German Jewish Thought And Its Afterlife

InGerman-Jewish Thought and Its Afterlife,Vivian Liska innovatively focuses on the changing form, fate and function of messianism, law, exile, election, remembrance, and the transmission of tradition itself in three different temporal and intellectual frameworks: German-Jewish modernism, postmodernism, and the current period. Highlighting these elements of theJewish tradition in the works of Franz Kafka, Walter Benjamin, Gershom Scholem, Hannah Arendt, and Paul Celan, Liska reflects on dialogues and conversations between themandonthereception of their work.She shows how this Jewish dimension of their writings is transformed, but remains significant in the theories of Maurice Blanchot and Jacques Derrida and how it is appropriated, dismissed or denied by some of the most acclaimed thinkers at the turn of the twenty-first century such as Giorgio Agamben, Slavoj i ek, and Alain Badiou.

Since the Enlightenment period, German-Jewish intellectuals have been prominent voices in the multi-facetted discourse on the reinterpretation of Jewish tradition in light of modern thinking. Paul Mendes-Flohr, one of the towering figures of current scholarship on German-Jewish intellectual history, has made invaluable contributions to a better understanding of the religious, cultural and political dimensions of these thinkers’ encounter with German and European culture, including the tension between their loyalty to Judaism and the often competing claims of non-Jewish society and culture. This volume assembles essays by internationally acknowledged scholars in the field who intend to honor Mendes-Flohr’s work by portraying the abundance of religious, philosophical, aesthetical and political aspects dominating the thinking of those famous thinkers populating German Jewry's rich and complex intellectual world in the modern period. It also provides a fresh theoretical outlook on trends in Jewish intellectual history, raising new questions concerning the dialectics of assimilation. In addition to that, the volume sheds light on thinkers and debates that hitherto have not been accorded full scholarly attention.

Author Magdalena Waligorska offers not only a documentation of the klezmer revival in two of its European headquarters (Kraków and Berlin), but also an analysis of the Jewish / non-Jewish encounter it generates.

Overview of Nazi cinema

The modern German-Jewish experience through the rise of Nazism in 1933 was characterized by an explosion of cultural and intellectual creativity. Yet well after that history has ended, the influence of Weimar German-Jewish intellectuals has become ever greater. Hannah Arendt, Gershom Scholem, Theodor Adorno, Walter Benjamin, Franz Rosenzweig, and Leo Strauss have become household names and possess a continuing resonance. Beyond the Border seeks to explain this phenomenon and analyze how the German-Jewish legacy has continuingly permeated wider modes of Western thought and sensibility, and why these émigrés occupy an increasingly iconic place in contemporary society. Steven Aschheim traces the odyssey of a fascinating group of German-speaking Zionists--among them Martin Buber and Hans Kohn--who recognized the moral dilemmas of Jewish settlement in pre-Israel Palestine and sought a binationalist solution to the Arab-Israel conflict. He explores how German-Jewish émigré historians like Fritz Stern and George Mosse created a new kind of cultural history written against the background of their exile from Nazi Germany and in implicit tension with postwar German social historians. And finally, he examines the reasons behind the remarkable contemporary canonization of these Weimar intellectuals--from Arendt to Strauss--within Western academic and cultural life. Beyond the Border is about more than the physical act of departure. It also points to the pioneering ways these émigrés questioned normative cognitive boundaries and have continued to play a vital role in addressing the predicaments that engage and perplex us today.

German-Jewish intellectuals have occupied center stage in the discourse on Judaism and modernity since the Enlightenment. Dedicated to Paul Mendes-Flohr, this volume explores the complex interaction between Jewish thought and the often competing claims of non-Jewish society and culture, thus creating a rich image of German Jewry|´s intellectual world in the modern period. The outcome is a unique collection of essays that provides crucial new insights into the religious and political dimension characterizing the thought of those populating the pantheon of German-Jewish thinkers in the nineteenth and twentieth centuries.

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Argues that Jewish writers used depictions of Jews as animals to question prevalent notions of Jewish identity. The Infrahuman explores a little-known aspect in major works of Jewish literature from the period preceding World War II, in which Jewish writers in German, Hebrew, and Yiddish employed figures of animals in pejorative depictions of Jews and Jewish identity. Such depictions are disturbing because they sometimes rival common anti-Semitic stereotypes, and have often been explained away as symptoms of Jewish self-hatred. In this book, Noam Pines shows how animality emerged in Jewish literature not as a biological or conceptual category, but as a theological figure of exclusion from a state of humanity and Christianity alike. By framing the human-animal question in theological terms rather than in racial-biological terms, writers such as Heinrich Heine, S. Y. Abramovitsh, Hayim Nachman Bialik, Uri Zvi Greenberg, Franz Kafka, S. Y. Agnon, and Paul Celan subjected the pejorative designations of Jewish identity to literary elaboration and to philosophical negotiation. “A work of stunning originality. Noam Pines revisits texts across the expanse of European and modern Jewish culture, excavating a preoccupation with Jewish animality that is no less illuminating than it is unsettling.” — Steven J. Zipperstein, author of Pogrom: Kishinev and the Tilt of History “In this scrupulous and subtle book, Noam Pines shines new light on how animality, a well-worn theological figure of exclusion, can be seen afresh as a leitmotif of the intimate dialogue Jewish writers conducted with European literary traditions. With an exceptionally sure touch, Pines tracks this motif from Zionist literature through the postwar responses to Kafka’s legacy. The Infrahuman is a profound and highly commendable achievement.” — Vivian Liska, author of When Kafka Says We: Uncommon Communities in German-Jewish Literature and German-Jewish Thought and Its Afterlife: A Tenuous Legacy “The Infrahuman starts readers on an important journey from a place where we construct identities out of the cultural material that we would invent if that material had not already been provided: dichotomies (animal/human, Christian/Jew), other forms, images, things. Pines’s powerful readings of Heine, Abramovitsh, Bialik, Greenberg, Kafka, Agnon, and Celan may not teach us how to remember other alternatives, but they do call us to be attentive to the identificatory incapacities that have helped us forget how to live.” — David Metzger, coeditor of Chasing Esther: Jewish Expressions of Cultural Difference