George Stubbs 1724 1806

This masterpiece of animal anatomy contains 36 plates that reproduce Stubbs' etchings. Based on the artist's own dissections and outline views, the illustrations feature extensive explanatory text. Full reproduction of 1766 edition.

George Stubbs is one of the greatest of British eighteenth-century painters, with a deep and unaffected sympathy for country life and the English countryside. This fully illustrated book outlines his career, followed by a catalogue raisonne (the first since Sir Walter Gilbey's short listing of 1898) of all his known works. One of the stickiest labels in the history of British art attached itself to Stubbs as 'Mr Stubbs the horse painter'. Over half of his paintings were of horses, each founded on the pioneering observations assembled (in 1766) in his book The Anatomy of the Horse; but Stubbs's wide-ranging subjects included portraits, conversation pieces and paintings of exotic animals from the Zebra to the Rhinoceros, as well as an extraordinarily sympathetic series of portraits of dogs.

Although George Stubbs is best known for his images of hounds and horses charging around the British countryside, the painter was also an avid student of the broader animal world. This volume features reproductions of paintings that highlight the painter's genius for combining realism and lyricism.

Far more than a fine horse portraitist, George Stubbs was a painter and a printmaker of the highest importance, on a par with his great contemporaries, Hogarth, Reynolds and Gainsborough. An artist-scientist who emulated Leonardo da Vinci, Stubbs tirelessly explored the natural world, and new ways of representing it. Born the son of a Liverpool tradesman, Stubbs was self-taught and at first struggled in obscurity as a northern provincial painter. Robin Blake's book uncovers Stubbs's origins and some of the secrets of his youth: sympathy with the Jacobite rebels and Catholicism; and a previously undocumented wife and family in York. A 'niece', Mary, became his mistress and lifelong companion, working alongside him as he dissected the carcasses of horses. In 1776 he published these investigations as The Anatomy of the Horse, which was his breakthrough, leading to commissions from the most powerful men in Georgian Britain. By tracing the network of patronage and friendship through which George Stubbs operated, Robin Blake reveals the remarkable succession of animals, people and ideas which inspired him. Stubbs emerges as a man of huge energy and complex sensibility whose artistry was informed by science, politics, literature, classical art and - above all - nature itself.