Fugue For Other Hands

Poetry. Winner of the 2011 Cider Press Review Book Award, selected by Jeanne Marie Beaumont. Beaumont writes, "Somewhat indescribable, as original things often are, the poems of Joseph Fasano feel hunted, gathered, built like fires, brewed like storms. Elemental and feral, FUGUE FOR OTHER HANDS is full of disturbing deeds and haunted rituals. At once mythic and specific, these poems are blood-stained, grief-scarred, providing their solace only from their commitment to art's depths. 'Say you were the wild gift,' one poem states; Fasano has such a gift, and therefore with his bare hands and torn heart makes poems worth living in."

Fiction. Deep in the mountains of British Columbia, across an unforgiving landscape, one man's pursuit of a fabled mountain lion leads him into the furthest reaches of himself. As he struggles to confront the wilderness surrounding him--from the baying hounds to the relentless northern snows--he journeys into his own haunted memories: a life of wild horses and ballet, fishing skiffs and blizzards, tropical seas and dolphins. Through wind, snow, and the depths of grief, he asks what price he is willing to exact on a world that ravages what we love, and whether redemption awaits those who learn to forgive. A tender story of love and a modern-day parable, The Dark Heart of Every Wild Thing, the debut novel from acclaimed poet Joseph Fasano, guides us into the deepest territories of the human heart. "Joseph Fasano has the heart and the ear and he puts them to magnificent use in THE DARK HEART OF EVERY WILD THING. By turns mournful and thrilling, this story, told in precise and glorious prose, traverses the wild heights of grief, vengeance, tenderness, and love. It pierces."--Sam Lipsyte "A father, a boy, and a mountain lion. If it sounds like the start of a parable, that's because THE DARK HEART OF EVERY WILD THING has wisdom to share. But that wisdom is complicated, surprising, and at times even vicious. What seems at first like a quiet book is actually quite fierce, not unlike the big cat at the center of its story. This elegiac novel is a moving meditation on grief, love, and obsession."--Erica Wright "Joseph Fasano is a wonderfully gifted writer. He writes evocatively, lyrically, and never fails to surprise us with his revelations and illuminations. His insights are deep, his delineation of character and place immensely satisfying. He gives us a story that keeps resonating long after we have finished reading."--Nicholas Christopher

A book-length poem evokes the horror, anguish, and brutality of 20th century history.

This single-volume edition of hard-to-find arrangements of famous classical pieces offers great value to intermediate and advanced pianists. Featured composers include Bizet, Strauss, Beethoven, Schubert, Handel, and Offenbach. Piano transcriptions of popular works include Brahms' "Lullaby," Tchaikovsky's "Waltz of the Flowers," Wagner's "Ride of the Valkyries," and many others.

"The reader discovers new satisfactions with such a book. Far from the insipid savors generated by a passive fascination, the text stirs up the joys of an endless activity." Le Monde

Charles Bukowski examines cats and his childhood in You Get So Alone at Times, a book of poetry that reveals his tender side. The iconic tortured artist/everyman delves into his youth to analyze its repercussions. “The Walt Whitman of Los Angeles.”—Joyce Carol Oates “He brought everybody down to earth, even the angels.”—Leonard Cohen, songwriter

Acclaimed short-story writer and winner of the Flannery O’Connor Award, Robert Anderson has written a brilliantly inventive first novel–a book that blends the facts of a famous writer’s life with the profound effect of her death on an entire generation. Sylvia Plath’s legacy inspires, harrows, and haunts the three people at the center of Little Fugue: her husband, the poet Ted Hughes, freed by her death and then imprisoned by her myth; Assia Gutmann Wevill, Plath’s rival and Hughes’s mistress, who kills herself only six years after Plath; and Robert Anderson, a young New York writer, who is obsessed with Plath’s poems and her suicide, which “forged my identity and, incidentally, ruined my life.” Their lives intersect, transiently and directly, through some of the more dramatic social upheavals of the past decades: the ’68 student riots, the drug-addled seventies, the AIDS crisis of the eighties, the cataclysm of 9/11. Little Fugue crackles with wit and verbal dexterity. There have been many accounts of the Plath/Hughes drama, but author Robert Anderson provides a fresh, utterly convincing interpretation of events. This is a brilliant novel of artists caught between the erotic allure of extinction and the eternal power of poetry.

Examining the roots of the classical fugue and the early history of non-canonic fugal writing, Paul Walker's Fugue in the Sixteenth Century explores the three principal fugal genres of the period: motet, ricercar, and canonza. The volume treats each genre in turn, tracing the fugue's development throughout the century and highlighting important moments and trends along the way. Taking a two-tiered approach, Walker, on one level, examines fugue from the perspective of contemporary musicians, and on another level, takes into account fugue's later history and the elements that came to play a significant role in its formation. Walker is the first scholar to successfully tie together the various strands of the "pre-Bach fugue" thanks to the growing availability of editions of the repertories involved. He also takes account of recent work elucidating the change in compositional approach around 1500 from a basis in cantus firmus and canon to one favoring non-canonical, fugal imitation. Featuring well-chosen musical examples to illustrate the compositional developments of the sixteenth century, Fugue in the Sixteenth Century is a definitive study for both specialist musicologists and organists and harpsichordists alike.