Free Will And The Rebel Angels In Medieval Philosophy

This book studies medieval theories of free will, including explanations of how angels - that is, ideal agents - can choose evil.

This is a comprehensive introduction to a rapidly growing subject and provides key resources for thinking about key aspects of television studies. It begins with a critical evaluation of approaches that can be used to study television and introduces institutional, textual, cultural, economic, production and audience centred ways of researching and analysing television.

Introduction 1 AquinasÆs philosophy in its historical setting Jan A. Aertsen 2 Aristotle and Aquinas Joseph Owens 3 Aquinas and Islamic and Jewish thinkers David B. Burrell 4 Metaphysics John F. Wippel 5 Philosophy of mind Norman Kretzmann 6 Theory of knowledge Scott MacDonald 7 Ethics Ralph McInerny 8 Law and politics Paul E. Sigmund 9 Theology and philosophy Mark D. Jordan 10 Biblical commentary and philosophy Eleonore Stump

Oxford Studies in Medieval Philosophy showcases the best scholarly research in this flourishing field. The series covers all aspects of medieval philosophy, including the Latin, Arabic, and Hebrew traditions, and runs from the end of antiquity into the Renaissance. It publishes new work by leading scholars in the field, and combines historical scholarship with philosophical acuteness. The papers will address a wide range of topics, from political philosophy to ethics, and logic to metaphysics. OSMP is an essential resource for anyone working in the area.

The Cambridge History of Medieval Philosophy comprises over fifty specially commissioned essays by experts on the philosophy of this period. Starting in the late eighth century, with the renewal of learning some centuries after the fall of the Roman Empire, a sequence of chapters take the reader through developments in many and varied fields, including logic and language, natural philosophy, ethics, metaphysics, and theology. Close attention is paid to the context of medieval philosophy, with discussions of the rise of the universities and developments in the cultural and linguistic spheres. A striking feature is the continuous coverage of Islamic, Jewish, and Christian material. There are useful biographies of the philosophers, and a comprehensive bibliography. The volume illuminates a rich and remarkable period in the history of philosophy and will be the authoritative source on medieval philosophy for the next generation of scholars and students alike.

Free will is a perennial theological and philosophical topic. As a central dogmatic locus, it is implicated in discussions around core Christian doctrines such as grace, salvation, sin, providence, evil, and predestination. This book offers a state-of-the-art look at recent debates about free will in analytic and philosophical theology. The chapters revolve around three central themes: the debate between theological compatibilists and libertarians, the communal nature of Christian freedom, and the role of free will in Christology. With contributions by leading scholars, the volume provides a valuable overview of current arguments as well as novel openings and ideas for further discussion.

This volume presents the first complete edition of Oxford, MS Marsh 539, a hitherto unpublished Philosophy Reader compiled anonymously in the eastern Islamic world in the eleventh century. The compilation consists of texts on metaphysics, physiology and ethics, providing excerpts from Arabic versions of Greek philosophical works (Aristotle, Plotinus, Galen), and works by Arabic authors (Qusta ibn Luqa, Farabi, Miskawayh). It preserves fragments of Greek-Arabic translations lost today, including Galen's On my own Opinions, the Summa Alexandrinorum, and Themistius on Aristotle's Book Lambda. The Philosophy Reader provides a unique insight into philosophical activity of the place and time of the well-known philosopher Miskawayh, showing us which works had entered the mainstream and were considered necessary for philosophers to know. Elvira Wakelnig's volume includes a new facing-page English translation and a rich commentary which identifies the source texts and examines the historical and philosophical context of each passage.

This book examines the role of angels in medieval and Renaissance art and religion from Dante to the Counter-Reformation.