Ghana S Ashanti Pioneer Newspaper

This book is a history of a prominent Ghanaian newspaper, the Ashanti Pioneer, as well as well-known figurers in the country itself. It utilizes the stories published in the newspaper to recount the history of the press, including its key individuals and groups, and to provide a unique perspective on the most important events in the Gold Coast during the mid-twentieth century, just prior to and after independence. This work will show that the Ashanti Pioneer influenced public opinion on several subjects. From its opening in 1939, the newspaper contributed greatly to the spread of newsworthy information throughout Ghana, formerly known as the Gold Coast, from Kumasi to the coastline and to its Northern borders. Readers interested in African History, independence movements and newspaper history will find this work insightful.

The Oxford Handbook of Cinematic Listening explores the place of cinema in the history of listening. It looks at the ways in which listening to film is situated in textual, spatial, and social practices, and also studies how cinematic modes of listening have extended into other media and everyday experiences. Chapters are structured around six themes. Part I ("Genealogies and Beginnings") considers film sound in light of pre-existing practices such as opera and shadow theatre, and also explores changes in listening taking place at critical junctures in the early history of cinema. Part II ("Locations and Relocations") focuses on specific venues and presentational practices from roadshow movies to contemporary live-score screenings. Part III ("Representations and Re-Presentations") zooms into the formal properties of specific films, analyzing representations of listening on screen as well as the role of sound as a representational surplus. Part IV ("The Listening Body") focuses on the power of cinematic sound to engage the full body sensorium. Part V ("Listening Again") discusses a range of ways in which film sound is encountered and reinterpreted outside the cinema, whether through ancillary materials such as songs and soundtrack albums, or in experimental conditions and pedagogical contexts. Part VI ("Across Media") compares cinema with the listening protocols of TV series and music video, promenade theatre and personal stereos, video games and Virtual Reality.

Examines the emergence of Ghana as a Soviet satellite in Africa and reviews the U.S. aid programs for developing countries.

Examines the emergence of Ghana as a Soviet satellite in Africa and reviews the U.S. aid programs for developing countries.

This book examines the relationship between the press and the government in Ghana from 1822 to 1992. It provides a critical, historical, and analytical perspective for understanding the origins of, the present status of, and the outlook for the future of the Ghanian press. The author documents decisions and actions taken by the respective regimes regarding the press and press freedom issues -- from the colonial period of the 1820s to the immediate post-independence era of the late 1950s to the revolutionary transformation period of the 1980s and early 1990s. Asante also analyzes the media's role in helping to nationally develop and integrate the developing country Ghana. The Press in Ghana is comprehensive in scope, yet organized systematically and straightforwardly. Written simply and clearly, the discussions move chronologically from one regime to another. Succinct summaries at the end of each chapter highlight social, economic, and political policies and programs of each regime. Visuals include maps and black-and-white captioned photographs of Ghana's political leaders. This well-researched and cogently written work will be an indispensable tool in courses on international communication, mass communication and society, and surveys of foreign press systems.

In the 1950s, Ghana, under the leadership of Kwame Nkrumah and the Convention People’s Party, drew the world’s attention as anticolonial activists, intellectuals, and politicians looked to it as a model for Africa’s postcolonial future. Nkrumah was a visionary, a statesman, and one of the key makers of contemporary Africa. In Living with Nkrumahism, Jeffrey S. Ahlman reexamines the infrastructure that organized and consolidated Nkrumah’s philosophy into a political program. Ahlman draws on newly available source material to portray an organizational and cultural history of Nkrumahism. Taking us inside bureaucracies, offices, salary structures, and working routines, he painstakingly reconstructs the political and social milieu of the time and portrays a range of Ghanaians’ relationships to their country’s unique position in the decolonization process. Through fine attunement to the nuances of statecraft, he demonstrates how political and philosophical ideas shape lived experience. Living with Nkrumahism stands at the crossroads of the rapidly growing fields of African decolonization, postcolonial history, and Cold War studies. It provides a much-needed scholarly model through which to reflect on the changing nature of citizenship and political and social participation in Africa and the broader postcolonial world.