Gendered Dynamics In Latin Love Poetry

In recent decades, Latin love poetry has become a significant site for feminist and other literary critics studying conceptions of gender and sexuality in ancient Roman culture. This new volume, the first to focus specifically on gender dynamics in Latin love poetry, moves beyond the polarized critical positions that argue that this poetry either confirms traditional gender roles or subverts them. Rather, the essays in the collection explore the ways in which Latin erotic texts can have both effects, shifting power back and forth between male and female. If there is one conclusion that emerges, it is that the dynamics of gender in Latin amatory poetry do not map in any single way onto the cultural and historical norms of Roman society. In fact, as several essays show, there is a dialectical relationship between this poetry and Roman cultural practices. By complicating the views of gender dynamics in Latin love poetry, this exciting new scholarship will stimulate further debates in classical studies and literary criticism with its fresh perspectives.

I hate and I love.' The Roman poet Catullus expressed the disorienting experience of being in love in a stark contradiction that has resonated across the centuries. While his description might seem to modern readers natural and spontaneous, it is actually a response planned with great care and artistry. It is that artistry, and the way in which Roman love poetry works, that this book explores. Focusing on Catullus and on the later genre of elegy - so-called for its metre, and a form of poetry practiced by Tibullus, Propertius and Ovid - Denise Eileen McCoskey and Zara Martirosova Torlone discuss the devices used by the major Roman love poets, as well as the literary and historical contexts that helped shape their work. Setting poets and their writings especially against the turbulent backdrop of the Augustan Age (31 BCE-14 CE), the book examines the origins of Latin elegy; highlights the poets' key themes; and traces their reception by later writers and readers.

Gendering Time in Augustan Love Elegy examines how and why time appears to affect men and women differently in Latin love elegy. Considering the genre's brief flowering during the Augustan Principate, it aims to situate the elegies of Propertius, Tibullus, and Ovid in their social and political milieu. The volume argues that the imperatives of the new regime, which encouraged a younger generation of loyalists to participate in the machinery of government, placed temporal pressures on the elite male that shaped the amator's (poet-lover's) resistance to enter a course of civil service and prompted his withdrawal into the arms of a courtesan, and therefore unmarriageable, beloved. In the second part of the volume Gardner focuses on the divergent temporal experiences of the amator and his beloved courtesan-puella (girl) through the lens of 'women's time' (le temps des femmes) and the chora, as theorized by psycholinguist Julia Kristeva. Kristeva's model of feminine subjectivity, defined by repetition, cyclicality, and eternity, allows us to understand how the beloved's marginalization from the realm of historical time proves advantageous to her amator, wishing to defer his entrance into civic life. The antithesis between the properties of 'women's time' and the linear momentum that defines masculine subjectivity, moreover, demonstrates how 'women's time' ultimately thwarts the amator's often promised generic evolution.

The Roman Poetry of Love explores the formation of a key literary genre in a troubled historical and political setting. The short-lived genre of Latin love elegy produced spectacular, multi-faceted and often difficult poetry. Its proponents Catullus, Tibullus, Propertius and Ovid remain to this day some of the most influential poetic voices of Western civilisation. This accessible introduction combines aesthetic analysis with socio-political context to provide a concise but comprehensive portrait of the Roman elegy, its main participants and its cultural and political milieu. Focusing on a series of specific poems, the title portrays the development of the genre in the context of the Emperor Augustus' ascent to power, following recognizable threads through the texts to build an understanding of the relationship between this poetry and the increasingly totalising regime. Highlighting and examining the intense affectation of love in these poems, The Roman Poetry of Love explores the works not simply as an expression of a troubled male psychology, but also as a reflection of the overwhelming changes that swept through Rome and Italy in the transition from the late Republic to the Augustan Age.

Latin love elegy is one of the most important poetic genres in the Augustan era, also known as the golden age of Roman literature. This volume brings together leading scholars from Australia, Europe and North America to present and explore the Greek and Roman backdrop for Latin love elegy, the individual Latin love elegists (both the canonical and the non-canonical), their poems and influence on writers in later times. The book is designed as an accessible introduction for the general reader interested in Latin love elegy and the history of love and lament in Western literature, as well as a collection of critically stimulating essays for students and scholars of Latin poetry and of the classical tradition.

The thesis shows that the Song of Songs can be read as a circular sequence of sub-poems, that follow logically from one another if they are understood as contributing to two main points, made in a woman's voice. The woman urges men to take romantic initiative to be committed exclusively and for life, and urges women three times to wait until they are approached by such men. If this reading is the best explanation of the text of the Song, then the Song is a unified work centered on a woman singing about human romantic love from a woman's perspective.

This volume sheds new light on the extraordinary richness and variety of love poetry written in Latin from the fifteenth to the eighteenth century. It shows how Latin love poets reworked classical Roman and Greek models, and engaged in dialogue with mediaeval and contemporary vernacular traditions of poetry. They used the poetic language of love in Latin to reflect and comment on wider social, ethical and literary issues, and reconfigured its codes of representation in response to changing conceptions of love in the philosophical and religious spheres. Their poetry often aligned itself with dominant discourses of power and gender, but it could also be subtly subversive or even openly transgressive.

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