Genesis Of An American Playwright

Besides To Kill A Mockingbird and The Trip To Bountiful, Foote has written a score of notable plays, teleplays, and films.

The outrageous true story of the French plot to supply arms and ammunition to Washington's Continental Army, and the bold French spy, inventor, playwright, and rogue behind it all

Theatre in America has had a rich history—from the first performance of the Lewis Hallam Troupe in September 1752 to the lively shows of modern Broadway. Over the past few centuries, significant works by American playwrights have been produced, including Abie’s Irish Rose, Long Day’s Journey into Night, A Streetcar Named Desire, Death of a Salesman, A Raisin in the Sun, Fences, and Angels in America. In 100 Greatest American Plays, Thomas S. Hischak provides an engaging discussion of the best stage productions to come out of the United States. Each play is discussed in the context of its original presentation as well as its legacy. Arranged alphabetically, the entries for these plays include: plot details production history biography of the playwright literary aspects of the drama critical reaction to the play major awards the play’s influence cast lists of notable stage and film versions The plays have been selected not for their popularity but for their importance to American theatre and include works by Edward Albee, Harvey Fierstein, Lorraine Hansberry, Lillian Hellman, Tony Kushner, David Mamet, Arthur Miller, Eugene O’Neill, Sam Shepard, Neil Simon, Gore Vidal, Wendy Wasserstein, Thornton Wilder, Tennessee Williams, and August Wilson. This informative volume also includes complete lists of Pulitzer Prize winners for Drama, the New York Drama Critics Circle Award for American Plays, and the Tony Award for Best Play. Providing critical information about the most important works produced since the eighteenth century, 100 Greatest American Plays will appeal to anyone interested in the cultural history of theatre.

Nation, Race & History in Asian American Literature reflects on the symbolic processes through which the United States constitutes its subjects as citizens, connecting such processes to the global dynamics of empire building and a suppressed history of American imperialism. Through a comparative analysis of David Henry Hwang's M. Butterfly, Lois-Ann Yamanaka's Blu's Hanging, and Jessica Hagedorn's Dogeaters, this study considers the ways in which bodies challenge the categories asserted in nation-building. The book proposes that underwritten by the vast histories of American imperial migrations, there are texts and bodies which challenge and reconstitute the ever-vexed definition of «American». In «re-membering» such bodies, Maria C. Zamora proclaims our bodies as actual living texts, texts that are constantly bearing, contesting, and transforming meaning. Nation, Race & History in Asian American Literature will engage scholars interested in cultural and critical theory, citizenship and national identity, race and ethnicity, the body, gender studies, and transnational literature.

The book demonstrates the experiences of Alice Childress, Lorraine Hansberry, and Suzan-Lori Parks in comparison with the dramas of each other and those of other African American women. These women playwrights created a militant theatre and a theatre of experience that applied to both the African American community in general and African and African American women in particular. They have been encompassed within African American woman’s aesthetics that shares the militancy and experiencecharacterized by a triple factor: race, gender, and class.

DigiCat Publishing presents to you this special edition of "A History of American Literature" by Percy Holmes Boynton. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Volume three of a unique three-volume history covering all aspects of American theatre.

With special emphasis on literary merit, this book chronicles the literature of the great nations of Britain and America from their earliest origins to the twenty-first century.