Ghulam Mohammed

This book is about the life and work of Ghulam Mohammed one of the greatest music directors of Hindi film industry whose compositions are priceless. A genius who gave remarkable music and a man with an unbeatable talent. His music is immortal.

"Akashvani" (English ) is a programme journal of ALL INDIA RADIO ,it was formerly known as The Indian Listener.It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them,take part in them and produce them along with photographs of performing artists.It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" (English ) in January 5, 1958. It was made a fortnightly again on July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 01/05/1960 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 48 VOLUME NUMBER: Vol. XXV. No. 18. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 08-48 ARTICLE: 1. Are Plays Written for monyalone 2. Sociological Thought and Literature 3. Feuds in NEFA Tribes 4. International Assignments of Indian Armed Forces AUTHOR: 1. A.C Hall 2. R. E . Cavallero 3. M. C. Goswami 4. Major V. Longer KEYWORDS : A crusadere,condition today,the Elizabethans Never young,debased currency, Hollow shibboleths,old standards invalid, Executive agent,exemplary behaviour,complex problems Document ID : APE-1960-(J-J)-Vol-I-18 Prasar Bharati Archives has the copyright in all matter published in this and other AIR journals.For reproduction previous permission is essential.

Ten Classics is an in-depth look into the intricacies that went into making of ten legendary Hindi movies−milestones in the history of Indian cinema. Surprising and intriguing facts, the filmmakers’ inspiration behind making them, the conceptualization and actual filming, dotted with anecdotes, incidents, events and trivia surrounding the process of making each of the films, are narrated as recalled by the actual people involved, or someone closely associated with these films. Painstakingly researched and fascinating to read, the book sheds light on factors that make these ten films the classics that they are today. A film journalist for over 23 years, Authors familiarity with the craft of filmmaking adds depth and colour to the perspective. Interesting facts like: Why Mughal-e-Azam took 16 long years to be completed and who the mystery financier was, who invested his trust and money in it, even though the delay had sent its budget skyrocketing; how Amitabh Bachchan bagged the role of Dr Bhaskar Banerjee in Anand, even though Zanjeer, which established him as an actor to reckon with, was yet to release...and many more curious questions like these are answered here. The author has selected one groundbreaking film made by each of the ten legendary directors that she had chosen to showcase. • Do Bigha Zamin • Mother India • Pyaasa • Do Aankhen Barah Haath • Mughal-e-Azam • Guide • Teesri Kasam • Pakeezah • Anand • Umrao Jaan

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 17 JANUARY, 1971 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 52 VOLUME NUMBER: Vol. XXXVI. No. 4 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 13-50 ARTICLE: 1. Sir Henry Cottons 2. A Day to Remember 3. Pop Music 4. From Loincloth to Lungi AUTHOR: 1. P. Kodanda Rao 2. S. K. Banerjee, M.C. 3. Prof. Lucio Rodrigues 4. Prof. Armando Menezes KEYWORDS : 1. Rules Our Hearts, Shades Of Mutiny, Curzon Annoyed, British Patriot of India 2. Rise of Nazis, Role in Action, Taken By Surprise, Attack and Counter-Attack 3. Underlying Seriousness, Elvis Presley, The Characteristics, Easy to Remember 4. Its Own Apology, Nudity,.No Embarrassment, Tailor-Made Document ID : APE-1970-71 (Dec-Jan-Feb) Vol-I-04 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

Forsaking Paradise is a collection of stories that address and express the angst ridden dilemmas of modern Ladakhi society. Written by Abdul Ghani Sheikh, one of the foremost writers in Urdu in Ladakh today, these stories offer a glimpse into a world that has been highly romanticized but is grounded in reality.

Portrait of India (1970) is a vivid account of 60s’ India and some of its most interesting figures—Indira Gandhi, Jaya Prakash Narayan and Satyajit Ray, among others. Travelling across the country from the Himalayas to Kerala, through its villages and cities, Ved Mehta’s observations of and insights into India remain relevant and thought-provoking even today.

With these questions in mind Professor Kapur charts the continuous power struggles of Pakistan's ruling elites. Using a historical and comparative approach he shows how the search for democracy and national identity has been hindered by army intervention, political intrigue and the failure of Islam to unite the various ethnic factions. While pessimistic about the chances for democracy in Pakistan, he hopes that the democratic pluralism and broad-based political activity emerging in much of Eastern Europe and the Third World will inspire ordinary Pakistanis to transform their country into a nation, in spirit as well as in name.