Gender Studies In Wales

The last two decades have seen big changes within a small nation; the distinctiveness of Wales, in terms of its political life and culture, has grown considerably in that time. This edited collection by a range of eminent Welsh writers, emerging academics and creative artists examines what is distinctive about Wales and Welshness in an interdisciplinary yet comprehensive manner. The core concepts of gender, class and identity are explored throughout the book, which presents twelve chapters in three distinct yet overlapping thematic sections: Wales, Welshness, Language and Identity, Education; Labour Markets and Gender in Wales; and Welsh Public Life, Social Policy, Class and Inequality. The chapters explore the role of men and women in Wales and of Wales itself as a nation, an economy, and a centre of partially devolved governance, raising questions related to equality, policy and progression. The collection also features photographs, graphic art and poetic verse that both represent and extend the central arguments of the book.

This book explores the neglected history of women who were active in Liberal politics, campaigning for women's rights, the vote, and a full role for women in Welsh public life, at the end of the nineteenth century, and before the First World War. The over-arching argument of the book is that Welsh women's Liberal politics was distinctive, in its attempt to integrate an understanding of Liberalism which they shared with their English counterparts, and which included the aim of full equality for women, with a distinctively Welsh political agenda, and constructions of Welsh national identity. These constructions sometimes included a positive view of women in the nation, but in times of political crisis redefined gender on a more reactionary model.

Women, Identity and Religion in Wales is the first comprehensive study of its kind from a present-day perspective. It brings significant and original insights to an understanding of Welsh identity and religion, as well as exploring the distinctive pressures that women in Wales face in their everyday lives. The author provides a qualitatively rich account of the religious and sociological context and interweaves her own experience with that of a number of Welsh women writers, including Menna Elfyn, Jasmine Donahaye and Mererid Hopwood, to offer an in-depth understanding of the dynamic interplay between Welsh female identity and religion. At the heart of the book are conversations with thirteen other women whose lives and experiences reveal how women facing misogyny, repression and stigmatisation are able to respond with resilience and humour. The author concludes that Welsh women have an empowering stereotype, the Strong Woman, and are constructing new identities for themselves beyond the pressures to be respectable and submissive.

The first volume in the new series Gender Studies in Wales, this book argues that the way in which people came to perceive and to represent themselves as Welsh was profoundly affected by the gender ideologies prevalent during the Romantic and Victorian periods. "Nineteenth-Century Women's Writing in Wales: Nation, Gender and Identity" introduces readers to a hundred Welsh women authors at work during the years 1780-1900, some writing in Welsh and some in English. In so doing, it rescues many of these authors from critical neglect and oblivion. In the second half of the nineteenth century in particular, Welsh women writers in both languages were numerous and enjoyed a degree of influence on Welsh culture easily commensurate with that of women writers today. By covering the nineteenth century chronologically, this book traces the coming into being of the Welsh nation as its women in particular saw it, and as they helped to create it.

Poetry, Geography, Gender examines how questions of place, identity and creative practice intersect in the work of some of Wales' best known contemporary poets, including Gillian Clarke, Gwyneth Lewis, Ruth Bidgood and Sheenagh Pugh. Merging traditional literary criticism with cultural-political and geographical analysis, Alice Entwistle shows how writers' different senses of relationship with Wales, its languages, history and imaginative, as well as political, geography feeds the form as well as the content of their poetry. Her innovative critical study thus takes particular interest in the ways in which author, text and territory help to inform and produce each other in the culturally complex and confident small nation that is twenty-first century Wales.