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A comic book character is born, the youngest of sixteen, into a war torn country. Facing extreme brutality at school and on the streets, not to mention the oppression of the Catholic Church, he finds music. Armed with a violin and a burning passion, he escapes the madness and sets off to pursue his dreams. “Get Beethoven!” is the inspirational story of Paul Cassidy’s life. Overcoming adversity in his younger years, Paul recounts tragedy, joy, horror and humour. Informative and entertaining, the book charts his journey up to joining the Brodsky Quartet in 1982.

This biography of Ludwig van Beethoven is the first scholarly biography of Ludwig van Beethoven, covering Beethoven's life to 1816. Thayer became aware of many discrepancies in the already existing biographies of Beethoven, so in 1849 he sailed for Europe to undertake his own researches, learning German and collecting information. Still after many updates Thayer's biography of Beethoven is regarded as a standard work of reference on the composer.

Nachdruck des Originals.

Widely regarded as the greatest composer that ever lived, Ludwig van Beethoven was the principal musical figure in the transitional period between the Classical and Romantic eras. Dominating a period of musical history as no other composer before or since, Beethoven produced monumental works that combine a forceful intensity of feeling with a perfection of design. Delphi’s Great Composers Series offers concise illustrated guides to the life and works of our greatest composers. Analysing the masterworks of each composer, these interactive eBooks include links to popular streaming services, allowing you to listen to the pieces of music you are reading about. Evaluating the masterworks of each composer, you will explore the development of their works, tracing how they changed the course of music history. Whether a classical novice or a cultivated connoisseur, this series offers an intriguing overview of the world’s most famous and iconic compositions. This volume presents Beethoven’s masterworks in succinct detail, with informative introductions, accompanying illustrations and the usual Delphi bonus features. (Version 1) * Concise and informative overview of Beethoven’s masterworks * Learn about the classical pieces that made Beethoven a celebrated composer * Links to popular streaming services (free and paid), allowing you to listen to the masterpieces you are reading about * Features a special ‘Complete Compositions’ section, with an index of Beethoven’s complete works and links to popular streaming services * Includes Beethoven’s letters (translated by Lady Wallace) - spend hours exploring the composer’s personal correspondence * Also features four biographies, including Thayer’s seminal study - explore Beethoven's intriguing musical and personal life Please visit www.delphiclassics.com to browse through our range of exciting eBooks CONTENTS: The Masterworks Cantata on the Death of Emperor Joseph II Piano Concerto No. 2 Piano Sonata No. 8, Pathétique Symphony No. 1 Piano Sonata No. 14, Moonlight Sonata Violin Sonata No. 9, Kreutzer Sonata Symphony No. 3, Eroica Fidelio Violin Concerto in D major Symphony No. 5 Symphony No. 6, Pastoral Egmont Bagatelle No. 25, Für Elise Piano Concerto No. 5, Emperor Concerto Piano Trio No. 7, Archduke Symphony No. 7 Missa solemnis Symphony No. 9 String Quartet No. 14 Complete Compositions Index of Beethoven’s Compositions The Letters Beethoven’s Letters (1790-1826) The Biographies Life of Beethoven by Anton Schindler The Life of Ludwig van Beethoven by Alexander Wheelock Thayer Beethoven: A Memoir by Elliott Graeme Brief Biography: Ludwig van Beethoven by Donald Francis Tovey Please visit www.delphiclassics.com to learn more about our wide range of exciting titles

I have often heard people express their wish that someone who has died would return to us and relate what the life-death-rebirth experience is really like. Well, someone has! This is exactly what Beethoven does in my third novel, Beethoven, Then and Now. Like Beethoven, each one of us is the proud possessor of a "human soul." This clearly defined object is none other than our very own spiritual subelectron. Our physical hulk is only a pile of ashes; but our "soul" (spiritual subelectron) is unique, eternal, indestructible. Because of its high vibrations, Beethoven's "soul" is immediately attracted to the third subelectronic ring of our First-Second-Order universe. Here it awaits rebirth via fusion with the spiritual subelectron of a Major-Order being within our Second-Order-Major universe. Paul Rezler (age seventeen) is the fortunate recipient of this unbelievable prize. He had awakened to the day at hand with his usual zero interest in music. Now (1827 Earth-time) he is the greatest Earth- musician yet to live. Try as Beethoven does, he cannot adjust to the Second-Order reality of corporate composers, not even to being the absolute leader of the Beethoven Corporation. He must be entirely on his own-- a single man vs. the world! Counselor Robinson does his best in selecting a Subsidiary culture which contains a "Vienna" as close as possible to the one which Beethoven had left behind upon his Earthly death. Within a month, our hero makes his translation and enjoys living where there's not the trace of anything resembling a "musical corporation." Sketches for new "third-period" works begin to flow: a piano sonata, a string quartet, a piano trio, a violin concerto, even some encouraging vibrations of Symphony 10. A handful of piano and violin students emerges, including an exceptional young lady named Anna Rosecranz, who is already a master of these instruments. Her musicianship is so strong that they soon fall in love and are married. How they enjoy performing concerts together! In time, as Beethoven works at his composer's desk, she starts peering over his shoulder. She begs him for lessons in composition. He replies, "I compose, and AM NOT a teacher of composition!" This declaration does not frighten her away. As Beethoven fumbles and bumbles his way from sketchbook to finished score, Anna carefully watches each step of the process. Her comments are invaluable: Use a pedal-point here. Not so dissonant a chord.. Pure melody would fit here. Please, not so sustained. Too many notes in the melody. Avoid more of this rhythm. Two-voice counterpoint would do. Too much for the brass here. This use of strings is perfect. Thanks to Anna, Beethoven accomplishes the impossible. He realizes that he works far better with her help than without it. He now loves to share the very process which only yesterday had demanded his total aloofness. As if by magic, he is now prepared to return to Major-Order life as managing partner in charge of the Beethoven Corporation. But considering all that Anna has done for him, he cannot now simply go his own way. As a Subsidiary being, her lifespan is a mere 100 years, compared to his Second-Order-Major span of 1000 years. Being happily married, he plans to share life for the balance of her days. But Fate has his own plan for their lives--. After all their years of loving and sharing, Anna is "killed" in an automobile accident. When Beethoven returns to the Major Order, a super surprise awaits him. There stands Anna Rosecranz, a full Major-Second-Order being, with whom he can share the rest of their 1000 years in joyful creative activity. His first question: "On Earth, who were you, my dear?" Her reply causes our hero to faint for the second time in his entire Second-Order life!

The Life of Ludwig van Beethoven is the first scholarly biography of Ludwig van Beethoven, covering Beethoven's life to 1816. Thayer became aware of many discrepancies in the already existing biographies of Beethoven, so in 1849 he sailed for Europe to undertake his own researches, learning German and collecting information. Still after many updates Thayer's biography of Beethoven is regarded as a standard work of reference on the composer.

Alexander Wheelock Thayer's Life of Beethoven. has long been recognized as the classic biography of Beethoven. "Thayer, with his calm and logical mind, scrupulous, magnanimous and spacious...had set out to describe for posterity the great man as he was and lived...and his patient realism and all but inexhaustible industry had created an irreplaceable and masterly portrait." So Van Wyck Brooks described this monumental work of the 1880's. Thayer talked with Beethoven's surviving friends, gathered anecdotes, and sifted hundreds of documents. The resulting wealth of detail stimulated other students, and a mass of Beethoven scholarship appeared. Now Elliot Forbes, one of the foremost Beethoven scholars of our time, has used this new material to bring the Life up to elate without sacrificing Thayer's text.

The original intention was that this book should be entirely biographical. If it be true, however, that out main interest is (or ought to be) in what a composer did rather than in what he was, the truth applies especially to Beethoven, and above all at the present time. The scheme of the book has therefore been modified so as to include a survey of his work. An attempt to make such survey cover the whole of Beethoven’s output would result in little more than a catalogue, with annotations to brief as to convey hardly anything of the essential quality of the music. It seemed, therefore, that the limited space would be best used, and the needs of the general reader more fully met, by a much less rigid and comprehensive method. My aim has been to indicate some, at least, of the more important characteristics of Beethoven’s works, and to show their influence on his successors.