From Fiction To Psychoanalysis

Reprint of the Doubleday edition of 1954. No material has been added. Annotation copyrighted by Book News, Inc., Portland, OR

Imaginary Existences: A psychoanalytic exploration of phantasy, fiction, dreams and daydreams interweaves scholarly psychoanalytic knowledge and extensive clinical experience with insights derived from close readings of great literature in a uniquely imaginative and creative manner, convincingly demonstrating how these two ways of thinking – psychoanalysis and literary criticism – organically relate to each other. This is simultaneously a psychoanalytic book and a book about literature, illuminating the imaginative possibilities present within both the psychoanalytic encounter and the act of reading fiction. Scholarly and well researched, the psychoanalytic ideas presented have their basis in the work of Freud and Klein and some of their followers; the extensive and innovative writing about the great authors in Western literature is equally scholarly and lucent. Here, Ignês Sodré explores creativity itself and, specifically, the impediments to creative thinking: defences, mostly narcissistic, against dependency, guilt and loss, and the mis-use of imagination to deny reality. In her studies of the characters created by authors such as George Eliot, Cervantes, Flaubert, Thomas Mann, Proust and Shakespeare, Sodré examines the way great writers create characters who mis-use their imagination, twisting reality into romantic daydreams or sado-masochistic enactments, which petrify experience and freeze the fluidity of thought. Her clinical studies continue and expand this theme, broadening the field and lending verification and weight to the arguments. These two poles of Sodré’s thinking – psychoanalysis and literature – interact seamlessly in Imaginary Existences; the two disciplines work together, each an intimate part of a learned exploration of the human condition: our desires, our fears and our delusions. This convergence pays tribute to the great depth of the fictional work being studied and to the psychological validity of the psychoanalytic ideas. This book will be of interest to psychoanalysts, psychologists, psychotherapists, literary critics, and those interested in literature and literary criticism.

The ideas of psychoanalysis have permeated Western culture. It is the dominant paradigm through which we understand our emotional lives, and Freud still finds himself an iconic figure. Yet despite the constant stream of anti-Freud literature, little is known about contemporary psychoanalysis. Introducing Psychoanalysis redresses the balance. It introduces psychoanalysis as a unified 'theory of the unconscious' with a variety of different theoretical and therapeutic approaches, explains some of the strange ways in which psychoanalysts think about the mind, and is one of the few books to connect psychoanalysis to everyday life and common understanding of the world. How do psychoanalysts conceptualize the mind? Why was Freud so interested in sex? Is psychoanalysis a science? How does analysis work? In answering these questions, this book offers new insights into the nature of psychoanalytic theory and original ways of describing therapeutic practice. The theory comes alive through Oscar Zarate's insightful and daring illustrations, which enlighten the text. In demystifying and explaining psychoanalysis, this book will be of interest to students, teachers and the general public.

On the Lyricism of the Mind: Psychoanalysis and Literature explores the lyrical dimension (or the lyricism) of the psychic space. It is not presented as an artistic disposition, but rather as a universal psychic quality which enables the recovery and recuperation of the self. The specific nature of human lyricism is defined as the interaction as well as the integration of two psychic modes of experience originally defined by the psychoanalyst Wilfred Bion: The emergent and the continuous principles of the self. Dana Amir elaborates Bion's general notion of an interaction between the emergent and the continuous principles of the self, offering a discussion of the specific function of each principle and of the significance of the various types of interaction between them as the basis for mental health or pathology. The author applies these theoretical notions in her analytic work by means of literary illustrations showing how the lyrical dimension may be used to teach psychoanalytic readings of literature and explore the connection between psychoanalytic and literary languages. On the Lyricism of the Mind presents a new psychoanalytic understanding of the capacity to heal, to grieve, to love and to know, using literary illustrations but also literary language in order to extract a new formulation out of the classic psychoanalytic language of Winnicott and Bion. This book will appear to a wide audience to include psychoanalysts, psychotherapists and art therapists. It is also extremely relevant to literary scholars, including students of literary criticism, philosophers of language and philosophers of mind, novelists, poets, and to the wide educated readership in general.

This book presents a radical look at the founder of psychoanalysis in his broader cultural context, addressing critical issues and challenging stereotypes.

Psychoanalytic Perspectives on Women and Power in Contemporary Fiction psychoanalytically examines contemporary fiction portraying the female in a reversal of the stereotyped victim role. The recent popularity of powerful female characters suggests that literature is ahead in its understanding the desires, fantasies and unconscious emotions of the public. This book explores a form of intimacy frequently observed in consulting rooms and in life in general: malicious intimacy. Specific to the conjugal bond, it is a type of intimacy connected to the relationship between the two halves of the couple that is extremely powerful and painful. Instead of clinical cases, Rossella Valdré examines four contemporary and widely successful novels, published contemporaneously, which capture perfectly this type of psychopathological universe. Valdré then maps out psychoanalytic hypotheses regarding the persistency of these malicious intimacies. Through analysis of these examples, Valdrè investigates the roots and hypotheses of a new scenario on victim-executioner roles played out in the intimacy of the couple. Exploring how and if the contemporary couple is undergoing profound changes, she provides an overview of the various deep-seated psychological mechanisms and unconscious dynamics that may be at work. The book explores the need to not be dependant upon a love object as an extreme defence against abandonment or self-collapse. Valdrè argues that such a configuration is very common, and that Idealization in contemporary life is one of the reasons behind the most of sufferance in modern couples, something which psychoanalysis can examine through art. Women, perhaps, after emancipation, are living overturned roles and paying a higher cost as a result. Psychoanalytic Perspectives on Women and Power in Contemporary Fiction will appeal to psychoanalysts and psychoanalytic psychotherapists, and be of interest to scholars and students of literature, gender studies, philosophy and sociology.

The first comprehensive look at how Victorian fiction and British psychoanalysis shaped each other Novel Relations engages twentieth-century post-Freudian British psychoanalysis in an unprecedented way: as literary theory. Placing the writing of figures like D. W. Winnicott, W. R. Bion, Michael and Enid Balint, Joan Riviere, Paula Heimann, and Betty Joseph in conversation with canonical Victorian fiction, Alicia Christoff reveals just how much object relations can teach us about how and why we read. These thinkers illustrate the ever-shifting impact our relations with others have on the psyche, and help us see how literary figures—characters, narrators, authors, and other readers—shape and structure us too. For Christoff, novels are charged relational fields. Closely reading novels by George Eliot and Thomas Hardy, Christoff shows that traditional understandings of Victorian fiction change when we fully recognize the object relations of reading. It is not by chance that British psychoanalysis illuminates underappreciated aspects of Victorian fiction so vibrantly: Victorian novels shaped modern psychoanalytic theories of psyche and relationality—including the eclipsing of empire and race in the construction of subject. Relational reading opens up both Victorian fiction and psychoanalysis to wider political and postcolonial dimensions, while prompting a closer engagement with work in such areas as critical race theory and gender and sexuality studies. The first book to examine at length the connections between British psychoanalysis and Victorian fiction, Novel Relations describes the impact of literary form on readers and on twentieth- and twenty-first-century theories of the subject.

Pocket Essentials is a dynamic series of books that are concise, lively, and easy to read. Packed with facts as well as expert opinions, each book has all the key information you need to know about such popular topics as film, television, cult fiction, history, and more. Freud was one of the giants of 20th century thought. His ideas have been hugely influential not only in psychology but in all the social sciences and the arts. This looks at Freud's life from his birth in 1856 to his death in Hampstead in 1939. Each of Freud's major works is summarized, his central ideas are explored, and controversies over his methods and practices are examined. Did he, as some recent critics have alleged, turn his back on evidence of genuine child abuse in 1890s Vienna and prefer instead to ascribe it to fantasy and wish fulfilment? What were the reasons behind his terrible quarrel with Carl Gustav Jung? Does his "talking cure" of psychoanalysis actually work?