Ghost In The Tower

Tales of haunting from one of the world’s most terrifying landmarks. The Tower of London’s most horrific tragedies are well known; the gruesome deaths of the two boy princes in the Bloody Tower, Anne Boleyn’s execution, the Jesuit priests and heretics who suffered the agonies of the rack and thumbscrew. Is it any wonder, then, that there are frequent reports of bloodcurdling screams and moans, of unexplained footsteps and ghostly headless figures? Here, recorded for the first time, is an account for all to read—but preferably not at night—when you only think you are alone! Ghosts of the Tower of London is part of The Paranormal, a series that resurrects rare titles, classic publications, and out-of-print texts, as well as publishes new supernatural and otherworldly ebooks for the digital age. The series includes a range of paranormal subjects from angels, fairies, and UFOs to near-death experiences, vampires, ghosts, and witchcraft.

Caina has hated the Imperial Magisterium, the Empire’s college of magi, for all her life…and the magi hate and fear her right back. But the Magisterium has much bigger problems right now, and the First Magus is willing to make a deal. If Caina can find the root cause of a mysterious string of suicides, the Magisterium will leave her in peace. Except the suicides are actually murders. And unless Caina is clever, she’ll be the murderer’s next victim…

Steven and Jessica are determined to use their aunt Helen's country inn, which is an eerie old mansion, to scare their sister, Elizabeth, into believing in ghosts.

W. B. Yeats meets Gregg Araki at a gay bar. The Tower is a "translation" of W. B. Yeats's The Tower—an homage and reinvention of the poet’s greatest work. Whereas Yeats’s book contended with his mortality as an aging spiritualist Irish Senator, this version contends with a new mortality: ours. The poems in this collection crystallize the transition from Legault’s late twenties to his early thirties, situated in North America during a time of political upheaval. It takes each of Yeats’s poems as a starting point and queers them. It translates Yeats’s modernist urge, on the other side of a long century. In her review of The Tower, Virginia Woolf says Yeats has “never written more exactly and more passionately.” One might imagine she’d conclude the same here. You can’t fault these poems for lacking passion. Yeats used to talk to ghosts. His wife would let ghosts talk through her. They would talk to Yeats, and he would write down what they say. Another way you could put it is that Yeats talked to his wife. Ghosts are much closer than you think. They like to live in books. So Legault spent some time talking to Yeats’s ghost. Or, Yeats’s ghost talked to him. This is him talking back. "Through Legault, the opening of Yeats’ words in the title poem shift and turn from absurdity to one of anxieties around ageing" —rob mclennan's Blog "If you've never cared about poetry, you will after reading these modern-day renderings..." —Maria-Claire

Irish Ghost Stories contains stories that tell of spooky goings-on in almost every part of the country. They include the tales of the Wizard Earl of Kildare, the Scanlan Lights of Limerick, Buttoncap of Antrim, Maynooth College's haunted room, Loftus Hall in Wexford, and an account of how the poet Francis Ledwidge appeared to an old friend in County Meath. The country of Ireland is full of old castles with secret rooms, and while some of the stories are obvious figments of lively imaginations, there are other tales that cannot be easily explained away.

There has been an upsurge in books, television programmes, films and websites exploring the reality or otherwise of the spirit world. Not since the founding of The Ghost Club in 1862 and the Society for Psychical Research in 1882 has ghost hunting been so popular. Television and the internet, in particular, have fueled this new level of interest, creating a modern media phenomenon that spans the globe. But while the demand for information is high, good information remains scarce. A Brief Guide to Ghost Hunting leads us through the process of ghost hunting, from initially weighing the first report, to choosing equipment, and investigating and identifying the phenomena, with an analysis of the best places to go looking, methods of contacting the spirit world, how to explain paranormal activity and, crucially, how to survive the encounter. However, it is also a book about ghost hunting itself, drawing on 130 years of research in the cavernous archives of the Society for Psychical Research and even older history to find the earliest ghost stories. A Ghost Hunting Survey makes use of interviews with those billing themselves as ghost hunters to find out their views, motivations and experiences. New and original research makes use of statistics to map the nebulous world of apparitions while a Preliminary Survey of Hauntings offers an analysis of 923 reported phenomena from 263 locations across the UK. This is, as far as possible, an objective presentation of ghosts and ghost hunting. It is no wonder that mainstream science largely refuses to deal with the subject: it is too complicated. Without trying to convince you of any viewpoint, this book is intended to help you understand more.