From The Memoirs Of A Non Enemy Combatant

The critically acclaimed debut from Alex Gilvarry, a darkly comic love letter to New York, told through the eyes of Boy Hernandez: Filipino immigrant, glamour junkie, Guantánamo detainee. Alex Gilvarry's widely acclaimed first novel is the story of designer Boy Hernandez: Filipino immigrant, New York glamour junkie, Guantánamo detainee. Locked away indefinitely and accused of being linked to a terrorist plot, Boy prepares for the tribunal of his life with this intimate confession, a dazzling swirl of soirees, runways, and hipster romance that charts one small man's undying love for New York City and his pursuit of the big American dream—even as the present nightmare of detainment chisels away at his vital wit and chutzpah. A New York Times Editor's Choice, From the Memoirs of a Non-Enemy Combatant unveils two of America's most illusory realms—high fashion and Homeland Security—in a funny, wise, and beguiling, and Kafkaesque tale for our strange times.

When Enemy Combatant was first published in the United States in hardcover in 2006 it garnered sensational reviews, and its author was featured in the New York Times, the Los Angeles Times, on National Public Radio, and on ABC News. A second generation British Muslim, Begg had been held by the U.S. military for more than three years before being released without charge in January of 2005. His memoir is the first published account by a Guantánamo detainee of life inside the infamous prison. Writing in the Washington Post Book World, Jane Mayer described Enemy Combatant as “fascinating . . . Begg provides some ideological counterweight to the one–sided spin coming from the U.S. government. He writes passionately and personally, stripping readers of the comforting lie that somehow the detainees aren’t really like us, with emotional attachments, intellectual interests and fully developed humanity.” Recommended by the Financial Times and Tikkun magazine and a ColorLines Editors’ Pick of Post–9/11 Books, Enemy Combatant is “a forcefully told, up-to-the-minute political story . . . necessary reading for people on all sides of the issue” (Publishers Weekly, starred review).

“Absorbing...Eastman is a riveting...presence who demands to be loved and remembered.” —The Boston Globe An ambitious new novel set in the literary world of 1970s New York, following a washed-up writer in an errant quest to pick up the pieces of his life. One of Esquire's Best books of 2017 (So Far), The Millions’ Most Anticipated Books of the Second Half of 2017, and BuzzFeed’s Exciting New Books You Need To Read This Summer The year is 1973, and Alan Eastman, a public intellectual, accidental cultural critic, washed-up war journalist, husband, and philanderer; finds himself alone on the floor of his study in an existential crisis. His wife has taken their kids and left him to live with her mother in New Jersey, and his best work feels as though it is years behind him. In the depths of despair, he receives an unexpected and unwelcome phone call from his old rival dating back to his days on the Harvard literary journal, offering him the chance to go to Vietnam to write the definitive account of the end of America's longest war. Seeing his opportunity to regain his wife’s love and admiration while reclaiming his former literary glory, he sets out for Vietnam. But instead of the return to form as a pioneering war correspondent that he had hoped for, he finds himself in Saigon, grappling with the same problems he thought he'd left back in New York. Following his widely acclaimed debut, From the Memoirs of a Non-Enemy Combatant, Alex Gilvarry employs the same thoughtful, yet dark sense of humor in Eastman Was Here to capture one irredeemable man's search for meaning in the face of advancing age, fading love, and a rapidly-changing world. “With his second book, Gilvarry establishes himself as a writer who defies expectation, convention and categorization. Eastman Was Here is a dark, riotously funny and audacious exploration of the sacred and the profane—and pretty much everything in between.” —Téa Obreht, New York Times bestselling author of The Tiger's Wife

Critically celebrated novelist Scott Spencer delivers a Rosemary's Baby-like novel of gothic horror, set against the backdrop of modern-day Upper East Side Manhattan. Alex and Leslie Twisden lead charmed lives-fabulous jobs, a luxurious town house on Manhattan's Upper East Side, a passionate marriage. What they don't have is a child, and as they try one infertility treatment after the next, yearning turns into obsession. As a last-ditch attempt to make their dream of parenthood come true, Alex and Leslie travel deep into Slovenia, where they submit to a painful and terrifying procedure that finally gives them what they so fervently desire . . . but with awful consequences. Ten years later, cosseted and adored but living in a house of secrets, the twins Adam and Alice find themselves locked into their rooms every night, with sounds coming from their parents' bedroom getting progressively louder, more violent, and more disturbing. Driven to a desperate search for answers, Adam and Alice set out on a quest to learn the true nature of the man and woman who raised them. Their discovery will upend everything they thought they knew about their parents and will reveal a threat so horrible that it must be escaped, at any cost.

A hilarious parody memoir for the beloved Veep character portrayed for seven seasons by Emmy-winner Julia Louis-Dreyfus. Born and raised deep in the American heartland of God-fearing suburban Maryland, young Selina Eaton learned to love her country and her fellow man from her parents, Catherine, a sportswoman, dog lover, and philanthropist, and Gordon, or “Daddy” as she always called him, a businessman and entrepreneur. From an early age, Selina, an active, curious, happy-go-lucky child, showed an uncanny ability to relate to others and to solve their real-world problems with real-world solutions. In this she was inspired by her idol: feminist, humanitarian, stateswoman, and first lady, Eleanor Roosevelt. Eleanor Roosevelt maintained a lively relationship with many prominent figures of her time, including Adlai Stevenson, John F. Kennedy, Albert Schweitzer, and probably Pablo Casals. She inspired countless women to break out of the established roles for women in society, among them the pioneering aviatrix Amelia Earhart, with whom she flew several times. Dubbed the “Queen of the Air,” Amelia Earhart captivated the nation both with her bravery, skill, and daring when flying her planes and when challenging society’s hidebound attitudes as to what constituted a proper place for women. America mourned when she disappeared mysteriously somewhere in the Pacific during an attempted around-the-world flight in 1937. Speculation continues to this day as to Amelia’s ultimate fate, even as hope has faded that she may yet be found alive. With wit, wisdom, eloquence, and fearless honesty, Selina Meyer reveals for the first time what really goes on in the halls of power, including the ultimate hall, the White House. It’s all here: the triumphs, the tragedies, the personalities, and the momentous events that have shaped our times, brought together in a page-turning tale told as only Selina Meyer could tell it. Selina Meyer’s compassion, her sense of humor, her grace, and her uncommon willingness to bare her heart make this story revelatory, beautifully rendered, and unlike any other president’s memoir ever written. First Woman: A Woman First would be a fitting title for a book about Selina Meyer, Eleanor Roosevelt, or Amelia Earhart, but in this case, it is about Selina Meyer.

“Haunting and provocative . . . Rowland’s writing is compelling and masterful.” —Delia Ephron, author of The Lion Is In Once, there were many transcriptionists at the Record, a behemoth New York City newspaper, but new technology has put most of them out of work. So now Lena, the last transcriptionist, sits alone in a room--a human conduit, silently turning reporters’ recorded stories into print--until the day she encounters a story so shocking that it shatters the reverie that has become her life. This exquisite novel, written by an author who spent more than a decade as a transcriptionist at the New York Times, asks probing questions about journalism and ethics, about the decline of the newspaper and the failure of language. It is also the story of a woman’s effort to establish her place in an increasingly alien and alienating world. “The Transcriptionist is suffused with prescient insight into journalism, ethics, and alienation . . . A thought provoking, original work.” —New York Journal of Books “Rowland seems that rare thing, the naturally gifted novelist . . . [She] deftly maps a very specific kind of urban loneliness, the inner ache of the intelligent, damaged soul who prefers the company of ideas and words to that of people . . . That urge--to make words holy--is at the heart of this novel’s strange, sad beauty.” —The Washington Post “The Transcriptionist holds many pleasures . . . [and] can be read through many lenses . . . Rowland plays with the notions of truth and reliability . . . Sharp and affecting.” —The New York Times Book Review “A strange, mesmerizing novel . . . about the decline of newspapers and the subsequent loss of humanity—and yes, these are related.” —Booklist, starred review “Ambitious and fascinating . . . Disturbing and powerful.” —Library Journal “Entering the city Rowland creates, with its tightly strung dialogue and soulful, lonely citizens, is a memorable experience.” —The Boston Globe “Unforgettable. Written with such delight, compassion, and humanity it’s newsworthy.”—Alex Gilvarry, author of From the Memoirs of a Non-Enemy Combatant

DigiCat Publishing presents to you this special edition of "Memoirs of an Infantry Officer" by Siegfried Sassoon. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

From the award-winning Serbian author David Albahari comes a devastating and Kafkaesque war fable about an army unit sent to guard a military checkpoint with no idea where they are or who the enemy might be. Atop a hill, deep in the forest, an army unit is dropped off to guard a checkpoint. The commander doesn’t know where they are, what border they’re protecting, or why. Their map is useless. The radio crackles with a language no one can recognize. A soldier is found dead in a latrine and the unit vows vengeance—but the killer, like the enemy, is unknown. Amid orgies and massacres, the commander struggles to maintain order and keep his soldiers alive, but he can’t be sure whether they’re fighting a war or caught in some bizarre military experiment. Equal parts Waiting for Godot and Catch-22, David Albahari’s Checkpoint is a haunting and hysterical confrontation with the absurdity of war. Praise for Checkpoint: "A satirical take on war in the vein of Catch-22 and Slaughterhouse Five, Serbian author David Albahari’s Checkpointis shocking and comic in equal turns, skillfully pulled together by the force of Albahari’s wit.... Visceral, wild, and often hilarious, Checkpoint is a dark delight." —Ho Lin, Foreword Reviews, Starred Review “A worthy descendant of The Good Soldier Svejk and Catch-22.” —Kirkus Reviews “Checkpoint is a tornado of a book. David Albahari, a noted Serbian author who lives in Canada, muscles this Kafkaesque short novel into the war-is-absurd literary tradition in one tremendous 183-page paragraph…. Stylistically, JP Donleavy and Gary Shteyngart come to mind at times, while imagistically one might think of Goya, Picasso, or the Surrealists. But Albahari has a distinctive voice, and it comes through vividly in Ellen Elias-Bursać’s able translation from the Serbian.” —Jon Sobel, Blogcritics “Between adventure and apocalypse... Kafka and Kubrick...combining in grotesque-comical manner all the ridiculousness, beauty, horror, subtlety and extravagance that literature can hold.“ —Neue Zürcher Zeitung