George Paginton

A beautiful and long-overdue portrait of a great, but little known, painter of the vast Canadian natural and urban landscape. George Paginton: Painting a Nation explores the journey of a relatively unknown Canadian landscape painter who was a peer of members of the Group of Seven. Paginton's private passion was to document the wonder of nature from coast to coast. A prolific artist, Paginton created over 1500 oil paintings, the majority of which never exhibited or sold commercially. This publication aims to present the artist to Canadians and include him in the art historical cannon of the nation.

Bringing the Toronto lakefront to life, this survey presents the stories of a largely unrecognized and forgotten legacy. This book examines the Toronto waterfront, past and present, through the lens of four nearby districts—the Scarborough Bluffs, the Beach, the Island, and the Lakeshore (New Toronto, Mimico, Humber Bay, and Long Branch). A rich photographic journey supplements the history and explores the geography and landscape of these waterfront districts, revealing a thriving culture of people who relied upon Lake Ontario for survival. Anecdotal, descriptive, but also deeply personal, this is more than a local history, it is a layered trip into time and place.

In August 1914 the GWR was plunged into war, the like of which this country had never experienced before. Over the years that followed life changed beyond measure, both for the men sent away to fight and the women who took on new roles at home. Not since 1922 has the history of the GWR in the First World War been recorded in a single volume. Using modern data-bases and enjoying greater access to archives, Sandra Gittins has been able to produce a complete history which traces the GWR from the early, optimistic days through the subsequent difficult years of the Great War, including Government demands for war manufacture, increased traffic and the tragic loss of staff. From GWR ships and ambulance trains to the employment of women, every part of the story is told, including the saddest of all, which is represented by a Roll of Honour.

This tribute examines the life of this outstanding personality and monarch, with emphasis on her Canadian experiences.

No other figure, historical or political, features more prominently in recent Newfoundland history than Joey Smallwood. During his long career in Newfoundland politics, Smallwood used the literary, rhetorical, and theatrical skills honed in the first five decades of his life to create a distinct and celebrated persona. He told his own story in his lively autobiography, I Chose Canada, published in 1973 only a year after he left office. Talented, venturesome, and above all resilient, he was no ordinary Joe. Smallwood was born in Gambo, Bonavista Bay, but grew up in St John's. Leaving school at fifteen, he quickly established himself as a journalist and as a publicist for Sir William Coaker's Fishermen's Protective Union. In the early 1920s Smallwood sojourned twice in New York, where he planned a Newfoundland labour party. Ambition, however, led him to support the Liberal Party of Sir Richard Squires. Defeated as a candidate in the general election of June 1932, he next promoted producer and consumer cooperatives, but with mixed results. In 1937 he edited The Book of Newfoundland and thereafter enjoyed great success on the radio as "The Barrelman." The book culminates with Smallwood's adoption of the cause of Confederation and his swearing in on 1 April 1949 as premier of the new Province of Newfoundland. There are multiple J.R. Smallwoods, but the aspiring and ambitious figure presented in this biography stands apart. Melvin Baker and Peter Neary use the largely untapped sources of Smallwood's own papers and his extensive journalistic writing to add a documentary basis to what is known or conjectured about the first five decades of Smallwood's remarkable life, both public and private.