From Ming To Ch Ing

The collapse of the Ming dynasty and the takeover of China by Manchu rulers in the 1640s were of crucial importance in the late history of China. But because traditional Chinese sources arbitrarily divide the century at the change of dynasty in 1644, it has been difficult to form a clear picture of the transition. The nine essays in this book will contribute significantly toward understanding the complexity of change and continuity over the span of time leading up to and resulting from the tumult of the mid-1600s. "The fullest introduction in English to the Ming-Ch'ing transition."--Tom Fisher, Pacific Affairs "No other recent work compares with its scope, and no older work can stand up to the introduction of its new materials and perspectives."--Library Journal " This book] makes a valuable contribution to Ming-Ch'ing studies and should be required reading for anyone interested in the two dynasties."--James B. Parsons, American Historical Review

The collapse of the Ming dynasty and the takeover of China by Manchu rulers in the 1640s was of crucial importance in the late history of China. But because traditional Chinese sources arbitrarily divide the century at the change of dynasty in 1644, it has been difficult to form a clear picture of the transition. The nine essays in this book will contribute significantly toward understanding the complexity of change and continuity over the span of time leading up to and resulting from the tumult of the mid-1600s.

This fascinating book presents eyewitness accounts of a turbulent period in Chinese history: the fall of the Ming dynasty and the conquest of China by the Manchus in the mid-seventeenth century. Lynn A. Struve has translated, introduced, and annotated absorbing testimonies from a wide range of individuals in different social stations--Chinese and Europeans, missionaries and viceroys, artists and merchants, Ming loyalists and Qing collaborators, maidservants and eunuchs--all telling stories of hardship and challenge in the midst of cataclysmic change. "It is a book that brings history graphically to life."--Keith Pratt, Asian Affairs "A fascinating view of the dynamics of dynastic change in China."--Jonathan Porter, History "The book combines skillful translation of a rich variety of primary sources with authoritative commentary and meticulously researched annotation."--Helen Dunstan, Historian "One of the most engaging works of scholarship to appear in the field for a long time. . . . An extraordinarily good book destined to be read and enjoyed by a very wide audience beyond the professional one."--Craig Clunas, Bulletin of SOAS "Struve is] the most knowledgeable American scholar of the history of the 'Southern Ming.' . . . This fascinating volume . . . can be readily used in any college course on late imperial Chinese history for wonderful examples of the personal experiences of the Chinese people living through the fall of the Ming dynasty to their Manchu conquerors."--Benjamin A. Elman, China Review International "The scholarship behind this work is impeccable. . . . The translations are an important contribution to the field."--Jerry Dennerline, International History Review "Throughout the volume, Struve's translations capture the different voices of the cataclysm. Students of Chinese history will find a wealth of information here."--Choice

"The collapse of the Ming dynasty and the Manchu conquest of China were traumatic experiences for Chinese intellectuals, not only because of the many decades of destructive warfare but also because of the adjustments necessary to life under a foreign regime. History became a defining subject in their writings, and it went on shaping literary production in succeeding generations as the Ming continued to be remembered, re-imagined, and refigured on new terms. The twelve chapters in this volume and the introductory essays on early Qing poetry, prose, and drama understand the writings of this era wholly or in part as attempts to recover from or transcend the trauma of the transition years. By the end of the seventeenth century, the sense of trauma had diminished, and a mood of accommodation had taken hold. Varying shades of lament or reconciliation, critical or nostalgic retrospection on the Ming, and rejection or acceptance of the new order distinguish the many voices in these writings."

The I Ching , or "Book of Change," is considered the oldest of the Chinese classics and has throughout history commanded unsurpassed prestige and popularity. Containing several layers of text and given numerous levels of interpretation, it has captured continuous attention for well over two thousand years. It has been considered a book of fundamental principles by philosophers, politicians, mystics, alchemists, yogins, diviners, sorcerers, and more recently by scientists and mathematicians. This first part of the present volume is the text of the I Ching proper—the sixty-four hexagrams plus sayings on the hexagrams and their lines—with the commentary composed by Liu I-ming, a Taoist adept, in 1796. The second part is Liu I-ming's commentary on the two sections added to the I Ching by earlier commentators, believed to be members of the original Confucian school; these two sections are known as the Overall Images and the Mixed Hexagrams. In total, the book illuminates the Taoist inner teachings as practiced in the School of Complete Reality. Well versed in Buddhism and Confucianism as well as Taoism, Liu I-ming intended his work to be read as a guide to comprehensive self-realization while living an ordinary life in the world. In his attempt to lift the veil of mystery from the esoteric language of the I Ching , he employs the terminology of psychology, sociology, history, myth, and religion. This commentary on the I Ching stands as a major contribution to the elucidation of Chinese spiritual genius.

A comprehensive guide to collectible Chinese textiles shown in over 500 color photos, with an understandable grading system to aid in establishing value. This beautifully illustrated book is designed for all historians, Asian study scholars, and textile collectors, from beginning to advanced. It is a real-world representation of court robes, badges and decorative textiles and a must for appraisers and connoisseurs alike.

Catalogue of the the first exhibition in the United States of important Chinese paintings from the Palace Museum, Beijing. It consists of 76 paintings of which 55 are hanging scrolls, 16 are handscrolls, and 5 are albums; 33 paintings belong to the Ming dynasty and 43 of the Qing dynasty. Each painting is described in detail by Howard Rogers, with an essay by Sherman E. Lee and a foreword by Richard Barnhart.

This anthology presents seventy translated and annotated short essays, or hsiao-p’in, by fourteen well-known sixteenth- and seventeenth-century Chinese writers. Hsiao-p’in, characterized by spontaneity and brevity, were a relatively informal variation on the established classical prose style in which all scholars were trained. Written primarily to amuse and entertain the reader, hsiao-p’in reflect the rise of individualism in the late Ming period and collectively provide a panorama of the colorful life of the age. Critics condemned the genre as escapist because of its focus on life’s sensual pleasures and triviality, and over the next two centuries many of these playful and often irreverent works were officially censored. Today, the essays provide valuable and rare accounts of the details over everyday life in Ming China as well as displays of wit and delightful turns of phrase.