Fresno Stories

Eleven of William Saroyan's most delightful tales, Fresno Stories springs straight from the source of the author's vision--"the archetypal Armenian families who inhabit Saroyan country, in and around Fresno, California." (Chicago Tribune)

One pink convertible, two estranged cousins, and a fateful summer road trip. When geeky horror movie fanatic Ricki and makeup guru Lana accidentally switch bodies they will have to work together to straighten out their lives and swap back to their rightful body beforecalamity strikes. Freaky in Frenso is a fresh take that is part?Freaky Friday, part romcom, and all heart. Ricki has one goal: save the Starlight Drive-in movie theater from going dark forever. Okay, make that two goals … she may also want a first kiss from her cinema-rescuing partner and major crush, Jake. Lana definitely has only one goal: grow her online makeup channel to keep her momager off her back, even if the posts attract ugly internet trolls. The two cousins couldn’t be more different, but their opposite personalities come crashing to a head when their aunt gifts the girls a vintage cotton-candy-pink convertible.?To share.?Ricki wants the convertible for the drive-in’s grand reopening, but it’s the same day as Digifest, a huge event where Lana needs to shine. After a major fight and a minor electric shock while wrestling over the wheel, Ricki wakes up as Lana, and Lana wakes up as Ricki. Ricki and Lana have only a day to un-swap themselves, a task made even more difficult as they try to keep up appearances on Lana’s channel and with Ricki’s hopefully-soon-to-be-kissed crush. But it turns out experiencing a day as each other—with a mini road trip and Chihuahua wrangling—may be the one thing that help the cousins see each other and?themselves?more clearly. Freaky in Fresno: Addresses topics such as family and friendship, mental health and self-worth, andonline presence Pays homage to beloved 80s movies, hilarious?Freaky Friday?twists, cult horror classics, and scream queens like Jamie Lee Curtis Is perfect for fans of contemporary YA, Christian Riccio, and Morgan Matson

Fiction. Latin American Studies. "If you read one book of stories this year, make it this one. LIVE FROM FRESNO Y LOS kicks out the jams, and takes no prisoners. Enjoy, and tell a friend"--Virgil Suarez. "Stunning. Really, a lovely and loving collection of stories, nicely balanced between the vernacular and the literarily eloquent"--Lamar Herrin. "There is an ineradicable sweetness to these stories, accompanied by the crisp and happy bemusement of a genuine voice--the sound of one person speaking directly to another, and not from the head, but from that most mysterious of mouths, the human heart"--Jim Krusoe.

Perfectly blending a vast historical scope with intensely individual viewpoints, this stirring collection of stories brings a man-on-the-ground perspective to a huge range of military history, with stories of a quarter-century of war from nearly every corner of the earth, including Europe; the Pacific; mainland Asia; a tense confrontation in Guantanamo Bay during the Cuban Missile Crisis; POW camps in Germany, Japan, and California; and the San Joaquin Valley home front from the 1940s through the 1960s. These 72 highly individualized narratives of combat, military service, and the personal sacrifices of war--penned by ordinary San Joaquin Valley residents and buttressed with more than 100 personal photographs--bring commentaries from soldiers, sailors, airmen, marines, nurses, ambulance drivers, and civilians. In simple, direct, and authentic language, with stories both horrific and touching, ""Stories of Service: Volume 2"" perfectly illustrates the personal side of war.

On January 2, 1972, Mark Arax's childhood came to a sudden, explosive end when his father was shot to death at his nightclub in Fresno, California. It was one of the most sensational murders in California's heartland, and it was never solved. Mark, only fifteen years old at the time, was left with a legacy of questions: Were the rumors about his father true? Had he led a double life? Was he killed because of his dealings with the underworld? Mark Arax, an award-winning journalist at the Los Angeles Times, now writes a searing, intensely personal account of his twenty-two-year search for answers about his father's life and death, and his own identity. As the oldest child, Mark was thrust into the role of patriarch. His quest for answers began in high school, when he sought out his father's father, an Armenian immigrant. His grandfather opened a window into an old country world full of promise and heartbreak -- and four generations of eccentric family members. Two decades later, Mark uprooted his wife and baby and returned to Fresno under an assumed name to try and determine who killed his father and why. Fearing for his own life, he discovers his father was murdered just before he was going to make a startling disclosure. More than a true-life murder mystery, more than an exploration of family and culture, In My Father's Name is the poignant story of one man's remarkable journey as he uncovers long-hidden secrets about his father, his family, his heritage, and the town he once called home.

Here are the eleven remarkable stories of Tennessee Williams's first volume of short fiction, originally published in 1948 and reissued as a paperbook in response to an increasingly insistent public demand. It was this book which established Williams as a short story writer of the same stature and interest he had shown as a dramatist. Each story has qualities that make it memorable. In "One Arm" we live through his last hours and memories with a 'rough trade" ex-prizefighter who is awaiting execution for murder. "The Field of Blue Children" explores some of the strange ways of the human heart in love, "Portrait of a Girl in Glass" is a luminous and nostalgic recollection of characters who figure in "The Glass Menagerie," while "Desire and the Black Masseur" is an excursion into the logic of the macabre. "The Yellow Bird," well known through the author's recorded reading of it, which tells of a minister's daughter who found a particularly violent but satisfactory way of expiating a load of inherited puritan guilt, may well become part of American mythology.

Aaron Gilbreath writes a highly personal narrative of the San Joaquin Valley that incorporates history, Native American displacement, agriculture, environmental concerns, and more.