Frankie Stankie

Dinah and her sister Lisa are growing up in 1950s South Africa, where racial laws are tightening. They are two little girls from a dissenting liberal family. Big sister Lisa is strong and sensible, while Dinah is weedy and arty. At school, the sadistic Mrs Vaughan-Jones is providing instruction in mental arithmetic and racial prejudice. And then there's the puzzle of lunch break. "Would you rather have a native girl or a koelie to make your sandwiches?" a first-year classmate asks. But Dinah doesn't know the answer, because it's her dad who makes her sandwiches. As the apparatus of repression rolls on, Dinah finds her own way. As we follow her journey through childhood and adolescence, we enter into one of the darker passages of twentieth-century history.

A coming of age novel set in 1950s South Africa, by the author of Brother of the More Famous Jack.

Brilliant Australian Caroline can command everyone except her own ghoulish mother, which means that things aren't easy for Josh and Zoe, her husband with Stravinsky-glasses and twelve-year-old daughter. Zoe reads girls' ballet books and longs for lessons; a thing denied her until a chance encounter on a school French exchange. Meanwhile, on the east coast of Africa, Hattie, Josh's first love, now writes girls' ballet books when she can carve out time when she isn't caring for her husband and her crosspatch daughter. From far and wide, they are all drawn together: a masquerade in which things are not always what they seem. Elizabeth Gilbert on Barbara Trapido: "Why did it take me so long to discover the singular joys of Barbara Trapido's novels? Why, for so many years, had I missed these witty, soulful, heartbreaking, expansive, brilliant tales? I have become a literary evangelist on her behalf. On account of my badgering, all my friends now love her, too. I won't rest until everyone in America has read (and fallen in love with) this fabulous author." --Elizabeth Gilbert

This anthology comprises of interviews with contemporary South African authors, offering vignettes of their lives and summaries of their works. In curating this book, Danyela Demir and Olivier Moreillon step beyond pure literary theory and analysis. They welcome the authors to speak and assess the literary panorama in which they live and co-create. However, Demir and Moreillon also trace concepts and terms that describe the current South African literature, such as post-transitional literature and literature beyond 2000. By adopting a world-literary approach to (post)apartheid literature, this book contributes to debates on contemporary South African writing. In addition, Tracing the (Post)Apartheid Novel Beyond 2000 seeks to raise awareness of the imbalance in both critical and public attention between literary ‘big names’, such as André P. Brink, J.M. Coetzee, Nadine Gordimer and Zakes Mda, who are popular worldwide, and the younger and newer generation of South African writers, who go largely unnoticed. Print edition not for sale in Sub Saharan Africa.

'Temples of Delight makes you laugh and it moves you' Sunday Times 'A joyous and winking style reliant on coincidence and irony, sparkling sung ... As messy, glorious and strange as life itself' Lauren Groff Jem is a joyful mystery to Alice: a whirl of glamour, subversion and literary references. And when she disappears from Alice's life, as suddenly as she entered it, Alice is left bereft. But then she meets Giovanni, presumptuous and hectoring, passionate and beautiful, who leads her back to her childhood friend and the mystery and chaos still surrounding her. Alice finds herself being seduced all over again... 'So readable, so full of incidental pleasures and curiosities ... In her readability, her richness, her plain, clear style, Trapido is quite like what Iris Murdoch is supposed to be' Philip Hensher, Guardian 'Very funny ... fizzes along at a cracking pace' Sunday Telegraph 'As lush and original as it is playful and ironic ... Quirky, wise and warm, full of charm and entirely original' San Francisco Chronicle

In 1984, a time when the publishing landscape was becoming increasingly corporate, Nigel Newton decided to start a new independent literary publishing company. The following year, over early mornings and late nights, he and publisher David Reynolds came up with their plan. In 1986 Bloomsbury Publishing began its life in a small office above a Chinese restaurant in Putney. For all its early ambition, no-one could have envisaged the 35 years that would follow. As the offices shifted first to Soho Square and then to Bedford Square, with branches opening in New York, Sydney, Oxford and New Delhi, its list took shape. There were to be books from all over the world, some becoming Nobel, Booker and Women's Prize winners, some to be million copy bestsellers, and some to become modern classics. In Bloomsbury 35 its editors-in-chief Liz Calder and Alexandra Pringle have made selections from novels they have published on Bloomsbury's adult list, from each year of Bloomsbury's life, forming an anthology that represents the creative heart of Bloomsbury. This anthology does not draw works from Bloomsbury's equally sparkling children's, academic or special interest lists. Featuring work from Margaret Atwood, Susanna Clarke, Jeffrey Eugenides, Richard Ford, Abdulrazak Gurnah, Khaled Hosseini, Jhumpa Lahiri, Colum McCann, Madeline Miller, Michael Ondaatje, Caryl Phillips, George Saunders, Will Self, Kamila Shamsie, Ahdaf Soueif, Jeanette Winterson, and many more, it is a celebration of Bloomsbury's first 35 years

Every Step of the Way celebrates the tenth anniversary of South Africa's first democratic election but also seeks to widen and promote a conversation about South Africa's contested pasts.

'A brilliant book' - Mary Wesley, Daily Mail 'She is simply dynamite ... There are no apparent bounds to Trapido's skill, her inventiveness and her knowledge' - Philip Hensher, Guardian Sparky Christina and her saintly adopted sister Pam couldn't be more different. And when they meet similarly mismatched friends Jago and Peter, the four embark on a dazzling series of pairings and partings, outrageous coincidences and eleventh-hour entrances interrupted one disastrous Halloween when schoolboy revelry turns horribly wrong. Three years on, as Christina has made it to Oxford to study English. While she analyses the wit, cruelty and crossed genders of Shakespearean comedy, the cast of her own life reunites and the curtain falls on some gloriously unexpected partnerships. 'Juggling by Barbara Trapido is, I think, already well known but it should be even more so. It has the best piece of Shakespeare criticism in it I've ever read' - Katherine Rundell, Guardian 'A joy to read ... Supremely skilful' - Observer 'She weaves a cat's cradle of wit and erudition around her high-stepping characters, take breath-taking risks and triumphs against all the odds' - Independent