Ghosts In Asia

Have you ever heard of the Aleya? These mysterious lights shine through the swamps of Bengal, India. Could they be ghosts? The Aleya are one of three ghost stories of Asia highlighted in this chilling title. Through engaging text and creepy images, readers will come face-to-face with ghostly spirits from around the continent. Maps show where each story is from, while other features highlight similar stories and possible explanations.

Recounts famous ghost stories from Asia.

Another deluxe edition of new writing and neglected perspectives. Asian ghosts, from India to China, Japan to Thailand, Korea to the Philippines, can be both terrifying and comforting. Underpinned by strong cultural beliefs in the cycles of life and ancestor worship, the nature of Asian spirits differs from that of their counterparts in other areas of the world. The possibility is more instinctually accepted that ghosts remain with us, as part of the world, whether we can see them or not. In Saigon The Daughter of Hui Bi Hua roams the corridors of the Ho Chi Minh City Museum of Art, in Japan the Kappa displays an insatiable appetite for cucumbers, in Indonesia the Kuntilanak is a wicked spirit, feared by all, and in Thailand the Preta is a disgusting, hungry ghost. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.

This book brings together the essay collection "Written in the margins of life (Xie zai ren sheng bian shang)" and the short story collection "Human, beast, ghost (Ren shou gui)."

The unexpected arrival of Richard Fong's wife, along with two other women from China, brings complications for Richard as he struggles to combine his two lives and decide if he wants to be with his wife, the local woman he has fallen for, or the prostitute he has been visiting.

Ghost Movies in Southeast Asia and Beyond explores ghost movies, one of the most popular film genres in East and Southeast Asia, by focusing on movie narratives, the cultural contexts of their origins and audience reception.

Chiang Mai (literally, “new city”) suffered badly in the 1997 Asian financial crisis as the Northern Thai real estate bubble collapsed along with the Thai baht, crushing dreams of a renaissance of Northern prosperity. Years later, the ruins of the excesses of the 1990s still stain the skyline. In Ghosts of the New City, Andrew Alan Johnson shows how the trauma of the crash, brought back vividly by the political crisis of 2006, haunts efforts to remake the city. For many Chiang Mai residents, new developments harbor the seeds of the crash, which manifest themselves in anxious stories of ghosts and criminals who conceal themselves behind the city’s progressive veneer. Hopes for rebirth and fears of decline have their roots in Thai conceptions of progress, which draw from Buddhist and animist ideas of power and sacrality. Cities, Johnson argues, were centers where the charismatic power of kings and animist spirits were grounded; these entities assured progress by imbuing the space with sacred power that would avert disaster. Johnson traces such magico-religious conceptions of potency and space from historical records through present-day popular religious practice and draws parallels between these and secular attempts at urban revitalization. Through a detailed ethnography of the contested ways in which academics, urban activists, spirit mediums, and architects seek to revitalize the flagging economy and infrastructure of Chiang Mai, Johnson finds that alongside the hope for progress there exists a discourse about urban ghosts, deadly construction sites, and the lurking anxiety of another possible crash, a discourse that calls into question history’s upward trajectory. In this way, Ghosts of the New City draws new connections between urban history and popular religion that have implications far beyond Southeast Asia.

Jimmy, an introspective and world-traveled social studies teacher, lives a quiet life working in a Minnesota high school. Having lived in Japan for several decades—a country that he considers his second home—he is caught off-guard by the ancient and unfinished legacy that has followed him back across the Pacific. As the sun sets, Jimmy begins to see strange events in his home: a disembodied hand in the moonlight, then the full apparition of a Japanese woman in traditional kimono. Despite being separated by the boundaries of time and space, life and death, Jimmy and the mysterious woman discover a karmic connection. Together, they search for the root of her eternal restlessness in the hopes of attaining her redemption. Jimmy must unravel her past to discover how their destinies are intertwined, and how they might heal one another.