Get Writing

A middle-aged, independent, has it-all woman survives a nearly fatal road traffic accident in March 2004. She then begins a tortuous journey of physical, mental and emotional healing. Stripped of all her friends and family, she is left to overcome these challenges on her own. Yet, all hope is not lost. She finds healing in the most unlikely place, the Physiotherapy department of a local hospital, through simple people doing simple acts of kindness. As the physical landscape changes from winter to spring, she slowly renews herself from deep within while desperately clinging to her most prized possession: her independence.

This book takes an integrated approach, using the principles of story structure to discuss every aspect of successful science writing, from the overall structure of a paper or proposal to individual sections, paragraphs, sentences, and words. It begins by building core arguments, analyzing why some stories are engaging and memorable while others are quickly forgotten, and proceeds to the elements of story structure, showing how the structures scientists and researchers use in papers and proposals fit into classical models. The book targets the internal structure of a paper, explaining how to write clear and professional sections, paragraphs, and sentences in a way that is clear and compelling.

How to write a novel in the most efficient way by tackling the hardest part before you start to write, from top book coach Jennie Nash "This process makes me want to write, and it makes what I'm writing better. I read it before every draft. It's that good." -KJ Dell'Antonia, New York Times bestselling author of The Chicken Sisters Whether you're writing your first novel or your tenth, there is a temptation to pin it to the page before it disappears. It's such a brilliant idea and you can see the whole thing shimmering in your mind, just out of reach. Maybe you do some work on character development and plotting, but you're a racehorse at the gate, ready to run, ready to write. This book is an argument to stop and define the foundational elements of your story before you keep writing - which means understanding your motivation as a writer, considering your reader's expectations, and making sure your story has a solid structure that will hold up inside and out from beginning to end. This clarity is what gives a novel its power and a writer their confidence. Jennie Nash is the creator of the Book Coach Certification program at Author Accelerator and has taught hundreds of book coaches and thousands of novelists how to use the Blueprint for a Book system-and the Inside Outline at the heart of it - to help them produce their best work in the most efficient way. "Jennie Nash turned me into a plotter and changed the way I think about approaching any new project. I'm an Inside Outside outline fan for life!" -Alison Hammer, author of You and Me and Us and Little Pieces of Me "If you are about to start writing or revising your novel - hold up! You need this book before putting fingers to keyboard. It's a step-by-step design-your-novel manual that encapsulates the most important aspect of great story-telling: how to reach deep into your writerly heart and into the heart of the story you want to bring to life." - Janet Fox, author of The Artifact Hunters "I will sing the praises of the Inside Outline forever. It's f*ing genius." -Carla Naumburg, author of How to Stop Losing Your Sh*t With Your Kids "The Inside Outline is making writing easier. I can focus more on the writing rather than discovering what the scene is about when I'm creating it. Why isn't every writer using it? Instead, people are plonking down good money to be told ten key steps in writing dialogue or setting a scene. I'm so grateful I'm no longer one of them." - Kate Kimball, first time novelist

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

The Get Writing! Books contain a wide range of writing activities which are closely linked to the Storybooks and selected Non-fiction books. Children's writing is supported at every step from writing simple sentences to extended texts, including invitations, letters, descriptive texts andnon-fiction texts. Longer composition activities are based on a new six-step process with lots of oral rehearsal and role play so children are full of ideas before they write. Check boxes throughout the books prompt children to proofread and review their writing, helping them to make sustained progress.The books are part of the Read Write Inc. Phonics programme, developed by Ruth Miskin. The programme is designed to create fluent readers, confident speakers and willing writers. It includes Handbooks, Sounds Cards, Word Cards, Storybooks, Non-fiction, Writing books and an Online resource. ReadWrite Inc. is fully supported by comprehensive professional development from Ruth Miskin Training to ensure its easy implementation.

Writing your own book can be a magical experience, one that takes the sting out of writing challenges. This fun-filled book offers over 100 new ideas for book-making projects that will inspire any student. From writing a fairy tale on pages shaped like a castle to creating a pop-up card for a family member to building a puzzle book filled with games and stories, this book provides something for every student.The book includes step-by-step instructions for planning, drafting, and construction, and book forms and folding guides for each project. Get Writing! provides unique opportunities for developing important writing and numeracy skills that link to all areas of the curriculum and give students a new confidence and pride in their written work.

This title teaches readers how to stop dreaming about becoming an writer and take steps to make their dreams come true! Helpful tips for finding inspiration, keeping an ideas journal and always thinking creatively will help your readers publish their own book in no time! An activity at the end of the book encourages readers to make a finished book to share with friends.

The aim of this book is to get you writing. It's full of inspiration, tips and writing exercises for anyone who wants to write children's fiction. Included are tips from other published writers, useful links and answers to questions you've always wanted to ask. Includes chapters on: Know-how: the difference between writing for children and writing for adults. How to get ideas for your stories from your family, your work and your life - and how to expand those ideas. Creating believable characters children will love reading about. Writing by the seat of your pants, or plotting? Basic things you need to know for either approach. Writing realistic dialogue. Writing the first draft How to create 'reel them in' beginnings, sustain the pace in the middle, and write satisfying endings. How to write page-turning chapter endings; keeping continuity when writing series. Writing for the educational market. Writing a synopsis and a proposal. Submitting your work to a publisher or agent. Dealing with rejects and rewrites. Publicity and marketing. Publishing your own work.