Garden Voices

Countless garden books tell us what, when, where and how to plant. Few explore the reasons why gardening becomes central to so many people's lives. In Garden Voices, Carolyn Rapp explores the relationships of women with their gardens, revealing sources of joy that go far beyond the pleasure of harvesting flowers, herbs or vegetables. As the 12 women tell their stories, readers will share the heartache and triumph set within plots of lovingly cultivated land. Everyone who reads Garden Voices will hear a whisper of themselves in the words of these creative, courageous, wise women. This is not just a book for people who love gardens; it's for people who love stories.

Voices in the Garden I know you had a dozen words to descripted my soft image of my personality. But did you know I can see right through you. My reflection can wonder in creating such manipulation. The purpose of my life is to live each day and not worry what I didn't do yesterday, but what I done today. I created such achieving memories that no one knows my other potential in life, that I fulfill. And your only concerns what I didn't do. I often learn to touch the love in my heart, but I felt the values your previous concepts to establish to fulfill my dreams. Writing, "Voices in the Garden" is the second potential I had in my poetry. But deep down I gave you my best days and my best life. I am aware of my vulnerability conflicts and had developed new level of self growth in creating my new sound of poetry. And you will not see any regrets. Regardless of what you say, but what you choose to tell that keeps me growing.

"Garden Voices is the first anthology of Canadian garden writing to celebrate the legions of gardeners, from every decade since the 1790s, and from every province and territory. Listen to L.M. Montgomery as she describes the Prince Edward Island garden where she played as a girl and to Mackenzie King as he designs a balustrade for his Kingsmere retreat in 1931. A delightful read and the perfect gift for the armchair or active gardener, "Garden Voices will instill in any garden enthusiast the perennially hardy spirit of Canadian gardening.

"Garden Voices is the first anthology of Canadian garden writing to celebrate the legions of gardeners, from every decade since the 1790s, and from every province and territory. Listen to L.M. Montgomery as she describes the Prince Edward Island garden where she played as a girl and to Mackenzie King as he designs a balustrade for his Kingsmere retreat in 1931. A delightful read and the perfect gift for the armchair or active gardener, "Garden Voices will instill in any garden enthusiast the perennially hardy spirit of Canadian gardening. "From the Trade Paperback edition.

First published 1981, this is Dirk Bogarde's second novel. The fabulous but wavering old Lady “Cuckoo” Peverill, lives with her husband, Napoleon-mad military historian, Archie. Dissatisfied and overcome by sheer boredom, she ventures down to the lake at the edge of their estate, pockets filled with stones, she begins to walk into the water. Before she is too deeply submerged, she is pulled away by sparsely-clothed drifter, Marcus Pollock. Feigning that he merely saved her from an 'accident', he is brought back to the villa, where he moves in. Cue the arrival of Marcus' girlfriend, as well as a whole horde of eccentric film-makers and you have the stage set for an effortlessly entertaining story. Set in Cap Ferrat, in one of the last great villas of the twenties, Voices in the Garden is a heart-felt tale of mature and immature love.

Material Cultures in Canada presents the vibrant and diverse field of material culture studies in Canadian literary, artistic, and political contexts today. The first of its kind, this collection features sixteen essays by leading scholars in Canada, each of whom examines a different object of study, including the beaver, geraniums, comics, water, a musical playlist, and the human body. The book’s three sections focus, in turn, on objects that are persistently material, on things whose materiality blends into the immaterial, and on the materials of spaces. Contributors highlight some of the most exciting new developments in the field, such as the emergence of “new materialism,” affect theory, globalization studies, and environmental criticism. Although the book has a Canadian centre, the majority of its contributors consider objects that cross borders or otherwise resist national affiliation. This collection will be valuable to readers within and outside of Canada who are interested in material culture studies and, in addition, will appeal to anyone interested in the central debates taking place in Canadian political and cultural life today, such as climate change, citizenship, shifts in urban and small-town life, and the persistence of imperialism.

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