Galen Rowell S Inner Game Of Outdoor Photography

"Photographs as timeless, as stunning, and as powerful as nature itself."--Tom Brokaw

The unique artistic vision of Galen Rowell, one of the world's greatest photographers, is presented in these spectacular landscapes. "The viewer's first reaction to these photographs is awe--they are sheer magic".--Publishers Weekly. 80 color photos.

In sixty essays based on his column in Outdoor Photography, Rowell reveals the inner workings of the art, business, and life style of outdoor photography.

The twentieth century’s most celebrated adventure photographer, Galen Rowell, spent much of his life roaming the world with his camera, chronicling exotic locales on all seven continents. Yet he always returned to the land where he started out, both as an adventurer and a photographer: California’s Sierra Nevada. Indeed, in the two years before his death in a 2002 plane crash, Rowell became increasingly focused on photographing the "Range of Light,” producing some of the strongest images of his career. Now the best of his lifetime’s work in his "favorite place on earth” is gathered in this magnificent book, reproduced to the highest standards from digital masters of his 35mm frames. From the lofty cliffs and lush alpine meadows of Yosemite to the stark high desert of the Owens Valley, from the jagged High Sierra crest to the soft contours of the Eastside’s Buttermilk Hills, Rowell captured the Sierra Nevada in his signature "dynamic landscapes,” which combined an artist’s vision, an adventurer’s total access, and a peerless knowledge of optical phenomena in high and wild places. An introduction by Robert Roper traces Rowell's deep roots in the Sierra--a mountain realm he saw in ways no one else has, before or since.

Nestled among the cities and suburbs of the San Francisco Bay Area is the most extensive system of wild greenbelts in the nation. Renowned adventurer and wilderness photographer Galen Rowell has created the ultimate tribute to the place where he was born and raised. His lyrical text, combined with 173 spectacular color photographs, presents a unique view of the Bay Area.

Presents a comprehensive retrospective of the work of nature photographer Galen Rowell, including images of such subjects as climbing, expeditionary feats, exotic cultures, endangered wildlife, and rare natural phenomena.

To whom does the past belong? Is the archeologist who discovers a lost tomb a sort of hero -- or a villain? If someone steals a relic from a museum and returns it to the ruin it came from, is she a thief? Written in his trademark lyrical style, Craig Childs's riveting new book is a ghost story -- an intense, impassioned investigation into the nature of the past and the things we leave behind. We visit lonesome desert canyons and fancy Fifth Avenue art galleries, journey throughout the Americas, Asia, the past and the present. The result is a brilliant book about man and nature, remnants and memory, a dashing tale of crime and detection.

When looking at a photograph, too often a conversation starts–and, unfortunately, ends–with a statement such as, “I like it.” The logical next question, “Why?”, often goes unasked and unanswered. As photographers, we frequently have difficulty speaking about images because, frankly, we don’t know how to think about them. And if we don’t know how to think about a photograph and its “visual language”– how an image is constructed, how it works, and why it works–then, when we’re behind the camera, are we really making images that best communicate our vision, our original intent? Vision–crucial as it is–is not the ultimate goal of photography; expression is the goal. And to best express ourselves, it is necessary to learn and use the grammar and vocabulary of the visual language. Photographically Speaking is about learning photography’s visual language to better speak to why and how a photograph succeeds, and in turn to consciously use that visual language in the creation of our own photographs, making us stronger photographers who are able to fully express and communicate our vision. By breaking up the visual language into two main components–“elements” make up its vocabulary, and “decisions” are its grammar–David duChemin transforms what has traditionally been esoteric and difficult subject matter into an accessible and practical discussion that photographers can immediately use to improve their craft. Elements are the “words” of the image, what we place within the frame–lines, curves, light, color, contrast. Decisions are the choices we make in assembling those elements to best express and communicate our vision–the use of framing, perspective, point of view, balance, focus, exposure. All content within the frame has meaning, and duChemin establishes that photographers must consciously and deliberately choose the elements that go within their frame and make the decisions about how that frame is constructed and presented. In the second half of the book, duChemin applies this methodology to his own craft, as he explores the visual language in 20 of his own images, discussing how the intentional choices of elements and decisions that went into their creation contribute to their success.