Gimme A Black And Tan

Patrick Tungstein ignored the social graces. He believed in whiskey or some variation of it. His temper grew on this particular night. His cold and hard fist displaced the drunk's jaw with one strike followed by a body blow that collapsed the man to the ground. Nobody insulted Patty without invoking his Irish temper. He leaned toward his Irish roots over the contributions of his Polish father. His paternal genealogy gave him little pause to act with discretion. Years collapsed like dominos as Patty impregnated his fourth wife with three children. They shared a little place on the edge of London. She learned, as his exes knew that he was a drunk. He left for a PI assignment in the states. It was good pay as he was to hunt a suspected hacker who had leaked trade secrets. It put Patty in the employ of an ex-intelligence officer who demanded obedience.

When Black Culture and Black Consciousness first appeared thirty years ago, it marked a revolution in our understanding of African American history. Contrary to prevailing ideas at the time, which held that African culture disappeared quickly under slavery and that black Americans had little group pride, history, or cohesiveness, Levine uncovered a cultural treasure trove, illuminating a rich and complex African American oral tradition, including songs, proverbs, jokes, folktales, and long narrative poems called toasts--work that dated from before and after emancipation. The fact that these ideas and sources seem so commonplace now is in large part due this book and the scholarship that followed in its wake. A landmark work that was part of the "cultural turn" in American history, Black Culture and Black Consciousness profoundly influenced an entire generation of historians and continues to be read and taught. For this anniversary reissue, Levine wrote a new preface reflecting on the writing of the book and its place within intellectual trends in African American and American cultural history.

Celebrate your moment. Life is full of highs and lows. The Message Bible has the words to carry you through each one. Words of comfort and celebration. Words of heartache and hope. Enjoy the gifts that life brings and a Bible that can express each moment. The Message is a reading Bible translated from the original Greek and Hebrew Scriptures by scholar, pastor, author, and poet Eugene Peterson. Thoroughly reviewed and approved by 20 biblical scholars, The Message combines the authority of God's Word with the cadence and energy of conversational English. For the first time as a Large Print gift Bible, The Message includes all these popular features! Personalize your Bible with the colorful presentation page. Find passages with The Message's unique verse-numbered paragraphs. Get your bearings with handcrafted maps. Use your Bible for years to come with its durable binding. Keep your place with a satin ribbon marker. Read The Message, and fill your life with the unexpected passion and personality that fill God's Word.

It might seem that African Americans and Mexican Americans would have common cause in matters of civil rights. This volume, which considers relations between blacks and browns during the civil rights era, carefully examines the complex and multifaceted realities that complicate such assumptions—and that revise our view of both the civil rights struggle and black-brown relations in recent history. Unique in its focus, innovative in its methods, and broad in its approach to various locales and time periods, the book provides key perspectives to understanding the development of America’s ethnic and sociopolitical landscape. These essays focus chiefly on the Southwest, where Mexican Americans and African Americans have had a long history of civil rights activism. Among the cases the authors take up are the unification of black and Chicano civil rights and labor groups in California; divisions between Mexican Americans and African Americans generated by the War on Poverty; and cultural connections established by black and Chicano musicians during the period. Together these cases present the first truly nuanced picture of the conflict and cooperation, goodwill and animosity, unity and disunity that played a critical role in the history of both black-brown relations and the battle for civil rights. Their insights are especially timely, as black-brown relations occupy an increasingly important role in the nation’s public life.

In 1969 after 20 years living in New York City, Engineer, Photographer & Educator William Henry Mackey, Jr. returned to the rural Georgia backwoods where he had been raised. During the 20 years since he had left, the South had undergone drastic changes, from the Civil Rights Era to the technological advances in farming techniques, yet at the same time it remained the same simple place where he had grown up. Mackey proceeded to photograph and interview friends, family and other residents of the area in an effort to document their history and recollections of an era that was fast fading under the onslaught of 'progress'. The result is a fascinating look into the legacy of rural Blacks in coastal Georgia and the political, technological and social changes they underwent during the century since the Emancipation Proclamation.

This comprehensive reference book provides succinct information on almost thirteen hundred musical stage works written and produced from the 1870s to the 1990s involving contributions by black librettists, lyricists, composers, musicians, producers, or performers or containing thematic materials relevant to the black experience. Organized alphabetically, they include tent and outdoor shows, vaudeville, operas and operettas, comedies, farces, spectacles, revues, cabaret and nightclub shows, children's musicals, skits, one-act musicals, one-person shows, and even a musical without songs. In addition to the hundreds of shows independently created, produced, and performed by black writers and theatrical artists, it presents hundreds more representing a collaboration of black and white talents. An appendix organizes the shows chronologically and highlights those that were most significant in the history of the black American musical stage. An extensive bibliography and indexes of names, songs, and subjects complete the work.

Party Music explores the culture and politics of the Black Power era of the late 1960s, when the rise of a black militant movement also gave rise to a “Black Awakening” in the arts--and especially in music. Here Rickey Vincent, the award-winning author of Funk, explores the relationship of soul music to the Black Power movement from the vantage point of the musicians and black revolutionaries themselves. Party Music introduces readers to the Black Panther's own band, the Lumpen, a group comprised of rank-and-file members of the Oakland, California-based Party. During their year-long tenure, the Lumpen produced hard-driving rhythm-and-blues that asserted the revolutionary ideology of the Black Panthers. Through his rediscovery of the Lumpen, and based on new interviews with Party and band members, Vincent provides an insider's account of black power politics and soul music aesthetics in an original narrative that reveals more detail about the Black Revolution than ever before. Rickey Vincent is the author of Funk: The Music, The People, and the Rhythm of the One, and has written for the Washington Post, American Legacy, and the Los Angeles Review of Books. He teaches at the University of California, Berkeley.