Futures Past

History, Koselleck asserts, emerged in the crucial moment of modernity as a new temporality providing distinctly new ways of assimilating experience. This exploration of the concept of historical time considers the perceived relationships between the present (once the future) & the past (once the present).

"Simpson, imprint in humanities"--Page opposite title page.

How, when, and why has the Pacific been a locus for imagining different futures by those living there as well as passing through? What does that tell us about the distinctiveness or otherwise of this “sea of islands”? Foregrounding the work of leading and emerging scholars of Oceania, Pacific Futures brings together a diverse set of approaches to, and examples of, how futures are being conceived in the region and have been imagined in the past. Individual chapters engage the various and sometimes contested futures yearned for, unrealized, and even lost or forgotten, that are particular to the Pacific as a region, ocean, island network, destination, and home. Contributors recuperate the futures hoped for and dreamed up by a vast array of islanders and outlanders—from Indigenous federalists to Lutheran improvers to Cantonese small business owners—making these histories of the future visible. In so doing, the collection intervenes in debates about globalization in the Pacific—and how the region is acted on by outside forces—and postcolonial debates that emphasize the agency and resistance of Pacific peoples in the context of centuries of colonial endeavor. With a view to the effects of the “slow violence” of climate change, the volume also challenges scholars to think about the conditions of possibility for future-thinking at all in the midst of a global crisis that promises cataclysmic effects for the region. Pacific Futures highlights futures conceived in the context of a modernity coproduced by diverse Pacific peoples, taking resistance to categorization as a starting point rather than a conclusion. With its hospitable approach to thinking about history making and future thinking, one that is open to a wide range of methodological, epistemological, and political interests and commitments, the volume will encourage the writing of new histories of the Pacific and new ways of talking about history in this field, the region, and beyond.

Most studies of Chinese literature conflate the category of the future with notions of progress and nation building, and with the utopian visions broadcast by the Maoist and post-Mao developmental state. The future is thus understood as a preconceived endpoint that is propagated, at times even imposed, by a center of power. By contrast, Tales of Futures Past introduces "anticipation"—the expectations that permeate life as it unfolds—as a lens through which to reexamine the textual, institutional, and experiential aspects of Chinese literary culture from the 1950s to 2011. In doing so, Paola Iovene connects the emergence of new literary genres with changing visions of the future in contemporary China. This book provides a nuanced and dynamic account of the relationship between state discourses, market pressures, and individual writers and texts. It stresses authors' and editors' efforts to redefine what constitutes literature under changing political and economic circumstances. Engaging with questions of translation, temporality, formation of genres, and stylistic change, Iovene mines Chinese science fiction and popular science, puts forward a new interpretation of familiar Chinese avant-garde fiction, and offers close readings of texts that have not yet received any attention in English-language scholarship. Far-ranging in its chronological scope and impressive in its interdisciplinary approach, this book rethinks the legacies of socialism in postsocialist Chinese literary modernity.

Modernity in the late eighteenth century transformed all domains of European life -intellectual, industrial, and social. Not least affected was the experience of time itself: ever-accelerating change left people with briefer intervals of time in which to gather new experiences and adapt. In this provocative and erudite book Reinhart Koselleck, a distinguished philosopher of history, explores the concept of historical time by posing the question: what kind of experience is opened up by the emergence of modernity? Relying on an extraordinary array of witnesses and texts from politicians, philosophers, theologians, and poets to Renaissance paintings and the dreams of German citizens during the Third Reich, Koselleck shows that, with the advent of modernity, the past and the future became 'relocated' in relation to each other.The promises of modernity -freedom, progress, infinite human improvement -produced a world accelerating toward an unknown and unknowable future within which awaited the possibility of achieving utopian fulfillment. History, Koselleck asserts, emerged in this crucial moment as a new temporality providing distinctly new ways of assimilating experience. In the present context of globalization and its resulting crises, the modern world once again faces a crisis in aligning the experience of past and present. To realize that each present was once an imagined future may help us once again place ourselves within a temporality organized by human thought and humane ends as much as by the contingencies of uncontrolled events.

Change the pastãand the future may come undone. An outstanding collection of time-traveling alternate history stories from 16 major science fiction writers, both old and new. Every day, a thousand possible futures die unborn around us-corners not turned, paths not taken. But if one could go back into the past and change it, the outcome could be unimaginable. _Aristotle and the GunÓ by L. Sprague de Camp _SitkaÓ by William Sanders _The Only Game in TownÓ by Poul Anderson _Playing the GameÓ by Gardner Dozois and Jack Dann _Killing the MorrowÓ by Robert Reed _The We Frustrate CharlemagneÓ b R. A. Lafferty _The Game of Blood and DustÓ by Roger Zelazny _Calling Your NameÓ by Howard Waldrop _What Rough Beast?Ó by Damon Knight _O Brave Old World!Ó by Avram Davidson _Radiant DoorsÓ by Michael Swanwick _The Hotel at Harlans LandingÓ by Kage Baker _Mozart in MirorshadesÓ by Bruce Sterling and Lewis Shiner _Under SiegeÓ by George R. R. Martin At the publisher's request, this title is sold without DRM (Digital Rights Management).

Traverses the history of imagined futures from the 1890s to the 2010s, interweaving speculative visions of gender, race, and sexuality from literature, film, and digital media Old Futures explores the social, political, and cultural forces feminists, queer people, and people of color invoke when they dream up alternative futures as a way to imagine transforming the present. Lothian shows how queer possibilities emerge when we practice the art of speculation: of imagining things otherwise than they are and creating stories from that impulse. Queer theory offers creative ways to think about time, breaking with straight and narrow paths toward the future laid out for the reproductive family, the law-abiding citizen, and the believer in markets. Yet so far it has rarely considered the possibility that, instead of a queer present reshaping the ways we relate to past and future, the futures imagined in the past can lead us to queer the present. Narratives of possible futures provide frameworks through which we understand our present, but the discourse of “the” future has never been a singular one. Imagined futures have often been central to the creation and maintenance of imperial domination and technological modernity; Old Futures offers a counterhistory of works that have sought––with varying degrees of success––to speculate otherwise. Examining speculative texts from the 1890s to the 2010s, from Samuel R. Delany to Sense8, Lothian considers the ways in which early feminist utopias and dystopias, Afrofuturist fiction, and queer science fiction media have insisted that the future can and must deviate from dominant narratives of global annihilation or highly restrictive hopes for redemption. Each chapter chronicles some of the means by which the production and destruction of futures both real and imagined takes place: through eugenics, utopia, empire, fascism, dystopia, race, capitalism, femininity, masculinity, and many kinds of queerness, reproduction, and sex. Gathering stories of and by populations who have been marked as futureless or left out by dominant imaginaries, Lothian offers new insights into what we can learn from efforts to imaginatively redistribute the future.

The work reimagines emancipatory possibilities in the face of reified capitalist modernity. The enlightenment resulted in a ‘disenchanted’ world, stripped of ‘anthropomorphised’ meaning and purpose. This world, in its capitalistic figuration, alienates us from others, and from nature. To rearticulate emancipatory possibilities requires a non-alienated relation to society and nature. Yet, modernist disenchantment cannot be undone by returning to pre-modern ‘enchantment’. Rather, such rearticulation calls for the recovery of ‘unalienated life’ from within non-reified modernity, by renewing its universalist dimension.