Gender And Nationalism

This volume offers an empirically rich, theoretically informed study of the shifting intersections of nation/alism, gender and sexuality. Challenging a scholarly legacy that has overly focused on the masculinist character of nationalism, it pays particular attention to the people and issues less commonly considered in the context of nationalist projects, namely women and sexual minorities. Bringing together both established and emerging researchers from across the globe, this multidisciplinary and comparison-rich volume provides a multi-sited exploration of the shifting contours of belonging and Otherness generated by multifarious nationalisms. The diverse, and context specific positionings of men and women, masculinities and femininities, and hegemonic and non-normative sexualities, vis-à-vis nation/alism, are illuminated through a vibrant array of contemporary theoretical lenses. These include historical and feminist institutionalism, post-colonial theory, critical race approaches, transnational and migration theory and semiotics.

This book provides a unique social science reading on the construction of nation, gender and sexuality and on the interactions among them. It includes international case studies from Indonesia, Ireland, former Yugoslavia, Liberia, Sri Lanka, Australia, the USA, Turkey, China, India and the Caribbean. The contributors offer both the masculine and feminine perspective, exposing how nations are comprised of sexed bodies, and exploring the gender ironies of nationalism and how sexuality plays a key role in nation building and in sustaining national identity. The contributors conclude that control over access to the benefits of belonging to the nation is invariably gendered; nationalism becomes the language through which sexual control and repression is justified masculine prowess is expressed and exercised. Whilst it is men who claim the prerogatives of nation and nation building it is, for the most part, women who actually accept the obligation of nation and nation building.

Virginia Woolf famously wrote 'as a woman I have no country', suggesting that women had little stake in defending countries where they are considered second-class citizens, and should instead be forces for peace. Yet women have been perpetrators as well as victims of violence in nationalist conflicts. This unique book generates insights into the role of gender in nationalist violence by examining feature films from a range of conflict zones. In The Battle of Algiers, female bombers destroy civilians while men dress in women's clothes to prevent the French army from capturing and torturing them. Prisoner of the Mountains shows a Chechen girl falling in love with her Russian captive as his mother tries to rescue him. Providing historical and political context to these and other films, Matthew Evangelista identifies the key role that economic decline plays in threatening masculine identity and provoking the misogynistic violence that often accompanies nationalist wars.

Nira Yuval-Davis provides an authoritative overview and critique of writings on gender and nationhood, presenting an original analysis of the ways gender relations affect and are affected by national projects and processes. In Gender and Nation Yuval-Davis argues that the construction of nationhood involves specific notions of both `manhood' and `womanhood'. She examines the contribution of gender relations to key dimensions of nationalist projects - the nation's reproduction, its culture and citizenship - as well as to national conflicts and wars, exploring the contesting relations between feminism and nationalism. Gender and Nation is an important contribution to the debates on citizenship, gender and nationhood. It will be essential reading for academics and students of women's studies, race and ethnic studies, sociology and political science.

Women, States and Nationalism counters this attitude and examines the many and contradictory ways in which women negotiate their places in 'the nation'. The volume includes theoretical essays that explore the multiple ways in which the very concept of 'nation' is based upon notions of family, sexuality and gender power which are often overlooked of downplayed by 'male-stream' scholarship. It gathers together an outstanding panel of feminist scholars and area studies specialists, who, through a series of focused case studies, analyse diverse issues which include; *gender and sectarian conflict in Northern Ireland *the paradox of Israeli women soldiers *women, civic duty and the military in the USA *the Hindu Right in India *power, agency and representation in Zimbabwe *political identity and heterosexism. This timely volume is a highly valuable resource for students and scholars of Nationalism, Internationalism Studies and Women's Studies.

The 1971 genocide in Bangladesh took place as a result of the region’s long history of colonization, the 1947 partition of the Indian subcontinent into largely Muslim Pakistan and Hindu India, and the continuation of ethnic and religious politics in Pakistan, specifically the political suppression of the Bengali people of East Pakistan. The violence endured by women during the 1971 genocide is repeated in the writing of national history. The secondary position that women occupy within nationalism is mirrored in the nationalist narratives of history. This book engages with the existing feminist scholarship on gender, nationalism and genocide to investigate the dominant representations of gender in the 1971 genocide in Bangladesh and juxtaposes the testimonies of survivors and national memory of that war to create a shift of perspective that demands a breaking of silence. The author explores and challenges how gender has operated in service of Bangladeshi nationalist ideology, in particular as it is represented at the Liberation War Museum. The archive of this museum in Bangladesh is viewed as a site of institutionalized dialogue between the 1971 genocide and the national memory of that event. An examination of the archive serves as an opening point into the ideologies that have sanctioned a particular authoring of history, which is written from a patriarchal perspective and insists on restricting women’s trauma to the time of war. To question the archive is to question the authority and power that is inscribed in the archive itself and that is the function performed by testimonies in this book. Testimonies are offered from five unique vantage points – rape survivor, war baby, freedom fighter, religious and ethnic minorities – to question the appropriation and omission of women’s stories. Furthermore, the emphasis on the multiplicity of women’s experiences in war seeks to highlight the counter-narrative that is created by acknowledging the differences in women’s experiences in war instead of transcending those differences. An innovative and nuanced approach to the subject of treatment and objectification of women in conflict and post conflict and how the continuing effects entrench ideas of gender roles and identity, this book will be of interest to academics in the fields of South Asian History and Politics, Gender and genocide, Women and War, Nationalism and Diaspora and Transnational Studies.

Women, Ethnicity and Nationalism asks whether societies caught in political or social transition provide new opportunities for women, or instead, create new burdens and obstacles for them. Using contemporary case-studies, each author looks at the interaction of gender ethnicity and class in a divided society. The varying experiences of women are discussed in the following countries: Northern Ireland; South Africa; the former Soviet Union and Yugoslavia; Yemen; Lebanon and Malaysia.

Most Americans think of Betsy Ross as she was depicted in Charles Weisberger's popular painting The Birth of Our Nation's Flag--a motherly figure, sewing at the hearth. In fact, as Jo Ann Menezes's analysis in Nostalgia, Gender, and Nationalism points out, Ross was a widowed businesswoman who ran an upholstery shop out of her house. In Weisberger's painting, all signs of economic industry are erased and Ross's house is transformed into a home rather that the site of cottage industry. Ross is constructed as the perfect heroic mother, worthy of sacred creation; thus, our flag was born. Ross's transformation into an icon neatly illustrates the conjunction of soaring nationalism and the establishment of woman as a fixed domestic presence and serves as an excellent example of the master narratives revealed in Nostalgia, Gender, and Nationalism. The essays in this provocative anthology explore the connections between nation and gender and the ways in which nostalgia functions to bind these two presumably unrelated constructions together. Collectively they suggest that women pay a special fee on behalf of the nation, even though it is traditionally represented as an honorarium given to them and that, in fact, the nation-state takes as a foundational principle the subordination of women.