Charles Wesley's hymns, to help us understand how early Methodist men and women made sense of the physical, emotional and spiritual pains they experienced. Cruickshank uncovers an area of significant disagreement within the Methodist leadership and illuminates Methodist culture more broadly, shedding light on early Methodist responses to contemporary social issues like charity, slavery, and capital punishment.