Gender And Criminality In Bangla Crime Narratives

This book examines diverse literary writings in Bangla related to crime in late nineteenth and early twentieth century colonial Bengal, with a timely focus on gender. It analyses crime-centred fiction and non-fiction in the region to see how actual or imagined crimes related to women were shaped and fashioned into images and narratives for contemporary genteel readers. The writings have been examined within a social-historical context where gender was a fiercely contested terrain for publicly fought debates on law, sexual relations, reform, and identity as moulded by culture, class, and caste. Both canonized literary writings (like those of Bankim Chatterji) as well as non-canonical, popular writings (of writers who have not received sufficient critical attention) are scrutinised in order to examine how criminal offences featuring women (as both victims and offenders) have been narrated in early manifestations of the genre of crime writing in Bangla. An empowered and thought-provoking study, this book will be of special interest to scholars of criminology and social justice, literature, and gender.

The emergent culture of crime writings in late 19th century colonial Bengal (India) is an interesting testimony to how literature is shaped by various material forces including the market. This book deals with true crime writings of the late 1800s published by ‘lowbrow publishing houses’ — infamous for publishing ‘sensational’ and the ‘vulgar’ literature — which had an avid bhadralok (genteel) readership. The volume focuses on select translations of true crime writings by Bakaullah and Priyanath Mukhopadhyay who worked as darogas (Detective Inspectors) in the police department in mid-late nineteenth century colonised Bengal. These published accounts of cases investigated by them are among the very first manifestations of the crime genre in India. The writings reflect their understandings of criminality and guilt, as well as negotiations with colonial law and policing. Further, through a selection of cases in which women make an appearance either as victims or offenders, (or sometimes as both,) this book sheds light on the hidden gendered experiences of the time, often missing in mainstream Bangla literature. Combining a love for suspense with critical readings of a cultural phenomenon, this book will be of much interest to scholars and researchers of comparative literature, translation studies, gender studies, literary theory, cultural studies, modern history, and lovers of crime fiction from all disciplines.

The professionals meet the amateurs in this first–ever anthology of Indian detective fiction. Volume 1 An elite squad detective from the future travels back in time to hunt down a time escapee. Across the city of Tokyo, liquids are turning blue, and elsewhere a Tamil actress is kidnapped. The gruesome murder of an adult industry star spirals into a web of deceit and leads to a bizarre revelation. A journalist races against time to find the missing link between the deaths of a daily soap actress, a classical vocalist and a famous painter. And more... Volume 2 A detective delves into a cold case; a ship that disappeared in the Bay of Bengal in the year 1913. A man is bludgeoned to death in an apartment and a piece of paper with the word 'STOP!' is nailed to his forehead. Six deaths under mysterious circumstances and the only common link is a box of arsenic–laced sweets. A soldier's homecoming dredges up memories of a murder that took place a decade ago in the family. And more... The first–ever anthology of its kind, The Hachette Book of Indian Detective Fiction compiles more than 30 compelling whodunits, supernatural mysteries, serial murders and absurd crimes spread across two volumes. Through hybrid, self–reflexive and experimental forms of writing (including translations from Bengali and Tamil), this collection invites readers to unravel mysteries with every turn of the page, masterfully showcasing distinctive instances of the genre. Red herrings simmered in blood gravy, served up with family feuds, ancient curses, long–haired lady sleuths and many other typical subcontinental chutneys provide a rare feast for the avid reader of crime fiction! Featuring the works of: Volume 1 Satyajit Ray * Gopa Majumdar * Saradindu Bandopadhyay * Gopa Majumdar * Ambai * Gita Subramanian * Ankush Saikia * Meeti Shroff Shah * Suchitra Bhattacharya * Radha Chakravarty * Sujan DasGupta * Chandana Dutta * Anirudh Kala * Tamilvanan * Rabindranath Tagore * Shampa Roy * Anil Menon * Tanuj Solanki * Timeri Murari * Navin Weeraratne * Kehkashan Khalid * Sumit Bardhan * Kiran Manral * Shweta Taneja * Saad Z. Hossain Volume 2 Rajarshi Das Bhowmik * Arunava Sinha * Vikram Chandra * Giti Chandra * Swati Kaushal * Ajay Chowdhury * Shirshendu Mukhopadhyay * Debaditya Mukhopadhyay * Vish Dhamija * Salil Desai * Mahendra Jakhar * Sharatchandra Sarkar * Shampa Roy * Vaseem Khan * Nev March * Anuradha Kumar * Madhulika Liddle * Arjun Raj Gaind * Shashi Warrier * Avtar Singh For detailed content, please look inside the book. * Illustration continuity across covers and spine * 2–volume collectible (Royal 8vo hardback set) * A magnetic clasp box–wrap * Detective–element themed sprayed edges * Endpaper artwork by Manjula Padmanabhan

An elite squad detective from the future travels back in time to hunt down a time escapee. Across the city of Tokyo, liquids are turning blue, and elsewhere a Tamil actress is kidnapped. The gruesome murder of an adult industry star spirals into a web of deceit and leads to a bizarre revelation. A journalist races against time to find the missing link between the deaths of a daily soap actress, a classical vocalist and a famous painter. And more... The first-ever anthology of its kind, The Hachette Book of Indian Detective Fiction compiles more than 30 compelling whodunits spread across two volumes. Hybrid, self-reflexive and experimental forms of writing that blur the boundaries between genres, with supernatural mysteries, serial murders and at times absurd crimes jostling for the attention of both amateur and professional detectives in these stories. Red herrings simmered in blood gravy, served up with family feuds, ancient curses, long-haired lady sleuths and many other typical subcontinental chutneys provide a rare feast for the avid reader of crime fiction!

A detective delves into a cold case; a ship that disappeared in the Bay of Bengal in the year 1913. A man is bludgeoned to death in an apartment and a piece of paper with the word 'STOP!' is nailed to his forehead. Six deaths under mysterious circumstances and the only common link is a box of arsenic-laced sweets. A soldier's homecoming dredges up memories of a murder that took place a decade ago in the family. And more... The first-ever anthology of its kind, The Hachette Book of Indian Detective Fiction compiles more than 30 compelling whodunits spread across two volumes. Hybrid, self-reflexive and experimental forms of writing that blur the boundaries between genres, with supernatural mysteries, serial murders and at times absurd crimes jostling for the attention of both amateur and professional detectives in these stories. Red herrings simmered in blood gravy, served up with family feuds, ancient curses, long-haired lady sleuths and many other typical subcontinental chutneys provide a rare feast for the avid reader of crime fiction!

Grounded in feminist scholarship, this book upends normative accounts of femme fatale violence to focus beyond the misogyny and the sensationalism and unearth the motivation behind women's roles in homicide, terrorism, combat, and even nationalist movements.

For over two decades, Clues has included the best scholarship on mystery and detective fiction. With a combination of academic essays and nonfiction book reviews, it covers all aspects of mystery and detective fiction material in print, television and movies. As the only American scholarly journal on mystery fiction, Clues is essential reading for literature and film students and researchers; popular culture aficionados; librarians; and mystery authors, fans and critics around the globe.

This book fills a gap in both literary and feminist scholarship by offering the first major study of femme fatales in hardboiled crime fiction. Maysaa Jaber shows that the criminal literary figures in the genre open up powerful spaces for imagining female agency in direct opposition to the constraining forces of patriarchy and misogyny.