Funky Nassau

“Timothy Rommen has done it again. After the success of his earlier award-winning study of gospel music in Trinidad and the ethics of style, Rommen turns his attention to the complex and conflicted history of music in the Bahamas. Drawing upon extensive ethnographic and historical research, Rommen explores the interrelationships between rake-n-scrape, goombay, and Junkanoo performance, and shows how such ‘local’ musics are implicated in Bahamian understandings of national identity. In Funky Nassau, Timothy Rommen confirms his status as one of the best scholars of Caribbean music today.” —Michael Largey, author of Vodou Nation: Haitian Art Music and Cultural Nationalism "This sensitive, bittersweet account of music-making in the Bahamas shows how a small, fragmented country that has been buffeted by powerful currents emanating from both the United States and the Caribbean has managed to produce a vibrant popular music of its own. Rommen carefully maps the political and cultural economies that are integral to this story, but he keeps the musicians themselves, their aesthetics and strategies, at the center where they belong. The result is a vivid and finely nuanced portrait of a unique musical culture that deserves to be better known." —Kenneth Bilby, Center for Black Music Research, Columbia College Chicago

Covers receipts and expenditures of appropriations and other funds.

This comprehensive guide is a must-have for the legions of fans of the beloved and perennially popular music known as soul and rhythm & blues. The latest in the definitive All Music Guide series, the All Music Guide to Soul offers nearly 8 500 entertaining and informative reviews that lead readers to the best recordings by more than 1 500 artists and help them find new music to explore. Informative biographies, essays and “music maps” trace R&B's growth from its roots in blues and gospel through its flowering in Memphis and Motown, to its many branches today. Complete discographies note bootlegs, important out-of-print albums, and import-only releases. “Extremely valuable and exhaustive.” – The Christian Science Monitor

This 248 page book is an exciting documentation of the innovative period of the '60s and '70s when the rhythm of popular music was changed forever. Featured here are biographies, interviews, discographies and rare archival photos of more than 20 great drummers of R&B, funk and soul, including the drummers of James Brown, Earth, Wind and Fire, Otis Redding and Sly and the Family Stone. the true originators of the modern hip-hop beats tell their stories, and the history of the funk comes to life. Appropriate for music fans of all kinds, and all drummers: beginners thru advanced.

Transcriptions of over 100 famous drum set rhythms from the classic funk, R&B and soul tunes of the '60s & 70's. the accompanying 90 track CD features the author playing many of the rhythms transcribed in the book and is meant as an educational tool.

Typically, more than half the top rap songs in the country are the work of Southern artists. In a world still stuck in the East/West coast paradigm of the '90s, Southern hip hop has dominated the genre-and defined the culture-for years. And the South's leading lights, most notably OutKast, Timbaland, and more recently, crunk superstars like the Ying Yang Twins and Lil Jon, have expanded the parameters of hip hop. Third Coast is the first book to deal with Southern hip hop as a matter of cultural history, and the first to explain the character and significance of down South rapping to fans as well as outsiders. It tells the story of recent hip hop, marking how far the music has come sonically and culturally since its well-documented New York-centered early years.

There are hundreds of records that I have loved over the course of my life. Some of these records have faded into the depths of my subconscious. Fortunately, most of them have stayed with me year after year remaining fresh in my memory, alive in my heart. I compiled my first “Favorites List” in 1983, and it contained about 600 recordings. Most of the records on the original list are still there today. My current list consists of about 900 recordings. And the list is still growing as I continue to be introduced to more music. You may be familiar with Rolling Stone’s 2004 cover story, “The 500 Greatest Songs of All-Time.” This is certainly a comprehensive compendium on the subject, so why should I bother writing this book? Because I’m taking a different approach, a personal approach. There’s a difference between the “greatest songs” as determined by professional music critics, and someone’s “favorite records.” I’m not a music critic or a musicologist. I’m just a guy who loves good music. Nonetheless, I believe my opinions have value because of the strong connection I have with each record. The primary purpose of this book is to draw us together using our favorite music as the catalyst. In the process of getting to know someone, a commonly asked question is: “What kind of music do you like?” His or her answer usually reveals something about their personality. Not only will you learn what my favorite records are, you will learn about me, why I like these songs and how I came to discover them. I’m hoping to create conversations, not only between you and I, but between all American music lovers. Thousands upon thousands of songs have been recorded over the past 60 years. I’ve been an avid listener for most of my life, but there are still a lot of “hidden treasures” out there I’d love to find. I’m hoping you, by sharing your favorites with me, will help me to find them. I’m also hoping that I will inspire you to listen to some of my favorites. There is a treasure trove of great music out waiting to be enjoyed!

OK, break out your microphones (or hair brushes) and start singing to these test and quizzes. For this second level of the test we have included 100 main questions, over twenty smaller quizzes, that are broken into categories like ; songs about time, songs with the word funk in the title, songs about the law, songs with soul in the title, songs about the ghetto, instrumental soul, songs about the occult, songs by three man and three girl groups, songs by coed soul groups and more. You can use this second level of the BBSATs at your next family reunion, house party, cook out, high school or college reunion, fraternity or sorority party, or any gathering of friends. I bet they will start singing!