From China To Paris

The reports of a conference of 11 scholars who began the task of examing together primary sources that might shed som elight on exactly how and in what fomrs mathematical problems, concepts, and techniques may have been transmitted between various civilizations, from antiquity down to the European Renaissance following more or less the legendary silk routes between China and Western Europe.

This research employs the narrative of mental suffering as a prism through which to study Chinese migration in France. It provides new analytical angles and new perspectives on the paradoxical existence and conditions of the migrants, and traces the social links between individuals and societies, objectivity and subjectivity, the real and the imaginary.

Tianducheng is a small suburb in China modelled on Paris -- it even has a replica Eiffel Tower. These photographs of near-identical landmarks in both places beg the question: is imitation really the highest form of flattery? François Prost is a Parisian photographer, graphic designer and art director. When he's not working for editorial or commercial clients he spends his time on personal photography projects, documenting façades of local French nightclubs, machine gun shops in the US and Chinese scooters. In 2020 he started photographing the similarities between the real Venice and replicas in Las Vegas and Hangzhou, China.

Missions Étrangères de Paris (MEP) and China offers readers an overview of the French MEP’s activities in China and provides insights into the significant and complex cross-cultural encounter of the Catholic Church and Chinese society

A thriller of war that never was—of survival in an impossible city—of surreal cataclysm. In The Last Days of New Paris, China Miéville entwines true historical events and people with his daring, uniquely imaginative brand of fiction, reconfiguring history and art into something new. “Beauty will be convulsive. . . .” 1941. In the chaos of wartime Marseille, American engineer—and occult disciple—Jack Parsons stumbles onto a clandestine anti-Nazi group, including Surrealist theorist André Breton. In the strange games of the dissident diplomats, exiled revolutionaries, and avant-garde artists, Parsons finds and channels hope. But what he unwittingly unleashes is the power of dreams and nightmares, changing the war and the world forever. 1950. A lone Surrealist fighter, Thibaut, walks a new, hallucinogenic Paris, where Nazis and the Resistance are trapped in unending conflict, and the streets are stalked by living images and texts—and by the forces of Hell. To escape the city, he must join forces with Sam, an American photographer intent on recording the ruins, and make common cause with a powerful, enigmatic figure of chance and rebellion: the exquisite corpse. But Sam is being hunted. And new secrets will emerge that will test all their loyalties—to each other, to Paris old and new, and to reality itself. Praise for The Last Days of New Paris “Beautiful, stunningly realized . . . [The Last Days of New Paris] is a brief vacation in alien latitudes, a midnight layover in an imaginary place.”—NPR “A thoughtful, highbrow novella . . . Miéville’s self-assured style offers up a strong sense of humanity, while the strange Surrealist monsters give Last Days a fun and complementary mad-science component.”—USA Today “[A] testament to the necessary, progressive power of art . . . Both moving and disturbingly timely.”—Newsday “A novel both unhinged and utterly compelling, a kind of guerrilla warfare waged by art itself, combining both meticulous historical research and Miéville’s unparalleled inventiveness.”—Chicago Tribune “An extraordinarily original work that foregrounds Mieville’s considerable ingenuity and innovation.”—The Millions “Hauntingly poetic, strangely beautiful, and erratically intense.”—San Francisco Book Review “Dazzling . . . quite a feat.”—The Guardian

How Chinese artists created a transnational imaginary