Fugitive Movements

In 1822, White authorities in Charleston, South Carolina, learned of plans among the city's enslaved and free Black population to lead an armed antislavery rebellion. Among the leaders was a free Black carpenter named Denmark Vesey. After a brief investigation and what some have considered a dubious trial, Vesey and thirty-five others were convicted of attempted insurrection and hanged. Although the rebellion never came to fruition, it nonetheless fueled Black antislavery movements in the United States and elsewhere. To this day, activists, politicians, writers, and scholars debate the significance of the conspiracy, how to commemorate it, and the integrity of the archival records it left behind. Fugitive Movements memorializes this attempted liberation movement with new interpretations of the event as well as comparisons to other Black resistance throughout the Atlantic World—including Africa, the Caribbean, and the Northern United States. This volume situates Denmark Vesey and antislavery rebellion within the current scholarship on abolition that places Black activists at the center of the story. It shows that Black antislavery rebellion in general, and the 1822 uprising by Black Charlestonians in particular, significantly influenced the history of slavery in the Western Hemisphere. The essays collected in this volume explore not only that history, but also the ongoing struggle over the memory of slavery and resistance in the Atlantic World. Manisha Sinha, James L. and Shirley A. Draper Chair in American History at the University of Connecticut and author of The Slave's Cause: A History of Abolition, provides the foreword.

In Fugitive Thought, Michael Hames-Garca argues that writings by prisoners are instances of practical social theory that seek to transform the world. Unlike other authors who have studied prisons or legal theory, Hames-Garca views prisoners as political and social thinkers whose ideas are as important as those of lawyers and philosophers.As key moral terms like "justice," "solidarity," and "freedom" have come under suspicion in the post-Civil Rights era, political discussions on the Left have reached an impasse. Fugitive Thought reexamines and reinvigorates these concepts through a fresh approach to philosophies of justice and freedom, combining the study of legal theory and of prison literature to show how the critiques and moral visions of dissidents and participants in prison movements can contribute to the shaping and realization of workable ethical conceptions. Fugitive Thought focuses on writings by black and Latina/o lawyers and prisoners to flesh out the philosophical underpinnings of ethical claims within legal theory and prison activism.Michael Hames-Garca is assistant professor of English and of philosophy, interpretation, and culture at Binghamton University, State University of New York.

Published in Cooperation with the William P. Clements Center for Southwest StudiesIn the nineteenth and early twentieth centuries, Mexicans and Americans joined together to transform the U.S.–Mexico borderlands into a crossroads of modern economic development. This book reveals the forgotten story of their ambitious dreams and their ultimate failure to control this fugitive terrain. Focusing on a mining region that spilled across the Arizona–Sonora border, this book shows how entrepreneurs, corporations, and statesmen tried to domesticate nature and society within a transnational context. Efforts to tame a “wild” frontier were stymied by labor struggles, social conflict, and revolution. Fugitive Landscapes explores the making and unmaking of the U.S.–Mexico border, telling how ordinary people resisted the domination of empires, nations, and corporations to shape transnational history on their own terms. By moving beyond traditional national narratives, it offers new lessons for our own border-crossing age.

In Fugitive Time, Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. “Fugitive time” names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release but is instead about sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective’s Twilight City to Sun Ra’s transformation of nineteenth-century scientific racism into an insurgent fugitive aesthetic, Omelsky shows how fugitive time evolves and how it remains a dominant form of imagining freedom in global black cultural expression.

This volume covers the subject of international criminal law as it relates to transnational fugitive offenders. The concept of international criminal law now has to embrace crimes that occur in no single place - cross-border financial crimes where vast sums of money exist solely in cyberspace and which have connections with financial institutions in several countries. The international community has also established supra-national criminal courts to deal with the aftermath of the wars in the former Yugoslavia and Rwanda.