Ghost Sonata

Generally considered one of milestones in the development of modern drama, August Strindberg's chamber play "The Ghost Sonata" (1907) has variously been hailed as the first expressionist, surrealist and absurdist drama. In this monograph of the play as text and as performance --the first of its kind--Egil Tornqvist examines, in four chapters, the source text, various translations of it into English, the stage versions of Max Reinhardt, Olof Molander and Ingmar Bergman, and select radio and TV adaptations. In two framing chapters the background and impact of the play are illuminated. Focusing on Bergman's 1973 production, the book in addition contains a rehearsal diary and a transcription of this production. It is concluded with an annotated list of select productions.

Gilda Joyce?s best friend, Wendy Choy, is chosen to participate in a piano competition in Oxford, England, so of course super-sleuth Gilda finds a way to go too. Once there, the grueling practice schedule takes a backseat to strange and spooky occurrences. There are foreboding tarot cards that keep appearing to the participants and ominous numbers etched in frosty windowpanes. But even more chilling are Wendy?s ghostly nightmares of a young boy?and the haunting melody she can?t shake out of her mind. Could there be a sinister connection to the piano competition? Gilda has a genuine haunting on her hands, and solving this one will take every ounce of psychic intuition she?s got!

A Study Guide for August Strindberg's "The Ghost Sonata," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.

In this book, Dr Ekman considers Strindberg's four "Chamber plays" of 1907: "Thunder in the Air", "The Burned Site"," The Ghost Sonata" and "The Pelican".

Exhaustive compendium by one of the world's foremost experts on the Swedish master covers Bergman's life, his cultural background, his entire artistic career and extensive annotated bibliographies of interviews and critical writings on Bergman.

This copiously annotated bibliography documents and examines the whole range of commentary on Strindberg's works and activity in many fields besides the plays for which he is internationally best known. These include his prose fiction and poetry, his work as an historian and natural historian, and his relationship to the other arts, most notably his painting. It is concerned with both lasting works of literary and dramatic criticism, as well as reviews of his books and plays in the theatre, and some more ephemeral material, all of this in several languages. Organised generically and by subject and individual work, the bibliography enables the reader to trace the changing impact of Strindberg and his works in various countries and during different periods. It is thus very much a study in reception as well as a bibliographical record of published material. It traces the developing image of Strindberg and his writing both during his lifetime and in subsequent years, and with frequent cross reference offers a comprehensive overview of a literary and existential project that has rarely been matched for its multifaceted diversity. The bibliography is published in three parts. Volume 1, General Studies (978-0-947623-81-4) and Volume 3, Prose, Poetry, Miscellaneous (978-0-947623-83-8) are also now available. Michael Robinson is Emeritus Professor of Drama and Scandinavian Studies at the University of East Anglia, Norwich.