Freight Train Graffiti

As dazzling as the art it celebrates, this volume is packed with 1,000 full-color illustrations and features in-depth interviews with more than 125 train artists and "writers" to provide unprecedented perspective into graffiti.

A catalog of an exhibition that surveys the history of international graffiti and street art.

The Lines Don¿t Lie. The first of its kind to solely showcase the contemporary freight-train graffiti subculture photographed along the rail lines of New England, the book is also packed with trackside productions, missions in nearby tunnels, and life (and death) at the gravel's edge. It is an unbiased look at not only who is the "most up", but who is out there attempting this at all. Among the hundreds of photographs are wisdoms and witticisms from twenty-five graffiti writers, along with insights from railworkers, and a foreword by legendary writer, Ichabod.All photographs were made by Nicholas Gervin with his Fujifilm camera. Printed in the U.S.A and hand-bound by the artist, the first run of The Lines Don't Lie will be released as a limited edition of three hundred copies. Each will contain one hundred ninety pages of 100 lb. 270 GSM gloss stock in a silver foil-stamped, leatherette hardcover.

The Routledge Handbook of Graffiti and Street Art integrates and reviews current scholarship in the field of graffiti and street art. Thirty-seven original contributions are organized around four sections: History, Types, and Writers/Artists of Graffiti and Street Art; Theoretical Explanations of Graffiti and Street Art/Causes of Graffiti and Street Art; Regional/Municipal Variations/Differences of Graffiti and Street Art; and, Effects of Graffiti and Street Art. Chapters are written by experts from different countries throughout the world and their expertise spans the fields of American Studies, Art Theory, Criminology, Criminal justice, Ethnography, Photography, Political Science, Psychology, Sociology, and Visual Communication. The Handbook will be of interest to researchers, instructors, advanced students, libraries, and art gallery and museum curators. This book is also accessible to practitioners and policy makers in the fields of criminal justice, law enforcement, art history, museum studies, tourism studies, and urban studies as well as members of the news media. The Handbook includes 70 images, a glossary, a chronology, and the electronic edition will be widely hyperlinked.

What this urban art from looks like in America's anti-city.

In Making Trouble leading scholars in criminology, sociology, criminal justice, women's studies, and social history explore the mediated cultural dynamics that construct images and understanding of crime, deviance, and control. Contributors examine the intertwined practices of the mass media, criminal justice agencies, political power holders, and criminal and deviant subcultures in producing and consuming contested representations of legality and illegality. While the collection provides broad analysis of contemporary topics, it also weaves this analysis around a set of innovative and unifying themes. These include the emergence of ""situated media"" within and between the various subcultures of crime, deviance, and control; the evolution of policing and social control as complex webs of mediated and symbolic meaning; the role of power, identity, and indifference in framing contemporary crime controversies, with special attention paid to the gendered construction of crime, deviance and control; and the importance of historical and cross-cultural dynamics in shaping understandings of crime, deviance, and control.

For most people having to wait at a railroad crossing for a long freight train to roll by seems like an eternity and a giant waste of time. Those people can't wait for a bridge to be built so that they can just get where they are going as quickly as they can without having to wait on some train to roll through at 15 MPH. They've got stuff to do!Myself, and thousands of other people around the world take this intrusion into our personal time as an opportunity to witness one of the greatest traveling art shows known to man.Thousands of artworks, created by amateurs and professional artists' alike roll from city to city across our entire continent.From USA & Canada to Mexico. From the East Coast to West Coast these rolling artworks come to us, instead of the other way round'. Stand by the tracks for hours like a lot of us do and witness the amazing things you'll see rolling by anywhere between 5 MPH and 50 MPH.These pieces are, however, temporary. They are constantly being painted over by other writers, or the cars are scrapped. Preserving these pieces is an important undertaking that thousands of people are working on daily. This is my little contribution to the preservation of this rich history.