Franz Liszt And The Vocabularies Of Transcription 1833 1865
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Franz Liszt and the Vocabularies of Transcription 1833 1865
Author | : Jonathan Sanvi Kregor |
Publsiher | : Unknown |
Total Pages | : 336 |
Release | : 2007 |
Genre | : Arrangement (Music) |
ISBN | : STANFORD:36105210550146 |
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Franz Liszt
Author | : Michael Saffle |
Publsiher | : Routledge |
Total Pages | : 538 |
Release | : 2009 |
Genre | : Music |
ISBN | : 9780415998390 |
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First published in 2009. Routledge is an imprint of Taylor & Francis, an informa company.
Liszt as Transcriber
Author | : Jonathan Kregor |
Publsiher | : Cambridge University Press |
Total Pages | : 315 |
Release | : 2010-11-18 |
Genre | : Music |
ISBN | : 9780521117777 |
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Providing illuminating insights into Liszt's working methods, this book investigates the composer's transcriptions in their musical, cultural, and historical contexts.
Liszt s Representation of Instrumental Sounds on the Piano
Author | : Hyun Joo Kim |
Publsiher | : Unknown |
Total Pages | : 240 |
Release | : 2019 |
Genre | : Arrangement (Music) |
ISBN | : 9781580469463 |
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Examines Liszt's piano arrangements of music originally created for other instruments, especially the symphony orchestra and the Hungarian Gypsy band.
Music and Monumentality
Author | : Alexander Rehding |
Publsiher | : Oxford University Press |
Total Pages | : 522 |
Release | : 2009-08-19 |
Genre | : Music |
ISBN | : 9780199888894 |
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This critical study locates musical monumentality, a central property of the nineteenth-century German repertoire, at the intersections of aesthetics and memory. In examples including Beethoven, Liszt, Wagner and Bruckner, Rehding explores how monumentality contributes to an experiential music history and how it conveys the sublime to the listening public.
Mozart s Ghosts
Author | : Mark Everist |
Publsiher | : Oxford University Press |
Total Pages | : 135 |
Release | : 2013-06-11 |
Genre | : Music |
ISBN | : 9780199344222 |
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Mozart's Ghosts traces the many lives of this great composer that emerged following his early death in 1791. Crossing national boundaries and traversing two hundred years-worth of interpretation and reception, author Mark Everist investigates how Mozart's past status can be understood as part of today's veneration. Everist forges new paths to reach the composer, examining a number of ways in which Western culture has absorbed the idea of Mozart, how various cultural agents have appropriated, deployed, and exploited Mozart toward both authoritarian and subversive ends, and how the figure of Mozart and his impact illuminate the cultural history of the last two centuries in Europe, England, and America. Modern reverence for the composer is conditioned by earlier responses to his music, and Everist argues that such earlier responses are more complex than allowed by a simple "reception studies" model. Closely linking nine case studies in an innovative cultural and theoretical framework, the book approaches the developing reputation of the composer from death to the present day along three paths: "Phantoms of the Opera" deals with stage music, "Holy Spirits" addresses the trope of the sacred, and "Specters at the Feast" considers the impact of Mozart's music in literature and film. Mozart's Ghosts adeptly moves the study of Mozart reception away from hagiography and closer to cultural and historical criticism, and will be avidly read by Mozart scholars and students of eighteenth-century music history, as well as literary critics, historians of philosophy and aesthetics, and cultural historians in general.
Opera in the Viennese Home from Mozart to Rossini
Author | : Nancy November |
Publsiher | : Cambridge University Press |
Total Pages | : 267 |
Release | : 2024-01-18 |
Genre | : Music |
ISBN | : 9781009409803 |
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A unique window on the world of nineteenth-century amateur music-making provided by the study of domestic musical arrangements of opera.
Ferruccio Busoni and the Ontology of the Musical Work
Author | : Erinn Elizabeth Knyt |
Publsiher | : Stanford University |
Total Pages | : 641 |
Release | : 2010 |
Genre | : Electronic Book |
ISBN | : STANFORD:ck155rf0207 |
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Ferruccio Busoni's conception of the musical work derives from his multiple roles as performer, aesthetician, editor, composer, arranger, and intellectual. Drawing on unpublished scores, manuscripts, sketches and documents from the Staatsbibliothek in Berlin, concert programs from a private collection in Berkeley, acoustic recordings, information about Busoni's intellectual interests gleaned from an auction catalogue featuring the contents of his extensive library, and the published aesthetic writings, letters, and compositions, the present study offers the first comprehensive account of Busoni's work concept. By establishing connections between his ideas and his musical practice, it explores and clarifies the reasoning behind his idiosyncratic compositional style, a style characterized by a blurring of boundaries between original and borrowed material. Polystylistic mixtures of the old and new and a distinctive performance style, in which Busoni creatively altered and embellished existing texts, exemplify his practice in an age in thrall to Werktreue, when originality of idea was prized above all else.