Frontiersmen

The frontiersmen were a remarkable breed of men. They were often rough and illiterate, sometimes brutal and vicious, often seeking an escape in the wilderness of mid-America from crimes committed back east. In the beautiful but deadly country which would one day come to be known as West Virginia, Kentucky, Michigan, Ohio, Indiana, and Illinois, more often than not they left their bones to bleach beside forest paths or on the banks of the Ohio River, victims of Indians who claimed the vast virgin territory and strove to turn back the growing tide of whites. These frontiersmen are the subjects of Allan W. Eckert's dramatic history. Against the background of such names as George Rogers Clark, Daniel Boone, Arthur St. Clair, Anthony Wayne, Simon Girty and William Henry Harrison, Eckert has recreated the life of one of America's most outstanding heroes, Simon Kenton. Kenton's role in opening the Northwest Territory to settlement more than rivaled that of his friend Daniel Boone. By his eighteenth birthday, Kenton had already won frontier renown as woodsman, fighter and scout. His incredible physical strength and endurance, his great dignity and innate kindness made him the ideal prototype of the frontier hero. Yet there is another story to The Frontiersmen. It is equally the story of one of history's greatest leaders, whose misfortune was to be born to a doomed cause and a dying race. Tecumseh, the brilliant Shawnee chief, welded together by the sheer force of his intellect and charisma an incredible Indian confederacy that came desperately close to breaking the thrust of the white man's westward expansion. Like Kenton, Tecumseh was the paragon of his people's virtues, and the story of his life, in Allan Eckert's hands, reveals most profoundly the grandeur and the tragedy of the American Indian. No less importantly, The Frontiersmen is the story of wilderness America itself, its penetration and settlement, and it is Eckert's particular grace to be able to evoke life and meaning from the raw facts of this story. In The Frontiersmen not only do we care about our long-forgotten fathers, we live again with them.

In this western adventure by the bestselling authors of The Darkest Winter, a fearless pioneer vigilante hunts for justice in a town teeming with sin. A Rocky Mountain winter has left Breck reeling from the carnage unleashed by bloodthirsty trapper Judd Carnahan—and readying a quest for vengeance as ruthless as their prey. It gets even deadlier when Carnahan lays siege to a trading post on the Yellowstone River. He’s left the owner dead and kidnapped a pretty hostage who can turn a nice profit once he puts her to work. Following his trail takes Breck clean to Santa Fe, where Carnahan’s set up a brothel bursting with hardened beauties, a saloon for cutthroats and thieves, and a trap for the Frontiersman who’s tracked him every bloody step of the way. But over the rough, merciless miles it’s taken Breck to get here, he’s built up a raging fury that’s going to make this unholy town swim in blood.

Early Icons and Landmarks As western migration came to the Colorado frontier, forts were established to protect the settlers. These forts were intertwined with the lives of the frontiersmen. Scout Thomas Tate Tobin oversaw the workers who built the adobe fortress known as Fort Garland. Here, Tobin delivered the heads of the murderous Espinosas gang to Colonel Sam Tappan. Fort Sedgwick, originally known as Camp Rankin, was attacked by the Cheyenne Dog soldiers, including George Bent. Fort Lyon, an expanded fortress of William Bent's third fort, became the staging point for Colonel John M. Chivington's march to Sand Creek where peaceful Cheyenne were murdered. Later, Christopher "Kit" Carson died in the fort's chapel. Legendary Jim Beckwourth was associated with both Fort Vasquez and Fort Pueblo. Author Linda Wommack revisits the glory and the mistakes of the frontiersmen who defined Colorado and the forts that dotted the wild landscape.

In Failed Frontiersmen, James Donahue writes that one of the founding and most persistent mythologies of the United States is that of the American frontier. Looking at a selection of twentieth-century American male fiction writers—E. L. Doctorow, John Barth, Thomas Pynchon, Ishmael Reed, Gerald Vizenor, and Cormac McCarthy—he shows how they reevaluated the historical romance of frontier mythology in response to the social and political movements of the 1960s (particularly regarding the Vietnam War, civil rights, and the treatment of Native Americans). Although these writers focus on different moments in American history and different geographic locations, the author reveals their commonly held belief that the frontier mythology failed to deliver on its promises of cultural stability and political advancement, especially in the face of the multicultural crucible of the 1960s. Cultural Frames, Framing Culture American Literatures Initiative