From Star Wars To Superman

When cultures such as ours toss Jesus out one door, He comes in – albeit disguised – through another. That’s why author Jim Papandrea turned to Star Wars, Star Trek, The Matrix, Terminator, Spider-Man, Batman, Dr. Who, and half-a-dozen other modern shows, discovering in each one powerful images of Christ and salvation. Nor is that surprising. In stories of alternative universes, people always need rescuing; somebody needs to save the day; and sometimes the whole world cries out for a savior . . . which is just what a hero is. About the heroes of some of the most popular sci-fi stories of all time, author Papandrea here answers questions that concern Christians who are also Trekkies, Whovians, Matrix Dwellers, or aficionados of popular science fiction: What kind of “Christ-figure” is the hero of this story, and what does that say about the show’s vision of Christ, humanity and salvation? In the interest of being scientific, Papandrea even gives each hero a Numerical Orthodoxy Score based on the description of Christ in the Nicene Creed, Christianity’s common definition of orthodoxy. Included herein are astute Christian analyses of: Batman * Captain * America * Doctor Who * The Fifth Element * I, Robot * Iron Man * LOST * The Matrix * Planet of the Apes * Pleasantville * Spider-Man * Star Trek * Star Wars * Superman * The Terminator * The Time Machine * Tron * Wonder Woman Here you’ll read about: The pervasive Christian imagery in Doctor WhoStar Trek’s predicted “death of God”Free-will: the stumbling block in the first MatrixThe crucifixion of Spider-ManWhy Wonder Woman is an image of a gnostic saviorThe meaning of salvation in Star Wars (It masquerades as Christian)How Superman’s life begins as a parallel of Moses.I, Robot: the religious reason why the robot is called “Sonny”Whether, in any Christian sense, Neo is The One?Captain American and Iron-Man: one defends the innocent, the other brings justice to the guiltyThe tomb scene in the Fifth Element: it’s not the resurrection we needMatter vs. Spirit in Tron: gnostic to the coreThe anti-Christian bias of Planet of the ApesWhy the Force in Star Wars is no analogy to Grace or the Holy SpiritThe Star Wars Christ figure: Obi-Wan? Luke? Or even, ultimately, Darth VaderWhat Heaven is understood to be in the LOST universeTime travel as incarnation in The Terminator: a compelling analogyRegeneration as resurrection in Doctor Who: Is it Christ-like?How Pleasantville reverses the dynamism of the FallThe baptismal significance of the plane crash in LOSTPleasantville: a twisted version of EdenThe incarnation of the Christ-figure in Planet of the ApesTron’s parallels between Christianity and the Roman Empire . . . and much more about other science fiction and superhero shows! Christians who enjoy popular culture will greet this fun book with interest and acclaim.

Discover everything you've ever wanted to know about Star Wars in this complete history of the most famous franchise in movie history. Painstakingly researched and superbly illustrated, Star Wars™ Year By Year: A Visual History, New Edition presents a unique Star Wars timeline-the full history of the amazing Star Wars phenomenon as you've never seen it before. This stunning visual journey features trivia and cultural cornerstones from director George Lucas' early life through to the iconic movie stills, comic books, novels, toys, video games, and theme parks that have spawned from five decades of seminal film making. Fully updated and expanded, this edition encompasses all nine episodes of the original, prequel, and sequel trilogies, along with the standalone movies Rogue One and Solo, and the acclaimed television series, The Mandalorian. Produced in full collaboration with Lucasfilm and written by renowned Star Wars experts, Star Wars Year by Year: A Visual History, New Edition is ideal for Star Wars fanatics and newbies alike. © & ™ 2021 Lucasfilm Ltd.

This resource is the most in-depth scholarly resource available on Danny Elfman. It integrates a careful study of Elfman's scoring technique with a detailed analysis of the film itself.

A NEW YORK TIMES NOTABLE BOOK OF 2020 From the bestselling author of Nixonland and The Invisible Bridge comes the dramatic conclusion of how conservatism took control of American political power. Over two decades, Rick Perlstein has published three definitive works about the emerging dominance of conservatism in modern American politics. With the saga’s final installment, he has delivered yet another stunning literary and historical achievement. In late 1976, Ronald Reagan was dismissed as a man without a political future: defeated in his nomination bid against a sitting president of his own party, blamed for President Gerald Ford’s defeat, too old to make another run. His comeback was fueled by an extraordinary confluence: fundamentalist preachers and former segregationists reinventing themselves as militant crusaders against gay rights and feminism; business executives uniting against regulation in an era of economic decline; a cadre of secretive “New Right” organizers deploying state-of-the-art technology, bending political norms to the breaking point—and Reagan’s own unbending optimism, his ability to convey unshakable confidence in America as the world’s “shining city on a hill.” Meanwhile, a civil war broke out in the Democratic party. When President Jimmy Carter called Americans to a new ethic of austerity, Senator Ted Kennedy reacted with horror, challenging him for reelection. Carter’s Oval Office tenure was further imperiled by the Iranian hostage crisis, the Soviet invasion of Afghanistan, near-catastrophe at a Pennsylvania nuclear plant, aviation accidents, serial killers on the loose, and endless gas lines. Backed by a reenergized conservative Republican base, Reagan ran on the campaign slogan “Make America Great Again”—and prevailed. Reaganland is the story of how that happened, tracing conservatives’ cutthroat strategies to gain power and explaining why they endure four decades later.

Because you demanded it! The return of the lunch lady! Er, we mean, the return of Darkseid!

While previous work on the Star Wars universe charts the Campbellian mythic arcs, political representations, and fan reactions associated with the films, this volume takes a transmedial approach to the material, recognizing that Star Wars TV projects interact with and relate to other Star Wars texts. The chapters in this volume take as a basic premise that the televisual entrants into the Star Wars transmedia storyworld are both important texts in the history of popular culture and also key to understanding how the Star Wars franchise—and, thus, industry-wide transmedia storytelling strategies—developed. The book expands previous work to consider television studies and sharp cultural criticism together in an effort to bring both long-running popular series, long-ignored texts, and even toy commercials to bear on the franchise’s complex history.

Superman has fought for nearly seven decades to conquer radio, television, and film—but his battles behind the scenes have proved a far greater threat than any fictional foe. For the first time, one book unearths all the details of his turbulent adventures in Tinseltown. Based on extensive interviews with producers, screenwriters, cast members, and crew, Superman vs. Hollywood spills the beans on Marlon Brando's eccentricities; the challenges of making Superman appear to fly; the casting process that at various points had Superman being played by Sylvester Stallone, Neil Diamond, Nicolas Cage, Ashton Kutcher, and even Muhammad Ali; and the Superman movies, fashioned by such maverick filmmakers as Kevin Smith and Tim Burton, that never made it to the screen.