George Eliot And The Conflict Of Interpretations

Two versions of George Eliot, radical thinker and reclusive novelist, are brought together in this chronological study of her work. As a result, she is placed within the crisis of belief acted out in the mid-nineteenth century.

As a woman in an illegal marriage, publishing under a male pseudonym, George Eliot was one of the most successful yet controversial writers of the Victorian period. Today she is considered a key figure for women’s writing and her novels, including The Mill on the Floss and Middlemarch, are commonly ranked as literary classics. This guide to Eliot’s enduringly popular work offers: an accessible introduction to the contexts and many interpretations of Eliot’s texts, from publication to the present an introduction to key critical texts and perspectives on Eliot’s life and work, situated in a broader critical history cross-references between sections of the guide, in order to suggest links between texts, contexts and criticism suggestions for further reading. Part of the Routledge Guides to Literature series, this volume is essential reading for all those beginning detailed study of George Eliot and seeking not only a guide to her works but also a way through the wealth of contextual and critical material that surrounds them.

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. George Eliot's work has been subject to a wide range of critical questioning, most of which relates her substantially to a Victorian context and intellectual framework. This book examines the ways in which her work anticipates significant aspects of writing in the twentieth and indeed twenty first century in regard to both art and philosophy. This new book presents a series of linked essays exploring Eliot's credentials as a radical thinker. Opening with her relationship to the Romantic tradition, Newton goes on to discuss her reading of Darwinism, her radical critique of Victorian values and her affiliation with the modernists. The final essays discuss her work in relation to Derridean themes and to Bernard Williams' concept of moral luck. What emerges is a very different Eliot from the conservative figure portrayed in much critical literature.

George Eliot was one of the great thinkers of her time, a figure central to the main currents of thought and belief in the nineteenth century. Yet when this distinguished public intellectual turned to fiction writing at the age of thirty-six, she regarded it not as a lesser pursuit, but as the distillation of all of her knowledge and ideas. For Eliot, fiction enabled the consideration of life 'in its highest complexity', and had the capacity not merely to elicit, but actually to create, moral sentiment by surprising readers into the recognition of realities other than their own. In this new study, Pauline Nestor offers a challenging reassessment of Eliot's contribution to the critical debates, both of her age and of her own era. In particular, she examines the author's literary expolration of ethics, especially in relation to the negotiation of difference. Nestor argues compellingly that, through a reading of their sophisticated drama of otherness, Eliot's novels can be seen as freshly relevant to contemporary theoretical debates in feminism, moral philosophy, post-colonial studies and psychoanalysis. Covering the writer's complete body of major fiction, this is an indispensable voume for anyone studying the work of one of the most important and influential novelists of the nineteenth century.

Fionnuala Dillane revisits the first decade of Marian Evans's working life to explore the influence of the periodical press on her emergence as George Eliot and on her subsequent responses to fame. This interdisciplinary study discusses the significance of Evans's work as a journalist, editor and serial-fiction writer in the periodical press from the late 1840s to the late 1850s and positions this early career against critical responses to Evans's later literary persona, George Eliot. Dillane argues that Evans's association with the nineteenth-century periodical industry, that dominant cultural force of the age, is important for its illumination of Evans's understanding of the formation of reading audiences, the development of literary genres and the cultivation of literary celebrity.

In his study of Eliot as a psychological novelist, Michael Davis examines Eliot's writings in the context of a large volume of nineteenth-century scientific writing about the mind. Eliot, Davis argues, manipulated scientific language in often subversive ways to propose a vision of mind as both fundamentally connected to the external world and radically isolated from and independent of that world. In showing the alignments between Eliot's work and the formulations of such key thinkers as Herbert Spencer, Charles Darwin, T. H. Huxley, and G. H. Lewes, Davis reveals how Eliot responds both creatively and critically to contemporary theories of mind, as she explores such fundamental issues as the mind/body relationship, the mind in evolutionary theory, the significance of reason and emotion, and consciousness. Davis also points to important parallels between Eliot's work and new and future developments in psychology, particularly in the work of William James. In Middlemarch, for example, Eliot demonstrates more clearly than either Lewes or James the way the conscious self is shaped by language. Davis concludes by showing that the complexity of mind, which Eliot expresses through her imaginative use of scientific language, takes on a potentially theological significance. His book suggests a new trajectory for scholars exploring George Eliot's representations of the self in the context of science, society, and religious faith.

The girl who would become George Eliot began her professional writing life with a poem bidding farewell to all books but the Bible. How did a young Christian poet become the great realist novelist whose commitment to religious freethinking made her so iconoclastic that she could not be buried in in Westminster Abbey? Memorialized there today by a stone lain in the Poets' Corner in 1980, George Eliot wrote herself and her fellow Victorians through turbulent decades of moral and historical doubt in religious orthodoxy, alongside the unrelenting need to articulate a compelling modern faith in its place. Unafraid to confront the most difficult existential questions of her time, George Eliot wrote immensely popular novels that wrestled with problems whose hold has barely lessened in the last 150 years: the pervasiveness of human suffering and the injustice of its measures; the tension between fulfilling our ethical obligations to others and pursuing our own well-being; the impetus to act virtuously in this world without any guarantee of reward, and the need to make some "religion" in life, something beyond our own immediate, fluctuating desires. In this new account of George Eliot's spiritual life, George Eliot: Whole Soul, Ilana Blumberg reveals to us a writer who did not simply lose her faith once and for all on her way to becoming an adult, but devoted the full span of her career to imagining a wide religious sensibility that could inform personal and social life. As we range among Eliot's letters, essays, translations, poetry, and novels, we encounter here a writer whose extraordinary art and intellect offer us company, still today, in the search for modern meaning.

"In George Eliot's Dialogue with John Milton, Anna K. Nardo details how Eliot reimagined Milton's life and art to write epic novels for an age of unbelief. Nardo demonstrates that Eliot directly engaged Milton's poetry, prose, and the well-known legends of his life - transposing, reframing, regendering, and thus testing both the stories told about Milton and the stories Milton told."--BOOK JACKET.