Freud As A Social And Cultural Theorist

This book offers a new account of Freud’s work by reading him as the social theorist and philosopher he always aspired to be, and not as the medical scientist he publicly claimed to be. In doing so, the author demonstrates that’s Freud’s social, moral, and cultural thought constitutes the core of his life’s work as a theorist, and is the thread that binds his voluminous writings together: from his earliest essays on the neuroses, to his foundational writings on dreams and sexuality, and to his far-ranging reflections on art, religion, and the dynamics of culture. Returning to the fundamental questions and concerns that animate Freud’s work - the nature of evil; the origins of religion, morality, and tradition; and the looming threat of resurgent barbarism - Freud as a Social and Cultural Theorist provides the first systematic re-examination of Freud’s social and cultural thought in more than a generation. As such, it will be of interest to social and cultural theorists, social philosophers, intellectual and cultural historians, and those with interests in psychoanalysis and its origins.

Cultural theory has found a renewed interest in psychoanalysis, bringing many new readers to Freud and his work. This book is an introductory guide to Freud and brings together for the first time: an overview of Freud′s work which enables the reader to see quickly where, and in which texts, Freud develops his main ideas a guide to reading Freud, and to what can be done with the complexities of his texts an examination of what recent cultural theory draws from Freud, and of why psychoanalysis is of interest for it a discussion about the Freud revealed by recent cultural theory an extensive selection of extracts from Freud′s texts, with commentary. This book is the definitive guide to the content of Freud′s texts: what′s there and where to find it. It will have wide appeal to students new to Freud in cultural studies, literary theory, philosophy and sociology.

Abraham Drassinower takes a fresh look at Freud, countering his prevalent image as a man pessimistically renouncing the possibility of social, political, and cultural change.

Discusses the reasons for the decline of the cultural influence of psychoanalysis.

Rarely has a single figure had as much influence on Western thought as Sigmund Freud. His ideas permeate our culture to such a degree that an understanding of them is indispensable. Yet many otherwise well-informed students in the humanities labor under misconceptions or lack of knowledge about Freudian theory. There are countless introductions to Freudian psychoanalysis but, surprisingly, none that combine a genuinely accessible account of Freud's ideas with an introduction to their use in literary and cultural studies, as this book does. It is written specifically for use by advanced undergraduate and graduate students in courses dealing with literary and cultural criticism, yet will also be of interest to the general reader. The book consists of two parts. Part one explains Freud's key ideas, focusing on the role his theories of repression, conscious and unconscious mental processes, sexuality, dreams, free associations, "Freudian slips," resistance, and transference play in psychoanalysis, and on the relationship between ego, superego, and id. Here de Berg refutes many popular misconceptions, using examples throughout. The assumption underlying this account is that Freud offers not simply a model of the mind, but an analysis of the relation between the individual and society. Part two discusses the implications of Freudian psychoanalysis for the study of literature and culture. Among the topics analyzed are Hamlet, Heinrich Heine's Lore-Ley, Freud's Totem and Taboo and its influence on literature, the German student movement of the late 1960s, and the case of the Belgian pedophile Marc Dutroux and the public reactions to it. Existing books focus either on Freudian psychoanalysis in general or on psychoanalytic literary or cultural criticism; those in the latter category tend to be abstract and theoretical in nature. None of them are suitable for readers who are interested in psychoanalysis as a tool for literary and cultural criticism but have no firm knowledge of Freud's ideas. Freu

Cultural theory has found a renewed interest in psychoanalysis, bringing many new readers to Freud and his work. This book is an introductory guide to Freud and brings together for the first time: an overview of Freud′s work which enables the reader to see quickly where, and in which texts, Freud develops his main ideas a guide to reading Freud, and to what can be done with the complexities of his texts an examination of what recent cultural theory draws from Freud, and of why psychoanalysis is of interest for it a discussion about the Freud revealed by recent cultural theory an extensive selection of extracts from Freud′s texts, with commentary. This book is the definitive guide to the content of Freud′s texts: what′s there and where to find it. It will have wide appeal to students new to Freud in cultural studies, literary theory, philosophy and sociology.

This volume, meant to reflect the lively and eclectic spirit of the show, is a gathering of variously challenging, erudite, and amusing essays by scholars, critics, and writers.

In this compelling book, Anthony Elliott traces the rise of psychoanalysis from the Frankfurt School to postmodernism. Examining how pathbreaking theorists such as Adorno, Marcuse, Lacan and Lyotard have deployed psychoanalysis to politicise issues such as desire, sexuality, repression and identity, Elliott assesses the gains and losses arising from this appropriation of psychoanalysis in social theory and cultural studies. Moving from the impact of the Culture Wars and recent Freud-bashing to contemporary debates in social theory, feminism and postmodernism, Elliott argues for a new alliance between sociological and psychoanalytic perspectives.