From Victorian To Vamp

This comprehensive bibliography covers writings about vampires and related creatures from the 19th century to the present. More than 6,000 entries document the vampire's penetration of Western culture, from scholarly discourse, to popular culture, politics and cook books. Sections by topic list works covering various aspects, including general sources, folklore and history, vampires in literature, music and art, metaphorical vampires and the contemporary vampire community. Vampires from film and television--from Bela Lugosi's Dracula to Buffy the Vampire Slayer, True Blood and the Twilight Saga--are well represented.

Living in Victorian London is difficult at the best of times. So, instead of following in his father's footsteps, Albert decides on adventure. However, fate has other plans. One drunken night on his way home, he responds to the blood-curdling scream of a woman. He rushes her attacker and in the ensuing fight, he is bitten. Alberts world is changed forever. With that one savage bite, he is turned into a monster that people had believed was just a creation of an authors mind. That night Albert becomes a Vampire. Days turn into months, then years to decades as he struggles with the loss of his soul and humanity. He thought he was alone but as his friends and loved ones pass into memory, his own kind begin to make their presence known.

Vampires have been a popular subject for writers since their inception in 19th century Gothic literature and, later, became popular with filmmakers. Now the classical vampire is extinct, and in its place are new vampires who embrace the hi-tech worlds of science fiction. This book is the first to examine the history of vampires in science fiction. The first part considers the role of science and pseudo-science, from late Victorian to modern times, in the creation of the vampire, as well as the "sensation fiction" of J. Sheridan Le Fanu, Bram Stoker, Arthur Conan Doyle and H.G. Wells. The second part focuses on the history of the science fiction vampire in the cinema, from the silent era to the present. More than sixty films are discussed, including films from such acclaimed directors as Roger Corman, David Cronenberg, Guillermo del Toro and Steven Spielberg, among others.

Re-inventing/Re-presenting Identities in a Global World is a collection of twelve selected essays which address the concepts of cultural identity formation and enactment, immigration, diaspora and repatriation, and gender politics within a globalized context. With the peripheral having now become the center of contemporary culture, this volume examines cultural and literary diversities that have emerged from the reciprocal traffic of ideas and influences between cultures, politics, aesthetics and disciplines, with an emphasis on cultural identity as a site of crisis and fragmentation. Written in an accessible way, this volume addresses several audiences, from postgraduate researchers and scholars in the fields of Anglo-American and cross-cultural studies, women’s studies, minority and ethnic literature studies, to scholars, students and specialists of American, cross-Atlantic and even global studies. Because of the numerous theoretical concerns which underpin this work and its interdisciplinary approach, the publication is also aimed at researchers and scholars in the fields of trans-atlantic studies and cultural geography, as well as the general reader who is interested in globality and cultural identity.

The Point Vamp series The Point Love conquers all, that is the point, but can it bridge the differences between a vampire and a woman? Hugh is twenty eight. He has been twenty eight for nearly one hundred years. Hugh is a vampire. He owns a club called The Point and he pays girls to have sex with him. He then counts to ten as he sucks their blood to semi-satisfy his lust. Elizabeth is a doctor, she loves her job but likes to escape into the countryside now and then. When she twists her ankle Hugh comes to her aid. He carries her curvy form all the way back to his home. He takes care of her ankle and the rest of her body too but he goes too far and sucks her perfectly intoxicating blood. How can these two lovers have any kind of relationship? They don't know, only time will reveal the answers. Stopping Point Josh is a vampire...he just doesn't quite know it yet. He is confused and his voluptuous sire, Cara is far too busy being mysterious to really help him unlock the secrets of his Afterlife. However, he pieces it together by himself and decides to turn his best mates into Vampires too. This doesn't quite go to plan but he does discover The Point and its unique, ten-second rule. Cara does not approve of Josh visiting The Point but that night she turns up at his door bloodied and much more dead than usual, and accepts Josh's help to escape from her much older and much crazier Sire Leopold. How is Josh going to defeat an older, wiser and more powerful vampire? He hasn't a clue but for Cara he is willing to find out. The Vampire's Choice A crazy vampire or an ice-queen human, it's not much of a choice but it is the one Kyle has to make. Kyle may be undead, but he still lives at home with his Gran and works in a supermarket stacking shelves with his mates. His life hasn't changed much, apart from being dead and having to suck blood from live humans to survive. Luckily he knows The Point, a vampire bar where the humans are hot, tasty and eager to please. Well, most of them are. Janine is the exception. She is cold and distant, but from the first time he meets her, Kyle is smitten. But he has a problem. A hot but crazy female vamp has got him in her sights and she'll stop at nothing to get him all to herself. Kyle has a decision to make and it will change his afterlife forever. Who will he choose? The Point of Evil Blood and sex were all he ever wanted until love gave him something worth living an eternity for. Steve—who had been a womanizer in life and was even more so in death—prowls the Point using his vampiric wiles to get the blood and sex he craves. He's always looking for his next meal and when he sees a tall, curvy beauty with a red scarf around her neck, he thinks he's found it. Eloise is different—she's shy and needs encouragement, and Steve just can't get her out of his mind. He has to take his time, get to know her and slowly seduce her. When she disappears, leaving only a note begging him not to pursue her further, he can't help himself and ends up in the service of George Aquino, a vampire crime boss with a penchant for twisted and cruel torture and a dungeon full of prisoners. A daring rescue, a difficult choice and love against the odds. Do you dare visit the point of evil?

You never forget your first time with a vampire. Whether reaquainting yourself with some of your favourite, sexy creatures of the night or getting bitten by the vampire romance phenomenon for the very first time, let the biggest and brightest names in the business help you explore your dark side. Witness the bewildering array of complex vampire codes of conduct, dark ritual and dating practices as they chat up the locals and engage in the most erotic encounters you will sink your teeth into this side of un-Death. Because vampires never really die, do they?